Jbraswell
Well-Known Member
Nice to have another Bob's SUT owner here.Let me get some more hours in b4 providing a more comprehensive view, but early impressions are consistent with online reviews -- the thing I notice most is how balanced it is, with plenty of instrument separation. I hear everything, but nothing is consistently dominant in the mix. It sounds very neutral and natural to me, and I'm hearing more low-mids (or at least hearing them more clearly) than I recall from my system with other components. This LKS-stamped copy of Shelly Manne @ Blackhawk Vol. 1 has become one of my go-to for sq reference bc it's a phenomenally recorded live set and I really like focusing on the cymbals in Summertime (at least I did with previous setups). But with the Hana I've discovered how pure the piano sounds and, really, the whole track is sublime from a sound perspective, including feeling the space in the room, and I feel like I'm hearing everything in the groove.
Importantly, however, this is all qualified by the fact that I've introduced multiple variables into the set up at once, so I cannot say definitively whether anything new I'm hearing is due specifically to the Hana. I also have the new-to-me table and a new-to-me SUT (bought it used).
Likewise, I have not owned another Hana so have no baseline for comparison and, perhaps most importantly, I probably would have gone with the ML or something in its price range but for the deal TMR gave me on both a component I sent for credit (and could not sell myself for a couple months) and a discount on the Umami Blue itself.
This little contraption really is sublime sounding.
Experiment with and without and you'll see what it brings.