I just feel like he overproduces the soul right out of things. On this first track, he could have just looped a small section of the beginning, but felt he needed to loop that anthemic build up on repeat, rather than use it in more select areas, which waters it down for me. He also has to add all the little flourishes with the voice samples, etc. For me, that fights with Black Thoughts lyrics and vocals, overpowering them rather than supporting or highlighting them. I know people like Burton, but it feels forced. I'm a WU Tang fan, though. I appreciate the skill of more tasteful, gritty, and sparse production.
He made that Rome album with Jack White and Nora Jones and it took all the dustiness out of spaghetti Western. It's almost like a costume playing Morricone and with this he's playing hip hop. I'd rather listen to Goodie Mobb over Gnarles Barkley, almost any DOOM over The Mouse And The Mask, and One Foot In The Grave or Seachange over Modern Guilt... even the Shins over Broken Bells. It's just a personal and stylistic preference, though. I'm just more of a fan of music built around raw heart than clean super shiny production. Happy blues is weird to me. I also hate Eric Clapton.
EL-P spoke about how, in the early days, he would just make beats and have/let people rap on them. He said it took him awhile to learn how to actually produce for other people. That takes a willingness to disappear into the background and focus on tailoring the production to the individual so that it highlights their strengths, pulls something out of them and lets them shine. It always feels like Dangermouse wants to be seen, often at the detriment to the overall product.
This first track sounds like a Dangermouse beat so much that it sounds like the Black Keys, who he's produced multiple albums for. If you like Dangermouse beats/production, then I think you'll like this album. Black Thought is just someone that I believe cares about the craft more than if he's the one making something. That's why he's been so willing to let his band shine as a unit, while being underappreciated as a lyricist for decades. This isn't a Blackthought album, though, it's a Dangermouse and Blackthought album. They'll deliver for those who want that. After all the Jimmy Fallon shit, I want to hear him come a bit more rugged in his off time.
Most people seem excited for this lroject, and I'm sure will be more than satisfied. I'm not trying to be a killjoy, but I appreciated seeing the comment by
@Woob_woob, specifically because I know I'm in the minority, so I don't see that sentiment expressed very often.