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The logic in my above comment feels rather Marty DiBergi-esque. I get it, record company’s gonna record company.

Just a trend I’m noticing this year. A lot of albums in consideration for my year end list have been between 30-35 minutes. And we are all aware of the deluxe edition that comes out a year after the initial release trick. Just add in the 2 tracks, and put out the “deluxe” release upfront. It...

And look, I love a lean and mean 45 minute album, but if an artist feels they can make the statement they want to make in 35 minutes, I’m great with that too. Just don’t turn around 12 months later with a deluxe version featuring 2 “new” songs recorded during the same sessions.

It’s a tricky release. Kinda live, but not exactly. Revisiting old songs. It is not the kind of project I would normally be inclined to include, but I’ve really enjoyed it since its release.

The NFL is all about safe picks these days when it comes to the Halftime show for the Super Bowl. This feels right in line with that approach. Shouldn’t ruffle too many feathers, or lend itself to ridiculous calls for boycotts or other nonsense.

The new mix definitely feels closer to “Let It Be”. Not all the way there, but certainly closer.

The new mix will take some getting used to, but I like it. Definitely closer to the feel of “Let It Be”.

Loved other parts of downtown Nashville, and really liked the Vanderbilt campus area, which is where we’re staying. These Broadway bars with an act playing strictly for tips on each of their 3 floors is garbage, if you ask me.

It’s like, “Do you want to go into ‘Jason Racist’s Big Ass Honky Tonk’ for a drink, or maybe hit ‘Kid Bigot’s House of Rock’ instead?” Also, if you want to hear mediocre classic rock covers, Broadway in Nashville is the place to go.