4th Annual N&G 31 Days* of Halloween (2022)

The Faculty (1998)


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A lot of Nostalgia for me dripping from this one but I think it aged pretty damn well outside of just a couple scenes where CGI was used. I remember at the time it was something a little different since so many Horror movies were Scream or I Know What You Did cashgrabs to end the 90's and that title sequence with Offspring's The Kids Aren't Alright was a flawless execution to start things off! Then it had a solid team with Robert Rodriguez as the Director, the Scream franchise writer Kevin Williamson and a super deep relevant cast with mostly everyone well written (Jon Stewart was super random seeing it now haha). It's def. a bit messy at times for sure but that isn't much of a downfall considering the entire movie is clearly going for an intentional campy feel with a lot of sci-fi throwbacks on top of the Horror aspects. Kind of like the clear "The Thing" blood test callback which supplied my most remembered quote from the movie "He’s tweaking you asshole! Let him fucking tweak!" 😂 . It's too bad Rodriguez didn't do more Horror as I really love his style and the way he shot this movie elevated it to another level from most other movies coming out around the same time imo.. It's pretty much my Breakfast Club as if you look at the main characters you could easily pin point the similarities even to how they start the movie and finish it. My only real issue with it is the ending which brought the overall movie down just a lillll bit for me but it's still rock solid!

💀💀💀🦴

It's funny how seeing Ol' sexy ass Famke clearly having something going on with the student Hartnett at the end was the coolest thing ever when I saw it as a teenager but it was much more creepy and weird asf seeing it as I get older especially how they are so open with zero eff's about anyone seeing haha
I watched this again a couple months ago!
 
The Faculty (1998)


31400ed20e17565e368f62a833c2124a.jpg



A lot of Nostalgia for me dripping from this one but I think it aged pretty damn well outside of just a couple scenes where major CGI was used. I remember at the time it was something a little different since so many Horror movies were Scream or I Know What You Did cashgrabs to end the 90's and that title sequence with Offspring's The Kids Aren't Alright was a flawless execution to start things off! Then it had a solid team with Robert Rodriguez as the Director, the Scream franchise writer Kevin Williamson and a super deep relevant cast with mostly everyone well written (Jon Stewart was super random seeing it now haha). It's def. a bit messy at times for sure but that isn't much of a downfall considering the entire movie is clearly going for an intentional campy feel with a lot of sci-fi throwbacks on top of the Horror aspects. Kind of like the clear "The Thing" blood test callback which supplied my most remembered quote from the movie "He’s tweaking you asshole! Let him fucking tweak!" 😂 . It's too bad Rodriguez didn't do more Horror as I really love his style and the way he shot this movie elevated it to another level from most other movies coming out around the same time imo.. It's pretty much my Breakfast Club as if you look at the main characters you could easily pin point the similarities even to how they start the movie and finish it. My only real issue with it is the ending which brought the overall movie down just a lillll bit for me but it's still rock solid!

💀💀💀🦴

It's funny how seeing Ol' sexy ass Famke clearly having something going on with the student Hartnett at the end was the coolest thing ever when I saw it as a teenager but it was much more creepy and weird asf seeing it as I get older especially how they are so open with zero eff's about anyone seeing haha

I watched this again a couple months ago!

Oh man, I had THE biggest crush on Clea DuVall back then.
 
12. Nope (2022)
Rating: 💀💀💀

What a weird movie and not at all like I expected (but not in a bad way). I'd say this is more Sci-Fi action than Horror but i guess it does have elements of that. Reminds me of the movie Twister. Overall I enjoyed it though, the middle dragged a little but the ending sequence is really fun.

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Chalk up another brilliant win for Bong Joon-ho.

I forgot he directed Mother until I remarked this felt like one of his films about 20 minutes in, and sure enough it was.

Twisted. Tragic. Challenging. Masterful.

💀💀💀💀 🦴


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It's officially October! 🎃🥳 However, I have two September watches I still need to post, the first of which being...

MOVIE #26
Psycho (1960)
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A stone-cold masterpiece, there's no other word for it. I can't begin to imagine how shocking this must have been to audiences in 1960, as even today it's quite a disturbing film. It's delightfully cruel in the way it misleads and plays with the audience's expectations, which of course is what makes it such a great film. Though I think most people nowadays know all the various twists and turns the story takes due to how often Psycho is referenced in pop culture, it's still such a compelling movie that you can get sucked into the mystery and intrigue even if you already know what's going to happen. That's a testament to the groundbreaking filmmaking of Alfred Hitchcock, who more than earns his title as the Master of Suspense here.

Rating: 💀💀💀💀💀

 
MOVIE #27
Dracula (1931)
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I feel like my selections have been skewing fairly modern this season, so I decided to give shine to some classics, and you can't get much more classic than this. The granddaddy of the Universal monsters, Tod Browning's Dracula was the first of many iconic horror films the studio would use to usher in the era of sound movies. It's one of the most instantly recognizable films ever made, and Bela Lugosi's chilling turn as the titular count would become the standard all other Draculas are held up to.

