BjorgenFjorgen
Well-Known Member
I read East of Eden when I was 18 for my senior year lit class and have been meaning to re-read it since then. I'm sure it will only be better now that I'm older.
That was me with Grapes of Wrath. I just re-read that a couple years ago; so fantastic.I read East of Eden when I was 18 for my senior year lit class and have been meaning to re-read it since then. I'm sure it will only be better now that I'm older.
I was thinking about another Murakami novel after I finish what I'm currently reading but maybe I'll jump into W&P instead.If you love AK, you should love W&P. Or at least I am. You have a leg up on Tolstoy's style and move through it quicker too.
I really loved Devil House. And I think the thing with John Darnielle's writing is...there is a plot, sort of with all three novels (the second one having the most clear plot), but he always goes much deeper into themes over plot. Which I get can just not work for everyone.
So, Devil House has a story that you can follow as you keep track of each section and how they circle back and connect to each other. It’s a lot of playing around with structure, and using it to reveal greater depths to the overall meaning of the book. But that’s all not to say that it’s only compelling thing is its form. I think the stories being told in Devil House are great, and just really engaging to me. But there’s also an emotional depth to what’s going on.
I found the same to be true with Wolf In White Van - which I love. That book is so interestingly written and constructed, but at its core there’s something so emotional about it. Devil House doesn’t necessarily hit that emotional high, but there is incredible stuff inside it.
I get why people do not like his books. But they have given me a lot of enjoyment personally. They are unique experiences. Universal Harvester is my least favorite (but it has the most initially hooking plot). Devil House feels like the culmination of his writing so far - and a nice addition to his music. There’s a lot of types of characters and subject matter in Devil House that he’s definitely played around with in his music.
Not everything works 100% in Devil House. I am intrigued by a certain…bizarre section in the middle. I’ve read a bit about what he’s said about it and still I’m not sure it completely connects to everything else. However, it’s probably the most engaged I’ve been reading a book this year.
I definitely get Darnielle’s “thing,” and enjoyed it in Wolf and Universal; it just fell flat here for me. The lack of emotional depth in the first section really put me off, and I felt like I understood what he was going for more from reviews than from the work itself. I also think his previous books were a lot slimmer, making it easier to forgive ambiguity or confounding plotting.I land somewhere in the middle on Devil House, and I wonder if my opinion is skewed by the fact that I've never read any of other Darnielle's other novels. I enjoyed the prose a lot, but some of the themes just fell flat withme.
And without spoiling anything,about 2/3 in there was a section that still has me scratching my head. Gorbonian or something? It was printed in a typeface that hurt my eyes, and I still have no idea what I read.
Yeah I think that first section is a little cold and factual, and you don't necessarily get a good grip on the narrator there. But i feel like that is intentional? Maybe? I'm still kinda unraveling my thoughts about it as I just finished it last week. Also yes this book is pretty lengthy for him, and it keeps shifting perspectives and angles, so it's tough to fully grasp the point and if you aren't on board with it early on I don't think it would change anyone's mind.I definitely get Darnielle’s “thing,” and enjoyed it in Wolf and Universal; it just fell flat here for me. The lack of emotional depth in the first section really put me off, and I felt like I understood what he was going for more from reviews than from the work itself. I also think his previous books were a lot slimmer, making it easier to forgive ambiguity or confounding plotting.
Again, the feeling was less “this doesn’t work” than “this isn’t working for me right now.”
I land somewhere in the middle on Devil House, and I wonder if my opinion is skewed by the fact that I've never read any of other Darnielle's other novels. I enjoyed the prose a lot, but some of the themes just fell flat withme.
And without spoiling anything,about 2/3 in there was a section that still has me scratching my head. Gorbonian or something? It was printed in a typeface that hurt my eyes, and I still have no idea what I read.
Wrapped up The Demon Crown this morning. I went from a plague in book one to murder wasps in book two. I think this guy knows something we don't
Anyway, did you know there's a salt mine in Poland, the Wieliczka Salt Mines, that reaches a depth of over 300 meters and expands horizontally for over 250 meters? There are lakes and chapels. Horses were used in the mining process - some spent 20+ years without seeing the light of day.
Now, a lot of this book took place in Hawaii and the surrounding waters. It reminded me that we should take a moment to really consider if our dream Hawaiian vacation is absolutely necessary. Native Hawaiians are facing issues of overcrowding, environmental damage and a higher cost of living. Oh, and there's a pandemic - I can't imagine tourism is alleviating any of that pressure.
Crucible is up next. Looks like it's gonna be witches and artificial intelligence. Spooky.
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I'm finally caught up with the James Rollins Sigma Series. I wrapped up Crucible a bit ago and finished with The Last Odyssey just last night. AI is terrifying. Surveillance is terrifying. And I'm gonna take a break from apocalypse scenarios for a minute.
Next up is You'll Never Believe What Happened to Lacey: Crazy Stories About Racism by Amber Ruffin & Lacey Lamar.
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