Mr Moustache
Well-Known Member
Yep, me too, from popmarket.WOOT! Confirmation received![]()
Can’t wait to listen to that CD I am about to receive haha
Yep, me too, from popmarket.WOOT! Confirmation received![]()
Yep, me too, from popmarket.
Can’t wait to listen to that CD I am about to receive haha
I did not. I have read good things about it. Looks like it's now IN STOCKi think @djdavedk may have just picked it up?
ah wasn't sure if you grabbed it or not. restocked a week or two ago. also at MD:I did not. I have read good things about it. Looks like it's now IN STOCK
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The Sisters of Mercy - Floodland
Mastered on Mobile Fidelity's renowned mastering system in California and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP improves the record's splendid dynamic contrasts, low-end thrust, expansive dimensionality, and moody atmospherics. Steinman's sonic...mofi.com
Thanks for the heads up, I still had the 2002 Sundazed bookmarked until this came out. I'll grab it off Amazon and see how it sounds@AnthonyI looks like that Booker T Green Onions reissue just came out and based on discogs, was cut by Bernie Grundman. So I doubt that one is in the KG pipeline if you wanted to pick it up.
I saw the cover of the Art Pepper and it's.... something lolHelluva day for reissues today with Green Onions, Art Pepper Meets the Rhythm Section, and John Lee Hooker's Burnin' all coming out today
I'd be interested in hearing your thoughtsI'll probably pick up the 60th later today and compare it to the KG Sundazed.
the art pepper is awesome. but i have the RSD mono so didn't need to double dip.I saw the cover of the Art Pepper and it's.... something lol
Is this the standard cover or have they gone with something else?I saw the cover of the Art Pepper and it's.... something lol
Awesome. I’m absolutely in on this when it’s repressed. Assuming it’s sold out everywhere by now, yeah?What are the chances of being wowed by an audiophile jazz pressing? We've had Music Matters Jazz, SRX vinyl, Mobile Fidelity, Tone Poets, Acoustic Sounds, and any number of other labels/projects/formulations to raise our expectations and consistently hit that audio sweet spot. Well, today I received and played the Kirsten Edkins album from Kevin Gray's Cohearent Records label and I'll be damned if I wasn't blown away by the sound. Absolutely 3-dimensional, with every instrument having its own clearly defined space in the mix, and I don't mean just "right" or "left" or "center-left," I'm talking about closing your eyes and having the studio space and its players come to life in a holographic kind of way. On top of that, every instrument sounds real enough to literally be in the room. The cymbals are incredibly life-like, as if there weren't microphones and tape machines and mixers and cutting heads between you and that sound. The bass lines can be felt as they thump their way across the floor; the piano is resonant, centered but seeming to come from behind the other players. And then there's the sax. I play sax, and while I can't come close to doing what musicians like Edkins are capable of, I do know what a sax sounds like when you're in the room with it, and that's what I hear on this record. I typically have problems distinguishing the finer qualities of sound from recording to recording or system to system, but if I were auditioning speakers (or any part of a rig) and heard what came through my system today, all attempts at comparison would end and I'd be loading them into my car. So I guess I'm saying I think Boom Boom knocked it out of the park with this one, and I'm kind of surprised there hasn't been more attention paid here to this release. Oh, and the performances are absolutely worthy of their presentation, as I'm sure Kevin knew going in.
EDIT: Guess I should add, though it probably goes without saying: the record is flat and dead quiet.
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Kirsten Edkins - Shapes & Sound
View credits, reviews, tracks and shop for the 2023 Vinyl release of "Shapes & Sound" on Discogs.www.discogs.com
yea it's the regular cover so not sure what @Piratenovelist is referring to!Is this the standard cover or have they gone with something else?
Whilst on the subject, its well worth reading his biography. One hell of a crazy life. He was actually hoodwinked into this session by his partner, he didnt know about it until the morning of. He was an addict and hadn't played for a while so his partner rang Lester Koenig (head of Contemporary) and suggested a recording as a way of brining Pepper out of his slump. He was in such a unfit state that the reed in his sax had rotted and he had to tape the neck to the body just to play it. Plus the prestige of playing with Miles Davis' rhythm section must have added to the pressure. What a result though!!
I have a first mono pressing so never bothered with the RSD, but would be interested to hear how it sounds.
the art pepper is awesome. but i have the RSD mono so didn't need to double dip.
i had the stereo OJC and wanted to hear the mono. I prefer the mono on this one (at least compared to the OJC)I held off on the mono bc I wanted the Stereo. DIdn't think it would take THIS long for it to finally get released (I preordered it last March), but at last patience is gonna pay off.