Definitive Audiophile pressings

Hootie was part of this adult contemporary pop movement that was massive in the 90's. And now it doesn't really exist anymore at any marketable scale.
This! While I never need to hear a Hootie or Matchbox Twenty song ever again, I don’t think I have heard either (without seeking them out myself) in probably close to 20 years at this point. I bet there are some retail spaces where this type of music might play while my In-Laws shop for coffee tables and lounge chairs but where this music was once inescapable it’s now nearly impossible casually stumble upon. And sometimes strictly for nostalgia sake I need to jam to some of these songs but I will say since I was never a fan of this music during its 90s I definitely don’t have a connection to these whole albums but rocking out to an 90s Contemporary Pop Spotify playlist while mowing the lawn can really scratch that itch of nostalgia that will arise from time to time.
 
This! While I never need to hear a Hootie or Matchbox Twenty song ever again, I don’t think I have heard either (without seeking them out myself) in probably close to 20 years at this point. I bet there are some retail spaces where this type of music might play while my In-Laws shop for coffee tables and lounge chairs but where this music was once inescapable it’s now nearly impossible casually stumble upon. And sometimes strictly for nostalgia sake I need to jam to some of these songs but I will say since I was never a fan of this music during its 90s I definitely don’t have a connection to these whole albums but rocking out to an 90s Contemporary Pop Spotify playlist while mowing the lawn can really scratch that itch of nostalgia that will arise from time to time.
I need someone to write an essay on 90s adult contemporary vs. post grunge. Your Creed, Fuel, hell even Nickelback types which seem to be having a revival moment vs. Hootie and Matchbox 20 which, while get plays, don’t have as rabid of fanbases.

As far as adult contemp goes, good points above regarding Adele. Because I feel Alanis is also adult contemporary, and she’s also seen a revival. So I think it’s more male contemporary that’s seen a nosedive. John Mayer knew best to get the hell out of the genre while he could.
 
I need someone to write an essay on 90s adult contemporary vs. post grunge. Your Creed, Fuel, hell even Nickelback types which seem to be having a revival moment vs. Hootie and Matchbox 20 which, while get plays, don’t have as rabid of fanbases.

As far as adult contemp goes, good points above regarding Adele. Because I feel Alanis is also adult contemporary, and she’s also seen a revival. So I think it’s more male contemporary that’s seen a nosedive. John Mayer knew best to get the hell out of the genre while he could.
The crowd at the Army-Navy game was singing fucking Creed’s “Higher” like it was “Sweet Caroline” at a Sox game.
 
In college in the mid 90s in PA, Hootie was huge with the college aged guys. I had never heard of them while my friend was going on about how excited he was that they were playing at our college. I don't think they were adult contemporary back then. It just seems like it now that the people that were into them are older.
 
In college in the mid 90s in PA, Hootie was huge with the college aged guys. I had never heard of them while my friend was going on about how excited he was that they were playing at our college. I don't think they were adult contemporary back then. It just seems like it now that the people that were into them are older.
Yeah, There is a Venn diagram of music enjoyed by frat bros and music enjoyed by frat bros moms and Hootie resides smack dab in that overlap.
 
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