(but wait there's more! I composed all these reviews before discovering I was bumping up against a character limit):
Book 14: The Tombs of Atuan, by Ursula K. Le Guin
Um...great!
It's taken me several books to warm up to Le Guin, but there is something so simple yet ineffable about her writing. I read A Wizard of Earthsea a few years back and didn't really connect with it. Tombs of Atuan, however, had me hooked from the beginning. Just a simple, effective fable; no notes.
Book 15: Hondo, by Louis L'Amour
I was in an antique store in central Oregon, and nearly every booth had Louis L'Amour paperbacks. I was staying at a friend's farm for a week, so I read this while sitting in an adirondack chair in the middle of a cow pasture. This is L'Amour's first book, which started as a short story, then was expanded into a movie, which was in turn adapted into a full novel by L'Amour.
This reads like a western movie from the 50s; maybe the headstrong female character was bold for her time, and maybe the depiction of the Apache nation was more nuanced than one would expect at the time. It has not aged well in the 70 years since. The plot boils down to "Hondo takes shelter at the ranch of a widowed mother, leaves, then decides to come back because a woman needs a man and a son needs a father." I'll have to see what the other L'Amour I bought is like (I also picked up an Elmore Leonard western which I'm eager to crack).
Book 16: Trust, by Hernan Diaz
Ran into the bookstore for the first time in a while and just pulled some stuff off the shelves. I think this was announced as winning the Pulitzer just a few days before (as well as Stay True, from a previous post in this thread. Read Stay True!).
Here's my Goodreads review, but I'll sum it up as the kind of book which promises to upend your expectations and then repeatedly telegraphs its twist. It's not bad, and I'd be curious what others got out of it; I'm open to whatever deeper thematic ideas might be at play, but the story on its face felt really simple and I wonder if much is there once you strip the literary conceit of four conflicting novellas telling the same story - though it's less of a Rashomon than a Where'd You Go Bernadette?.