MikeH
Well-Known Member
The tricky thing is curating well enough to try to satisfy many subscribers each month. Swaps for credit/other store exclusives and the different tracks help…but if you’re swapping for credit more often than not, then the sub probably doesn’t make sense. I have trouble finding things to buy with credit. There’s the occasional anthology but outside of that, only the true exclusives really interest me. Loved Fleetwood Mac, Nina, Sly, and the Elton exclusives. Most other stuff lately is either way too long of a preorder or is available elsewhere.VMP’s sweet spot is twofold:
1) AAA audiophile reissues, that tend to be the definitive 33 rpm release (think most Classics and a number of their older monthly titles)
2) Great sounding reissues of that haven’t been on vinyl in a long time (or ever) or have only a ho-hum standard release. A lot of the Essentials and RHH seem to mine this one.
Curation helps a lot with #1 and is absolutely vital for #2. #1 is the bread and butter of most audiophile labels these days. #2 requires a lot more work and is harder to execute well. The Lost Sounds Found think sounds great in theory, but isn’t sustainable as anything but a 3rd or worse priority.