That dinner scene in the last episode was perfect.Succession is so fucking good, holy shit.
Funny, I had just started watching the first episode right before you posted this. Good so far.Succession is so fucking good, holy shit.
I had never even heard of it. Looks like it doesn't start until June 2 here in the USA.I finished NOS4A2 yesterday.
Had anybody watched it and can explain EVERYTHING to me? I really didn't understand what happened; don't know if I should read the book to fill the gaps.
Watched the finale of BH90210 last night. Nothing spectacular, but I got a few laughs out of it. The one thing I kept thinking while watching this 6 episode run was, I wonder how the conversations with the actors' respective spouses went when talking about this project. "So I'm playing a version of Jason Priestly, but it isn't really me. And this "Jason Priestly" character is mulling over whether or not to participate in a reboot of the 90210 series, and he is married like the real me is. But, the character of my wife won't be based on you, it will just be another character. It's all just pretend you know? Acting. And the stuff that this "Jason Priestly" character does isn't stuff that I'm actually doing or have done. It's all just part of the story, you know? Clearly not at all real. Because I love us."
I had never even heard of it. Looks like it doesn't start until June 2 here in the USA.
@teefer and @girlnevergoesout and anyone else that watched Pose. I just watched the Candy episode. You know which one I'm talking about.
And it broke me. I am a puddle of tears. I have a headache from crying so hard. Good gawd this show is powerful.
This show. WOW!
I was wondering when you would get there. Heartbreaking.
We've been watching Veronica Mars from the beginning at our house. I've seen up through the movie, but my wife and the kiddo had never watched any of it. Some observations:
1. As a series, it is extremely heavy on rape as a plot device. Much more than I recalled.
2. I had forgotten how long it took the show to find its footing in the first season. There's a lot of tonal weirdness in the first year.
3. I didn't realize just how many of 2019's recognizable faces popped up in this show at some point while their careers were just getting off the ground. It's been fun pointing out people in small roles before they got famous.
4. *deep breath* This show would launch a thousand thinkpieces if it were airing today. Everything from the treatment of (lots and lots of ) rape as a plot device instead of a trauma (and the unfortunate twist of the fake rape in the third season), to the watery depictions of class warfare, to the repeated rehabilitation of rich white characters with terrible histories (date rape, staging bum fights, racism, arson, revenge porn, misogyny, you name it)...it all fits the conventional narratives of noir, but in a context that trivializes all of those things to a degree that I don't think would fly today. It's an interesting show to watch through the lens that it raised several issues that would eventually come to dominate our cultural conversations, while seemingly doing it unintentionally and/or very clumsily. A few years earlier, and even Veronica's modicum of feminist perspective wouldn't have happened; a few years later, and the show would have been lambasted as incredibly tone deaf.
We've been watching Veronica Mars from the beginning at our house. I've seen up through the movie, but my wife and the kiddo had never watched any of it. Some observations:
1. As a series, it is extremely heavy on rape as a plot device. Much more than I recalled.
2. I had forgotten how long it took the show to find its footing in the first season. There's a lot of tonal weirdness in the first year.
3. I didn't realize just how many of 2019's recognizable faces popped up in this show at some point while their careers were just getting off the ground. It's been fun pointing out people in small roles before they got famous.
4. *deep breath* This show would launch a thousand thinkpieces if it were airing today. Everything from the treatment of (lots and lots of ) rape as a plot device instead of a trauma (and the unfortunate twist of the fake rape in the third season), to the watery depictions of class warfare, to the repeated rehabilitation of rich white characters with terrible histories (date rape, staging bum fights, racism, arson, revenge porn, misogyny, you name it)...it all fits the conventional narratives of noir, but in a context that trivializes all of those things to a degree that I don't think would fly today. It's an interesting show to watch through the lens that it raised several issues that would eventually come to dominate our cultural conversations, while seemingly doing it unintentionally and/or very clumsily. A few years earlier, and even Veronica's modicum of feminist perspective wouldn't have happened; a few years later, and the show would have been lambasted as incredibly tone deaf.