Space Wanderer
Well-Known Member
I got these ones too. Would have been my fourth choice tbh.My Vault just arrived and I did not get the same prints that everyone else is getting
Womp womp
View attachment 80900
Third Man Records Vault
- Thread starter Selaws
- Start date
marshall
Well-Known Member
Those are what I got. Pretty sweet.
Turbo
Well-Known Member
Likely.... seems late this time around, since I was charged this morning. I usually have a few weeks to make a call. Hopefully, this is good because I'm apparently roped in.
spilledleche
Well-Known Member
It takes some work and it’s been awhile, but I’ve gotten them to reverse the charge/cancel when this has happened before. Good tip for everyone is never sign up for Vaults until the last day of the month to avoid this
spilledleche
Well-Known Member
Vault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
highqualityrecords
Active Member
This does look amazing. I wish we could buy the SNL 7 inch separately though.Vault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
marshall
Well-Known Member
Wow. I was at said show. It was literally jaw dropping and after over 3 hours on my feet I felt like I ran a marathon.Vault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
Crabbers
Well-Known Member
Looks like a great package but will have to drop outVault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
how do you go about cancelling now
spilledleche
Well-Known Member
I think you do it through the same portal you signed up throughLooks like a great package but will have to drop out
how do you go about cancelling now
LiamGallaghersBucketHat
Go on, geezer.
This sounds exciting.
Djxfactor511
Well-Known Member
Yep, I'm back in.
Really excited about the SNL 7" too!!
Really excited about the SNL 7" too!!
TheThinWhiteDuke
Well-Known Member
Oh this Vault package is ELITE
spilledleche
Well-Known Member
I really enjoy the Vaults without related ephemera like flags or patches or dvds i won’t watch so I wish they’d do more like this one. Excited to add this to the collection.
Space Wanderer
Well-Known Member
God damn. I just cancelled yesterday as my renewal was coming up tomorrow. Let’s see how long I can hold out this time (probably not long!).
Space Wanderer
Well-Known Member
I’ve spent five years hoping that they would give this treatment to the 2015 MSG show, but uh....this looks much better based on the set list.
Vault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
Amazing. And I have a Jack Solo Vault yet. Pumped for this.
trickyseven
Well-Known Member
Ok this looks amazing. Kind of glad I missed the cancellation, I was planning to bounce. So pumped they are doing the 7 inch of the SNL songs, I've listened to those like 100 times since they aired.Vault 47 looks great
Introducing Vault Package #47: Jack White Live At The Masonic Temple
On July 30th, 2014 Jack White played one of the most captivating live shows of his career. With the friendly confines of Detroit’s Masonic Temple providing as much of a home field advantage as White could ever get, this tour-de-force, three hour plus, 38 song barn-burner of a set spanned the breadth of his recorded career and left all comers in its wake gobsmacked, a testament to the undiminished magnetism of a performer at the height of his powers.
Kicking off at breakneck pace with three sizzling fan favorites from the White Stripes back catalog, the impromptu song selection never loses focus and instead delivers body blow after body blow of unrelenting passion. Inspired, off-the-cuff covers of Beck’s “Devil’s Haircut” to Zeppelin’s “Lemon Song”, Hank Williams’ “Ramblin’ Man” to Junior Wells’ “Hoodoo Man” absolutely delight. White’s Dead Weather bandmates Alison Mosshart and Dean Fertita unexpectedly join onstage for a particularly heavy version of “I Cut Like a Buffalo.” Chock full of delightful stage banter, local references and even a laugh-out-loud takedown of a supposed icon (you’ll have to listen to know exactly), the performance manages to blow everyone’s mind, both satiating desire and yet quizzically also leaving them wanting more...such are the paradoxes of a truly transcendent evening.
As Third Man Records’ 47th Vault package, we are proud to present here for the first time, Jack White Live at the Masonic Temple 7-30-14. Spanning four 180-gram colored vinyl LPs, housed in an immaculate slipcase cover with custom printed photo inner sleeves, bedecked with stunning photos shot that evening by official tour photographer David Swanson, the overall package is exquisite and grand in a manner befitting of the audio it contains.
For an extra special added bonus, Third Man is including a 7-inch single of Jack White’s October 2020 performance on Saturday Night Live. Jumping in with two days notice to fill the musical guest slot, White unleashed an explosive power trio medley of “Don’t Hurt Yourself” (a song he co-wrote with Beyonce and included on her “Lemonade” album) into the White Stripes’ classic “Ball and Biscuit” while interpolating elements of “Jesus Is Coming Soon”, a song originally written by Blind Willie Johnson about the 1918 Spanish Flu outbreak that feels uniquely relatable in light of the current COVID-19 pandemic. On the flipside is White’s blistering reimagination of his 2014 track “Lazaretto” with a brief, respectable, finger-tapping solo nod to Eddie Van Halen (performed on an EVH signature model guitar), who passed away earlier that week. Inarguably one of the most talked about and praised Saturday Night Live musical performances in some time, it felt only right to enshrine these takes into the vinyl permanence.
lonestarlahr
Well-Known Member
3+ hours and 38 tracks on vinyl makes this unlikely to be a "single sitting" record for me, but couldn't be more pumped to get this in the collection.
Now all I need is a 'Get Behind Me Satan'-era live album, and I'll feel really good about the amount of live music I'll have. (At least until they do another live Dead Weather record.)
Now all I need is a 'Get Behind Me Satan'-era live album, and I'll feel really good about the amount of live music I'll have. (At least until they do another live Dead Weather record.)