SO! Part 1:
Last summer I picked up a Musical Paradise MP-301 Mk 3, and the tube recommendations as suggested by
@HiFi Guy. Paired with the Polk LSiM 705s, it was a pretty stark contrast from my Parasound Halo, as you'd imagine. Two entirely different beasts. I found myself preferring the mid and upper range tones of the MP, while the Parasound was much better with bass and size/separation of soundstage. (FWIW, the sound produced by the stock tubes on the MP = highly questionable. Definitely upgrade the tubes if you use this amp.)
Interesting first step. Enough success with the MP to keep traveling down the path. It was time to try some Zu's. I decided to go up to the Souls, rather than the DWs... don't think I need to elaborate on the "why", as that has been discussed in great detail in the Zu thread, but I will add that the crossover-less design and taking a minimalist approach was a huge motivator, on top of the high efficiency.
Luckily, I live within ~3 hour drive of 16M+ people, so selling the massive Polks with local pickup only didn't take long at all - and at a good sales price too! They sold faster than I expected, really, so I got the pleasure of listening to music through a $40 bluetooth speaker that I take to the beach controlled by my phone for over three weeks. If you ever want to gain a renewed appreciation for your hi-fi system, I dare you to take that challenge.
The Zu's arrive, and the A-B testing between the Parasound and the MP is crazy... There's a statement on the Soul's webpage: "Soul ruthlessly lays bare an improper amp match." I believe this has been echoed by
@HiFi Guy as well, and I'll add to it. The traits of both amps heard through the LSiMs were greatly accentuated by the Souls. With the Parasound Halo, the Souls had great soundstage, good bass, but it sounded like they were behind a pane of glass. "Muddy" would be a bit harsh, because the soundstage was well defined, but everything almost sounded muffled. The MP, on the other hand, had an even better tone in the mid and high range, but the soundstage was tiny and not well defined, and the bass was, in a word, terrrrrible. Messing around with the bottom gap height of the Souls didn't help much. Unless it was an extremely bass-heavy recording, the low range was frankly pretty pathetic out of the MP. That said, you know which amp I preferred with the Souls? The MP. The sparkle and tone of the mids and highs outweighed the lack of lows vs. the muffled Parasound with its improved soundstage and bass. Not bad performance for $500 (w/tube upgrades) vs. $2500.
The takeaway: The MP-301 performs crazy-good for its price, and I think if you want to play with tubes at as low of a price as reasonable, it would be a solid choice. Especially with good all-around speakers like the Polk LSiMs. The Souls, however -- while all indications are that the Zu Omen DWs will play well with most systems, if you're going to jump up to the Souls, you really need to do your homework to make sure they'll work well with the rest of your system. Would I be happy long-term with the Souls being driven by the Parasound or the MP?
Definitely not. But there are clearly many amps that will make these speakers SING, and resources to figure out which ones.
@HiFi Guy has clearly found a winning combo. Gerrit at Zu is extremely helpful and happy to discuss components that will work great with the Souls. And I'll be able to add another to the list in Part 2.