It was a damn good choice.This is what happens when I try to play catch up![]()
Day 13 - conversational
I really struggle with these very personal things and it’s not because I don’t want to be open or am scared. It’s because I’m just different from everyone I’ve ever met. I’m wired differently. So it’s hard for me to define an album that speaks to me although many of them do, it’s just hard to express and it always feels wrong to sort of shoehorn all that I am in all my contradictions and humanity.
so the ones that are the most personal are like this one or Sturgill’s Sailor’s Guide or Dave Matthews’ Before These Crowded Streets. These albums are about men coming to terms with family and responsibility. They about people of age becoming adults. Maturity and parenthood. I identify with these because my daughter saved my life. It took me a few more years to become responsible and I still falter but she made me the person I am today more than just about anything else and I’m certain if not for the responsibility of her, I’d have died some horrible homeless junkie death because that is literally the road I was headed down.
so why did this album win out (especially given that DMB coincides pretty nicely with that moment in my life as well as being a bit of epiphany in that regard? The first reason is I’d have to pull a @Joe Mac cheat, because I have it cd, the other reason...)? Because there is a song where he has an actual conversation with Fiona Apple on this record:
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Andrew Bird - Are You Serious?
I’ve seen them twice. Both at Forecastle Fests in Louisville. Ended up with tears in my eyes both times. Something about this music, man.Day 10 - An album that makes you yearn
The sensation I get when listening to this is definitely yearning. I couldn’t even tell you why.
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Day 13: an album that feels conversational
The Range - Potential
The samples on this album come from the some of the most unknown singers and rappers on Youtube (sometimes he would find videos with single-digit views). Sampling, even at its most basic, always creates a musical conversation between the sampler and the sampled. Traditionally, sampling involves finding the crusty old gems only uncovered by crate-digging, the "pile of broken dreams" from the past as DJ Shadow once called it, but here The Range takes a look at those who uploaded creative, personal works in the here and now and only received complete indifference. Youtube is, for most of the people who post to it, a new and ever-growing pile of broken dreams, where most videos are lucky to get viewed a few dozen times. This album is a beautiful conversation with those creators whose obscurity has nothing to do with their talent or heart, just with the realities of the attention economy that prizes a select few.
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Wow this looks nice. May have to search for it later. What pressing is this?