Jim, the weight matters very little. Quality of pressing does. Black vinyl is better than colored and a lighter weight black vinyl is preferable, to me anyways, over colored 180g.Hi Guys, as you may have seen, this release (Floating Points/Pharoah Sanders/LCO is blowing my mind in many different ways. I been listening to the streaming since Friday, and slept on this one far too long. I have a normal vinyl coming this week.
My question is when this release makes it to repress (hopefully soon) would you think the 180G version would be a good upgrade for a few bucks more when available again or is the normal version just fine ? (I know some of you have the VMP as Mike has said. Fremer mentions both versions available in his review when suggesting the vinyl is the way to go over streaming but not the benefit of the 180G variant. I will pass on the Indie Exclusive marble version. Tx and cheers, Jim
@MikeH @Selaws
Tonight I just happen to be in the mood for EW&F I Am, first US pressing, thin as paper - sounds great.
That Floating Points/Sanders is 100% digital. The original master is 24/44. I know it may be heresy, but I often prefer the original hi-res digital master over vinyl, particularly if the music suits a very quiet background.
Now, on many modern digital recordings, there is a digital hi-res vinyl master file, and a separate digital hi-res file for CD, streaming, etc. - and usually there is a huge difference between the two. The digital master for vinyl will be uncompressed, or at least minimally compressed as suits the music. The digital master for digital production is usually (but not always) heavily compressed for the ear buds streaming crowd.
So, if there is an uncompressed digital master, it may be preferable. If there is not, or I really love the album, vinyl is it.