Pre-Order Thread

mitchwagz said:
Are the albums just repressings of what has been out the last decade plus? If so, dub sounds absolutely awesome. Love blasting it. I just never picked up any other ones when they were available. So I’m quite happy I’ll be able to get Beacoup Fish and Second Toughest now.
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I’m lucky to have 3 original pressings (BF, Dubnobass, Hundred Days) so I only want a couple.

Would like a nice 12” of Born Slippy, too
 
LordKel said:
Since it's an unofficial RSD release for Zia, it might be available online after RSD.
I'm good with the peacetimegood version, this is one of my favorite albums by one of my favorite bands. Been waiting a long time for a vinyl release.
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Some day we'll get Sonoran Hope and Madness and The Bottle & Fresh Horses...

But I'm very happy to have this on the way! In honestly like the Peacetime Goods version better!
 
POGunter said:
View attachment 230544

Chris Cheek: Keepers Of The Eastern Door — analog tone factory

The newest Analog Tone Factory Release by Chris Cheek, featuring Bill Frisell, Tony Scherr, and Rudy Royston.
www.analogtonefactory.com www.analogtonefactory.com

New jazz. All analog. Available as a Standard Pressing ($35) or a One Step ($70) with autographs costing a bit more.

“The quartet convened at New York’s famed Power Station studio last November, with an approach suggesting the audiophile version of the modernist/traditional dichotomy that inspired the recording: an essentially live recording, with the band together in one room recording to analog tape, the philosophy behind Analog Tone Factory. For ultimate fidelity, the album was recorded live to two track on 1/2 inch tape at 30 ips on a custom tube Ampex 351 tape recorder, by famed engineer James Farber. It was mastered in the analog domain by the legendary Bernie Grundman.”
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Thanks for posting this. Jerome Sabbagh here. I produced this for the new all analog label I created, Analog Tone Factory. If anyone here has questions, just let me know. You can stream three songs of the album here. Chris Cheek is one of my favorite saxophonists and it was really amazing to work with Bill Frisell, who is one of my heroes, on this!
 
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