ROOKIE is six matching jumpsuit-clad, shaggy-haired friends from Chicago who play
rock-n-roll that’s more at home next to their parents’ battered LPs than on their friends’ streaming playlists. The band’s self-titled debut full-length album deftly reformats the classic rock landscape with
blowtorch hooks,
enthralling harmonies, evocative touches of
cosmic country, and distinctively
indie-minded songwriting.
ROOKIE’s modern take on timeless American rock ‘n’ roll pulls from all corners of the sonic map; it’s familiar but fresh, lived-in but blown-out. It’s the ‘70s/’80s pop-rock sheen of recent tour-mates
Cheap Trick; 3-minute precision songwriting of
Big Star; loose
Neil Young Americana; and the hazey, psych-flavored boogie of
The Allman Brothers and
Thin Lizzy. Though barely able to comfortably fit on most stages, once they’re plugged in and smooshed together, it’s a potent blend of
power chords, blistering leads, and performance prowess beyond their years.
Like local peers Twin Peaks, Whitney, and Post Animal, ROOKIE emerged from an idealistic grassroots, Midwestern,
youth community-centric, DIY scene. House shows and divey all-ages venues were the preeminent performance spaces and rock-n-roll was once again king. There is
an all-inclusive and carefree essence surrounding the band, as well as their audience, reminiscent of the wide-eyed drive and sense of purpose of an underdog sports team or—more appropriately, given their coveralls—a Formula 1 pit crew.
That cooperative vibe is most clear in their balanced attack, each of the six members bringing a signature part of the layered sound from song to song. “Hold On Tight” bashes down the door with a
deceptively simple AC-to-the-DC riff, but the
three-headed guitar monster attack of Dimitri Panoutsos, Christopher Devlin, and Max Loebman takes the standby arena rock formula to wild new places. In “Sunglasses,” Loebman’s lead vocals evince an
ethereally sunny pop disposition, which he later strips down to great effect, just his upper register and acoustic guitar, for the stark “Elementary Blues.” Throughout the album’s 12 tracks, the rhythm section of Joe Bordenaro on drums, Kevin Decker on bass, and Justin Bell on keys establishes
a groove-meets-power foundation. On several songs, including “I Can’t Have You But I Want You,” Bordenaro sings lead as well, while the rest of the group piles on with a rowdy gang chorus.
The band of 20-somethings created their broad-yet-intimate sound not long after forming in 2017 from the remnants of under the radar local outfits Joe Bordenaro & the Late Bloomers, Yoko and the Oh Nos, and Max and the Mild Ones. The budding project soon became the subject of excited whispers around town. In 2018, the group released two singles (“One Way Ticket” and “Let’s Get It Right”) and a 7” single (“I Can’t Have You But I Want You” and “The Move”) for nascent Chicago studio/imprint Treehouse Records. These recordings raised the whispers to the level of folklore.
ROOKIE’s modern take on timeless American rock ‘n’ roll pulls from all corners of the sonic map; it’s familiar but fresh, lived-in but blown-out. It’s the ‘70s/’80s pop-rock sheen of recent tour-mates Cheap Trick; 3-minute precision songwriting of Big Star; loose Neil Young Americana; and the...
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