Needles & Grooves AotM /// Vol. 44 – February 2023 /// Pavement – Wowee Zowee

Great perspective! And agreed that eschewing mainstream success wasn't necessarily a conscious choice, as much as the intention to be true to themselves. At the same time, and as you suggest, they weren't interested in comforming to anyone's idea of what Pavement should sound like – which is essentially eschewing mainstream success. Hard to separate reality from all of the media narratives around this one, no doubt.

Definitely. There's just something uncomfortably amusing whenever they are asked about their rejection of success and Malkmus has to explain that he thought he was writing radio hits. It's kind of like how James Chance made his James White And The Blacks - OFF WHITE album after being paid to make a disco record and the result was his interpretation.

Here's a link to that interview

 
Definitely. There's just something uncomfortably amusing whenever they are asked about their rejection of success and Malkmus has to explain that he thought he was writing radio hits. It's kind of like how James Chance made his James White And The Blacks - OFF WHITE album after being paid to make a disco record and the result was his interpretation.

Here's a link to that interview

Great interview, thanks for sharing!
 
Interlude #7: What Could Have Been (AOTMs that nearly made the cut)

The Delines - Colfax


Amy Boone from The Damnations used to join Richmond Fontaine on stage when they would play in Austin, singing harmony vocals on a few tracks. It was a winning combination, no doubt. Legend has it that Amy joked with Willy Vlautin (lead singer of RF) that he should go home and write some songs for her to sing. Willy took the suggestion to heart, but never told Amy he was busy writing those very songs over the following year. Those songs became the foundation for Colfax, and the debut of a new band known as The Delines.

In terms of how it sounds, I'm not sure I can say it any better than the Sydney Morning Herald: "an album of consistently exquisite songs populated by lost souls, broken dreams and scarred lives, delivered with a sad elegance as romantic as it is desolate. Boone's voice is wounded and resigned, and is perfectly cast for the characters created by Vlautin. It's an alt-country album crossed with the narcotic dream pop of Mazzy Star or Cowboy Junkies...the album transcends genre and becomes a harrowing soundtrack for lives that are down but not quite out."


Speaking of hard luck, Amy was hit by a car in 2016 and took nearly two years to recover, with repeated surgeries to get all the way back. She made it, and The Delines have since recorded The Imperial and The Sea Drift. Richmond Fontaine is no longer recording or playing shows, so it's your best chance of catching Willy play live (he's also a very accomplished author). Worth catching live if they make it to your town...



 
Steven Mulkmas solo/The Jicks is all worth checking out too.

…and if folks are looking to really get into the weeds of The Pavement Universe, check out Scott Kannberg AKA Spiral Stairs post Pavement project Preston School of Industry and Silver Jews which started out as a bit of a side project for college buds Dave Berman (RIP) and Stephen Malkmus while they were working as security guards at the Whitney Museum in NYC. I think Malkmus was only involved to a varying degree with the first and third Silver Jews albums but that’s another excellent project worth exploring if you are jumping down the Pavement rabbit hole.

In a sense, Silver Jews was mostly about getting Berman to put his work out there. It was a collaboration, but Malkmus and Bob believed in him so much, I believe they saw themselves like a support system.
 
In a sense, Silver Jews was mostly about getting Berman to put his work out there. It was a collaboration, but Malkmus and Bob believed in him so much, I believe they saw themselves like a support system.
Yeah, I didn't get into Silver Jews until Tanglewood Numbers then worked backwards from there and was pleasantly surprised when I found out that Malkmus was involved in earlier records but when I went back and gave them a listen you could definitely tell Silver Jews have always been Bergman’s baby. It’s probably not fair to reference the Silver Jews as a “side project” since it was Berman’s main outlet.
 
Yeah, I didn't get into Silver Jews until Tanglewood Numbers then worked backwards from there and was pleasantly surprised when I found out that Malkmus was involved in earlier records but when I went back and gave them a listen you could definitely tell Silver Jews have always been Berman’s baby. It’s probably not fair to reference the Silver Jews as a “side project” since it was Berman’s main outlet.

Yeah, I think that misconception of them as a "side project" kind of haunted the project and Berman to a degree. "American Water" is one of my all-time favorite albums. In reality, David started off wanting to be more of a poet and ultimately achieved recognition in that world, too. If you haven't read Actual Air, it's back in print and really amazing.
 
Okay, hopefully enough of you unfamiliar with Wowee Zowee have had time to give it a listen. Of course, as I have mentioned more than once, this one really does take several listens (at minimum) to connect with. In any case, time is running out for the hat. To clarify, this is a brand new + unopened copy on vinyl, delivered to your house (not by me, unless you live in Portland). I'll pick a winner in about an hour.

1) @avecigrec
2) @Dead C
3) @Matt M
 
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Okay, hopefully enough of you unfamiliar with Wowee Zowee have had time to give it a listen. Of course, as I have mentioned more than once, this one really does take several listens (at minimum) to connect with. In any case, time is running out for the hat. To clarify, this is a brand new + unopened copy on vinyl, delivered to your house (not by me, unless you live in Portland). I'll pick a winner in about an hour.