And I... hadn't actually sat down and watched it until yesterday. 😶

In my defense, it's easy to feel like you've already seen this movie, with how often it has been imitated in popular culture, but still, it's sort of one of those rights of passage that any horror fan should experience for themselves, and (spoiler alert) this definitely won't be the last classic Universal movie I'll watch this year. As for the actual review, I enjoyed it, but I understand why others wouldn't. There's some undoubtedly great elements to it, such as the aforementioned Lugosi, but Dwight Frye is also great in the role of Renfield, and it's got that classic Universal feel seeping out of every corner. The film was photographed by the same cinematographer behind Fritz Lang's Metropolis, Karl Freund, and his work here is astonishing.

However, given it's such an early example of a sound movie to begin with, you have to be willing to accept that there's going to be some quirks that come with age. One of the most striking things about the film is how eerily quiet it is. Had it been made only a few years earlier, there might have been a score to fill some of the dead air, but in a way, that might not have been quite as effective. I think the antiquated style adds a layer of creepiness, and the fact that it isn't a loud, flashy film can be pretty unnerving itself. Personally, I think the film's best moments come from the opening stretch where Renfield is visiting Dracula's castle, but the entire thing is definitely worth watching at least once.

Rating: 💀💀💀💀

 
Day 31.

Hocus Pocus 2
💀💀💀

The wife was a fan of the old one so she was looking forward to this one but had low expectations. It was okayer than either of us expected given what it is. Kids will probably like it enough and parents who grew up with the first one will be entertained for the nostalgia factor. I'm not sure if it will hit with the tweens or not, but I think it was aiming there more than kids.

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Finally, a weekend when I can sneak more foreign language films in. "Not Your Typical Horror Comedy" was today's theme on the Horror Queers Spooky Season challenge list (chosen today by Scarred for Life podcast), so I queued up Bloody Oranges which I knew had earned some caustic reactions but had seen some strong reviews too.

I really liked it! It starts out feeling pretty akin to a lighthearted Christopher Guest movie as we're introduced to a seedy politician, an old couple in a competitive dance competition, and a young girl consulting her OBGYN. We're teased with underlying themes of social and political unrest from economic strife—and socioeconomic horror is totally within my interests.

After the midway point, shit hits many fans. Everything that was boiling under the surface comes to a head, and things devolve suddenly into violent exploitation horror without sign of reprieve. The biting, pitch black comedy will not work (and has not worked) for many people, but it's quite the viewing experience (once).

💀💀💀💀


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Snuck Huluween Dragstravaganza in before the Shudder secret screening—easy to do at just 40 minutes in length.

It's a fun little treat for drag and campy horror fans alike. Hulu snagged a bunch of great show gals and ghouls, including a few performers new to the stream screen, for some kooky, spoopy, Halloweeny song and dance numbers. Ginger Minj and Monet X Change find themselves sucked into an old TV and have to host a full drag show to make it back in time for their stage time at the club.

Along the way, they make fun of (and have fun with) classic horror tropes with the help of Mo Heart, Landon Cider, Lady Bunny, Manila Luzon, Jujubee, Jackie Beat, Selene Luna and Mario Diaz.

If you're a fan of any of these artists already, you'll have a great time. If you're not familiar, it's a fun little romp that could introduce you to some truly fun new personalities. It's great to see all these performers get to strut their stuff with some production value involved.


💀💀💀 🦴


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Been looking forward to new Argento, and Shudder just treated us to an early viewing before it hits their library of originals later this month. I was glad from the start that the screening wasn't for some sequel to a franchise I've not caught up with.

The moment the distributor logos started on the secret screening, I quickly guessed we were in for something international. Then the credits started revealing Italian and French co-production with initial shots feeling particularly giallo-esque, which I immediately was down for. Wish I'd have thought to go steal of what's left of my bottle of J&B scotch for the occasion!

I'm happy to say Dark Glasses was much more enjoyable than The Mother of Tears, which I kicked my HoopTober challenge off with last month. While TMoT lacked so much of the signature Argento-isms I'd come to love about his movies, Dark Glasses offered plenty.

This movie is surprisingly victim-centric for an Argento giallo, and we get to spend time and empathize with the main character as they find themselves the direct target of a serial killer. There's really only one sequence that really had me confused because it was quite the out of place choice, but everything else worked well enough. Glad to see Argento still doing his thing.

💀💀💀


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4.

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💀 💀 💀 💀 💀
Another one of the classics I hadn't seen. Somewhat different than I expected and even better than I expected. I really love the 80s era of practical special effects and mediocre acting - there's something truly special about the period. And the "digital" effects here cracked me the fuck up every time those neon dots and lines appeared, but they also didn't take away from being right in it from the opening minute. Not sure how deep I want to, or will dig into the rest of the franchise - I'd kind of like to keep this one pure. But I'm also open to recommendations from the more knowledgeable folk here. (@EvanBenner I'm looking in your direction!)
 
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