Television

I watched the first two episodes of United We Fall, ABC's new sit com. It's got potential. I love the parents and the kids--mainly because the oldest kid reminds me of my youngest and we get those same sort of calls and statements because he's a weirdo. I am not a fan of the peripheral characters (mom's brother and MIL). They aren't real enough and way too scripted. The tropes were extremely obvious. But the parents are real and believable and I found myself laughing a lot. I related to so much of what they were dealing with and saying. I really hope it leans into the parents dealing with everyday life while also fleshing out the peripheral characters so they are likable, because right now, if they were gone, the show wouldn't suffer at all.
 
I know TBS renewed The Search Party for a 3rd season a while back, so, when the hell is it actually coming back? Not like they have a ton of visual effects to work on for that show. I enjoyed the show, but it has been so long that I don't even remember where the story left off. I kind of remember, but when you go a year and a half (plus) between seasons, people are going to forget. And lose interest.
It back.
 
Watched a movie called Mirage (Durante la Tormenta) last night, a Spanish mystery/drama/sci-fi of sorts. It's dubbed so don't panic, lol. Really well done, good story with some minor "issues". Worth checking out in my opinion ;)

Currently on Netflix
 
I'm really looking forward to Lovecraft Country. It's been about 4 years since I read the novel and heard that HBO was adapting it. What a cast. I really hope it lives up to its potential.

The trailers look wild - I'm pretty excited. Would you recommend the novel?

I've been catching up on a few HBO shows lately, and they've all been pretty solid.
  • Watchmen was fun, weird, and gripping. Based on some of the feedback from folks who watched when it came out, I expected it to be more difficult to watch or stick with, but I thought it was pretty thrilling, and the characters and plotlines were so carefully drawn - I was impressed by how many of the bizarre elements came together and made some kind of sense by the end of it. The Looking Glass guy's backstory was really interesting. The eighth episode, "A God Walks Into Abar" blew me away, too. I'm a sucker for gut-wrenching storylines that somehow avoid total despair like that. I wonder how episode 6 (when Angela sees the memories) would have struck me if I'd watched it before I knew the names "George Floyd," "Breonna Taylor," and "Ahmaud Arbery." The last few minutes of the last episode though (when Angela goes out by the pool in her backyard) didn't really work for me, though, and felt a little cheap.
  • Years and Years was really interesting and sucked me in, too. It was really interesting see the rise of authoritarianism in the near future through the lens of a complicated family with a wide range of views and experiences, flawed relationships, plenty of conflict, but an enduring love for each other underneath it all. I loved hearing each of the family members' unsolicited takes on what was going on in each other's lives - it felt like a real family in that way.
  • I'm halfway through I Know This Much Is True right now, and I'm definitely hooked, but just bracing for impact of how this all will end. Mark Ruffalo is brilliant and tough in a pool of talent where everyone is at or near the top of their game. Juliette Lewis in that first episode seems like she's having so much fun as that character. Kathryn Hahn and Rosie O'Donnell are captivating, too. Every single second of the show just feels so significant, you can't look away. You can feel the crushing weight of all of these situations bearing down on Dominick, and there's something heart-breaking about how ordinary it all seems while actually being just nearly unbearable if you're the person trying to deal with it all. Watching Dominick try to hold it all together and seeing his exasperation and Thomas's desperation and their backstories from when they were kids just hits so hard. It reminds me a lot of how it felt watching Tom Hardy in "Warrior," but I'm not holding out hope for as positive of an ending in this show. It feels much more personal for Ruffalo than many of his other roles. The guy who plays the younger version of the brothers is incredible, too - you really get that sense of simultaneous love/anger/loyalty/resentment that binds the brothers together. That "you are me, Dominick" scene just felt so raw.
  • I also watched Bad Education [which was just a movie, not a show], and I had high expectations with Hugh Jackman and Alison Janney. It started off pretty well, but got pretty sad and boring by the end of it. I feel like it focused too much on the perpetrators and their motivations (i.e. uh, yeah, greed - what else?) and not enough on the amateur investigative work that ultimately uncovered the bad behavior. It was just kind of depressing without really being that interesting.
But yeah - I might need something a little lighter to watch next - I want to watch Perry Mason, and am hoping it's not quite as heavy as these shows have been.
 
During my current re-watch of Fargo, which I'm enjoying, I've been supplementing with episodes of Detroiters. Not having cable I was unaware this thing existed but it's the beautiful dumb nonsense that is absolutely brilliant that I needed in this moment. It sucks Comedy Central seems to think that keeping their shows behind a paywall is somehow going to benefit them because things like this seem to be getting lost in the streaming shuffle, but if you're looking for something that plays on the charming idiocy of two numbskulls with the backdrop of ever-gentrifying Detroit this is worth your time. Of course if you try and stream via CC be prepared for as much commercial time as show time... ironic since the main characters run an ad agency
 
The trailers look wild - I'm pretty excited. Would you recommend the novel?