1) @avecigrec
2) @Dead C
You know what, I listened today and rather enjoyed it. Now spinning Crooked Rain. All this backstory I'm enjoying too.

Sign me up if there is still time, please.
 
Wowee Zowee, we have a winner...


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Thanks! This is probably my favorite Pavement album and the one I didn't have. I honestly don't know why; maybe I was waiting for another deluxe box reissue or something. I've almost picked it up more times than I can count, so I really appreciate it.


Fun fact:

Michael Bolton is, supposedly, my third cousin or something. Super weird
 
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Thanks! This is probably my favorite Pavement album and the one I didn't have. I honestly don't know why; maybe I was waiting for another deluxe box reissue or something. I've almost picked it up more times than I can count, so I really appreciate it.


Fun fact:

Michael Bolton is, supposedly, my third cousin or something. Super weird
The pleasure is mine. It gives me great joy to know that Wowee Zowee will soon be nestled within your collection, with many spins in its future. Let me know where to send it.
 
Interlude #8: What Could Have Been (AOTMs that nearly made the cut)

Kassi Valazza – Dear Dead Days


If you're not a fan of classic country from female singer-songwriters, you can probably pass on this one. On the other hand, if you are and have yet to hear Kassi Valazza, time to dig in. Her voice, the lyricism, the songs, images and stories evoking the Western landscape, even the guitar playing...she has it all working on this one, her self-issued debut.

Kassi has been part of a talented crew of acoustic musicians playing shows at the Laurelthirst Public House in Portland for years. Dear Dead Days was the sound of her serving notice that she was on the cusp of breaking out to a bigger audience. She has pressed three small runs of this album on vinyl, and each one has sold out within a day or so. When the next press comes around, don't hesitate. Kassi recently signed to Portland's Fluff & Gravy records, and her debut with them is due to arrive sometime this spring. Expect to hear more soon.



 
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Interlude #9: What Could Have Been (AOTMs that nearly made the cut)

Silver Jews – American Water


There are many entry points for David Berman, including Purple Mountains – the project he launched shortly before he took his own life in 2019. As @Dead C mentioned, Silver Jews are often referred to as a side project of Pavement – formed in 1989 by Berman, Stephen Malkmus and Bob Nastanovich. Over the course of six albums, the Silver Jews were clearly Berman's project, with Malkmus and others backing into occasional support roles. The Silver Jews played their last show in 2009, with Berman asserting: "I always said we would stop before we got bad. If I continue to record I might accidentally write the answer song to Shiny Happy People."

Berman was continually tortured by his relationship to his father, a powerful, uber-conservative lobbyist. He once wrote of him: “My father is a despicable man...he attacks animal lovers, ecologists, civil action attorneys, scientists, dieticians, doctors, teachers. His clients include everyone from the makers of Agent Orange to the Tanning Salon Owners of America. This winter I decided that the SJs were too small of a force to ever come close to undoing a millionth of all the harm he has caused.”

Berman had actually attempted suicide previously. In 2003, he walked into the Nashville hotel in which Al Gore watched the 2000 election, requesting Gore’s suite – wanting to die where American democracy had done the same. In 2019, just a few days before Purple Mountains' first live performance, he was successful in ending his life.

When it comes to the Silver Jews, American Water is the high water mark for me. I can't really describe it – it's somehow conversational in nature, and continues to open up with each listen – even years after the initial discovery. PItchfork called it “the pinnacle of a certain strain of indie rock: smart but unpolished, grounded but opaque, the down-home sound of Creedence Clearwater Revival and the country side of the Rolling Stones executed by college boys raised on punk.” Malkmus sings on a few tracks, which is fun. But on the whole, it's an understated masterpiece by an artist that deserves your attention.

RIP David – hope you were able to find some peace.

 
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Interlude #10: What Could Have Been (AOTMs that nearly made the cut)

Bill Callahan – Sometimes I Wish We Were An Eagle


Alright, gonna get the rest of these out there in the next day or so, than pass the baton to @TenderLovingKiller® for the March pick.

Bill Callahan is another national treasure. Sometimes I Wish We Were An Eagle is probably my favorite of his albums. This one goes in and out of print at Drag City (with prices spiking in between), but it's available at the moment. A good time to check it out and/or add to the collection, if you dig.



 
Interlude #10: What Could Have Been (AOTMs that nearly made the cut)

Bill Callahan – Sometimes I Wish We Were An Eagle


Alright, gonna get the rest of these out there in the next day or so, than pass the baton to @TenderLovingKiller® for the March pick.

Bill Callahan is another national treasure. Sometimes I Wish We Were An Eagle is probably my favorite of his albums. This one goes in and out of print at Drag City (with prices spiking in between), but it's available at the moment. A good time to check it out and/or add to the collection, if you dig.





Another favorite.

For anyone that checks this out and enjoys it, I'd also recommend Apocalypse and A River Ain't Too Much To Love, under his SMOG moniker.


And if you do the same with American Water and enjoy that, Bright Flight is another great Silver Jews album
 
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