The two most recent examples I can think of:
- The Beatles mono reissues are definitely climbing in value. I guess people didn't expect them to go out-of-print after a few years.
- That recent MBV Loveless reissue that was only sold on their website.
I need to grab some of those Beatles reissues - so far, it seems like Sgt. Pepper's is the biggest climber, but I'm really only interested in a handful that doesn't include that, so I best get on those.
Anyway, I spend too much time on Discogs, like many of you, so here are some I've come across which were strange to see shift in value:
Clean Bandit - New Eyes
Metallica & Lou Reed - Lulu (US pressing cut by Bernie Grundman, EU/UK pressing w/ GZ Media stamper still in-stock)
Alice in Chains - The Devil Put Dinosaurs Here (especially stunning because I saw copies of these in local stores sit for years)
21 Savage & Metro Boomin - Savage Mode
The Dillinger Escape Plan - One Of Us Is The Killer (probably due to the fact that the band is currently inactive and was the first to be released under their own imprint, unlike Relapse and Season Of Mist who handled prior albums with reissues)
Everything Everything - Get To Heaven
Mariya Takeuchi - Variety
The last one needs a longer liner, because it's also the perfect example of price-gouging that can be repulsive. Mariya Takeuchi is the singer of '
Plastic Love', which has since become a viral song online - mainly because it's an amazing funk-pop tune, but it's also the torchbearer for city pop's renewed popularity. 'Plastic Love' is on
Variety, and the album sold quite a lot of copies back in 1980s Japan.
So as you can imagine, plenty of vinyl was manufactured to meet that demand then, and it was a common album you could find in Tokyo crates. I can attest to this because I have a local record shop whose owner makes monthly trips to Japan and brings back heavy shipments of Japanese pressings. There was almost always a copy of
Variety with every shipment, and every copy never hit the US$20 mark.
This continued well into city pop's popularity online, at least amongst vaporwave/future funk communities. I never got one because the rest of the album simply doesn't hold up next to it. Nothing else sounds like 'Plastic Love', and not just in quality. There are a lot of soul ballads, 60s pop and a little bit of rock'n'roll, but most of them are slower in tempo and without the studio-pristine funk that characterizes what people love about city pop in the first place. It could be one of the reasons why collectors were paying much more for the 'Plastic Love' single than
Variety, going up to over US$200, years before 'Plastic Love' got this kind of attention.
I can't pinpoint exactly when prices started to shoot, but it seemed like when sites like Vice wrote about it that interest grew — along with increasing exposure of the original YouTube upload — and subsequently even local shops were marking it up above US$70, which was insane. It encouraged a lot of grimy behaviour around me when it came to that record which, again, had been
very cheap and common barely a year before. I get the economics of scarcity, but this one completely rubbed me off the wrong way.
TL;DR - if you want a copy of
Variety, there are probably still cheap copies lying around in Japan, but it's really not that great of an album anyway. There are far better city pop albums worth your time.