Mr Moustache
Well-Known Member
Incidentally I still have a Graham Slee Amp2 SE that I am not using @JohnnyCashFan.
I have the LX2 LPS. Really like it, and it was a big jump over the internal pre in my Onkyo. If you get a better power supply you can get it to run in an EPS mode (enhanced power supply) that makes it sound even better.Ok. Seems my Mani is on the fritz so I'm on the hunt for a new preamp. What's my best option in the $300 range? Mofi Studio? Darlington MM-6? Other?
I did audition the MM-6 on the tour. It was impressive but I feel like it was weak on the bass compared to the Mani.
Nice to see a vintage-looking Dual table on the market
Haha for sure but I think he meant sonicallyMy favorite part is where he says "There is no noticeable difference between this and the Fluance RT85 when using onboard pre-amps", just $800 or so. Thoe RT85's have bang for the buck!
They really do. And they haven't raised their price. Can't think of something else at that price I'd recommend over it. Hell, even a lot of the more decked out Orbits are over $500 now, aren't they?My favorite part is where he says "There is no noticeable difference between this and the Fluance RT85 when using onboard pre-amps", just $800 or so. Thoe RT85's have bang for the buck!
I'm surprised the price hasn't gone up in the last two years all things considered.They really do. And they haven't raised their price. Can't think of something else at that price I'd recommend over it. Hell, even a lot of the more decked out Orbits are over $500 now, aren't they?
#2 on both lists hereHas anyone ever had experience with both the Cambridge Audio Duo and the LX2-LPS. The duo appears on almost every "best preamp" list (take they for what you will) and it's at the bottom end of my budget. But people sure when to live their Music Fidelity too.
If you trust @HiFi Guy , then you should probably avoid lower end Cambridge Audio gearHas anyone ever had experience with both the Cambridge Audio Duo and the LX2-LPS. The duo appears on almost every "best preamp" list (take they for what you will) and it's at the bottom end of my budget. But people sure when to love their Music Fidelity too.
I wouldn’t touch another CA product with a ten foot pole. And @ZiggsMBK said the one he auditioned didn’t sound good either. The phono stage I had did sound good (for what it was- a $200 phono stage) until it self destructed. So there’s two customer data points for you.
But @displayname likes his CA music server. To be fair, it’s a much more expensive piece and a lot of digital gear sounds very similar- the difference in much of it is cosmetics and the user interface.
Please give your thoughts about it once you've spent some time with it. (I wasn't in the market for a new phono stage, but this has definitely caught my interest)Well the Darlington MP-7 is in house and simmering
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I used to turn my old Dual turntable sideways while playing as an interesting gimmick.Here's an "interesting " one
VT-E – Pro-Ject Audio Systems
Audiophile vertical set-up including wall-mount option! A turntable set-up does not need to be as complicated as rocket-science. Our VT-E turntable proves that.www.project-audio.com
I love the look of my vintage Thorens table, and the sound of my Mofi table.I'm a fan of the vintage aesthetic but with a modern sound
Yes, but I don’t measure it directly. It’s geometrically related to VTA - vertical tracking angle. I do directly adjust for VTA.Alright, do any of you guys worry about SRA? Stylus Rake Angle?
I’m the same as @Angsty. I also am very picky about azimuth.Alright, do any of you guys worry about SRA? Stylus Rake Angle?
...which in turn opens up the "level your turntable" part of the formula. And hear me out here, if you check your azimuth with a bubble level and your table isn't level, your azimuth is off compared to the platter.I’m the same as @Angsty. I also am very picky about azimuth.
You are measuring VTA there. See the blocks in the middle of the gauge? Put that section in front of the cartridge to check azimuth (left/right tilt) and make sure it’s level....which in turn opens up the "level your turntable" part of the formula. And hear me out here, if you check your azimuth with a bubble level and your table isn't level, your azimuth is off compared to the platter.
While leveling your table would be the best course of action, using a tool like this at any point will give you an accurate azimuth against the playing surface...............put the tool on the platter, not the record
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CorrectPut that section in front of the cartridge to check azimuth (left/right tilt) and make sure it’s level.