I've been catching up on a few HBO shows lately, and they've all been pretty solid.
  • Watchmen was fun, weird, and gripping. Based on some of the feedback from folks who watched when it came out, I expected it to be more difficult to watch or stick with, but I thought it was pretty thrilling, and the characters and plotlines were so carefully drawn - I was impressed by how many of the bizarre elements came together and made some kind of sense by the end of it. The Looking Glass guy's backstory was really interesting. The eighth episode, "A God Walks Into Abar" blew me away, too. I'm a sucker for gut-wrenching storylines that somehow avoid total despair like that. I wonder how episode 6 (when Angela sees the memories) would have struck me if I'd watched it before I knew the names "George Floyd," "Breonna Taylor," and "Ahmaud Arbery." The last few minutes of the last episode though (when Angela goes out by the pool in her backyard) didn't really work for me, though, and felt a little cheap.
  • Years and Years was really interesting and sucked me in, too. It was really interesting see the rise of authoritarianism in the near future through the lens of a complicated family with a wide range of views and experiences, flawed relationships, plenty of conflict, but an enduring love for each other underneath it all. I loved hearing each of the family members' unsolicited takes on what was going on in each other's lives - it felt like a real family in that way.
  • I'm halfway through I Know This Much Is True right now, and I'm definitely hooked, but just bracing for impact of how this all will end. Mark Ruffalo is brilliant and tough in a pool of talent where everyone is at or near the top of their game. Juliette Lewis in that first episode seems like she's having so much fun as that character. Kathryn Hahn and Rosie O'Donnell are captivating, too. Every single second of the show just feels so significant, you can't look away. You can feel the crushing weight of all of these situations bearing down on Dominick, and there's something heart-breaking about how ordinary it all seems while actually being just nearly unbearable if you're the person trying to deal with it all. Watching Dominick try to hold it all together and seeing his exasperation and Thomas's desperation and their backstories from when they were kids just hits so hard. It reminds me a lot of how it felt watching Tom Hardy in "Warrior," but I'm not holding out hope for as positive of an ending in this show. It feels much more personal for Ruffalo than many of his other roles. The guy who plays the younger version of the brothers is incredible, too - you really get that sense of simultaneous love/anger/loyalty/resentment that binds the brothers together. That "you are me, Dominick" scene just felt so raw.
  • I also watched Bad Education [which was just a movie, not a show], and I had high expectations with Hugh Jackman and Alison Janney. It started off pretty well, but got pretty sad and boring by the end of it. I feel like it focused too much on the perpetrators and their motivations (i.e. uh, yeah, greed - what else?) and not enough on the amateur investigative work that ultimately uncovered the bad behavior. It was just kind of depressing without really being that interesting.
But yeah - I might need something a little lighter to watch next - I want to watch Perry Mason, and am hoping it's not quite as heavy as these shows have been.

Totally agree with your take on "I Know This Much Is True". I like that you made mention of Juliette Lewis' performance. It was brief, but she chewed up the screen time she had.

Perry Mason isn't as heavy as "I Know This Much Is True", but it does have dark edges. The first few episodes in particular are pretty gritty and even kinda creepy in places.
 
During my current re-watch of Fargo, which I'm enjoying, I've been supplementing with episodes of Detroiters. Not having cable I was unaware this thing existed but it's the beautiful dumb nonsense that is absolutely brilliant that I needed in this moment. It sucks Comedy Central seems to think that keeping their shows behind a paywall is somehow going to benefit them because things like this seem to be getting lost in the streaming shuffle, but if you're looking for something that plays on the charming idiocy of two numbskulls with the backdrop of ever-gentrifying Detroit this is worth your time. Of course if you try and stream via CC be prepared for as much commercial time as show time... ironic since the main characters run an ad agency
Part of the most recent season was filmed in my small hometown in Central IL.
 
Fargo or Detroiters?

I need to go back to Legion as well. Noah Hawley does good things.
Sorry Fargo. The upcoming/delayed season with Chris Rock and Jason Schwartzman. I think it was mostly used for some external establishing shots our downtown area his “historic”. This isn’t my hometowns only claim to Hollywood fame the terrible/amazing 1984 teen comedy Grandview USA staring C Thomas Howell, Patrick Swayze and Jamie Lee Curtis (and featuring Jennifer Jason Leigh and both John and Joan Cusack) was also filmed there too.
 
Cursed is pretty good on Netflix ..up to ep 8 now and it’s gotten better and better
Really? I watched the first few and I felt kind of the opposite... I haven't felt an urge to return to it. Maybe I'll give it another shot.

I think I'm kind of sick of "reinterpretations" I really wish people would just create their own stories with their own lore. Like, this show would be a little better if it wasn't based in Arthurian legend. Not only has it been done to death, but going into something and being like "Oh, I recognize these names... wait... oh they're not the same." It's like when you're trying to sing along to a song, but the singer starts going off script making it impossible to vibe with them.

Speaking of terrible reinterpretations, I have a VPN so I can finally watch Star Trek: Discovery on Netflix... What were they thinking? What they did to the Klingons... just... why? And how do you have a full cast of characters and not a SINGLE one is likable?!
 
Really? I watched the first few and I felt kind of the opposite... I haven't felt an urge to return to it. Maybe I'll give it another shot.

I think I'm kind of sick of "reinterpretations" I really wish people would just create their own stories with their own lore. Like, this show would be a little better if it wasn't based in Arthurian legend. Not only has it been done to death, but going into something and being like "Oh, I recognize these names... wait... oh they're not the same." It's like when you're trying to sing along to a song, but the singer starts going off script making it impossible to vibe with them.

Speaking of terrible reinterpretations, I have a VPN so I can finally watch Star Trek: Discovery on Netflix... What were they thinking? What they did to the Klingons... just... why? And how do you have a full cast of characters and not a SINGLE one is likable?!

Yep, stick with cursed , it’s a very watchable show ...

And yes Star Trek Discovery was terrible ..season 2 wasn’t much better ...the female Klingon repeatedly raping the human male crew member who then falls in love with her was a very cringe inducing storyline ...that showed seemed to be trying too hard to be different..every female character was acting like a 70s macho man and every male character was in tune with their inner feelings a bit too much
 
Has anyone watched The Politician on Netflix?
It's all over the place, and I'm not sure if that's a good thing. At times it has a Wes Anderson feel, other times it's more like high school satire films and other times just kind of nonsensical. It features a few good performances by some solid actors, and Ben Platt singing Jon Mitchell's River is a true highlight. I'm halfway or more through season 1, I'm sure I'll continue for a while longer.
 
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