Revolver (Beatles album) - Wikipedia
I'm just gonna leave you with that, because I once again feel they did amazing new things on Revolver, even things that revolutionized the whole industry, such as ADT.
I think Rubber Soul is still a little too safe in terms of the lyrical content and song structures of some, but I agree it is a masterpiece. The Beatles on Rubber Soul weren't playing with sounds and styles as much as I felt that the Beatles on Revolver were. The only songs I'd say were sonically creative were Norwegian Wood, Nowhere Man, In My Life, and Girl maybe. The rest are pretty standard rock songs.
Revolver has Tomorrow Never Knows, Eleanor Rigby, Love You To, Got To Get You Into My Life, Here, There, and Everywhere, For No One, I'm Only Sleeping, She Said She Said, and Yellow Submarine (not really in it's lyrics but more in the way they created the sounds of the submarine with the milk jugs and stuff). All bringing something creative to the table in terms of rock's soundscape and changing that soundscape into something more... adventurous. That's why I love Revolver so much. It showed me that music has no limits with what you can do, and that's also partially why I'm so open to listening to most new music out there. This notion made me want to CREATE music, and that's why I want to learn songwriting. All thanks to one album.
Was this meant to say Good Night after lovely? Because if so, yeah I agree Good Night is fantastic. I just think Revolution 9 being before it is so tonally jarring that it drops the album a few spots for me.