VMP is okay at finding/curating music, pretty good at getting it pressed, and TERRIBLE at retail. That's pretty much it -- they're bad at selling a good product, but the product is just good enough that they apparently don't have to be good at selling it.
I've been alot happier with VMP since I've accepted the above and just know my records will get here when they get here.
Luckily I buy albums I want as soon as they come up for sale and never swap so overselling isnt really an issue for me.
I'm not saying this excuses them from being so bad at the retail/shipping/fulfillment portion, at this point they should be alot better at it. But that feeling of relief alot of people seem to have from quitting forever? I have it from just accepting my records will eventually get here and I still get to enjoy the music.
The pricing doesnt bother me that much either. Im just happy they were so well priced for awhile. I think the quality almost always matches the mid 30s price point. The exclusives are overpriced alot of the time but generally I'll just buy an indie exclusive that is available instead (It also stops my FOMO). And if it's a true exclusive, the price is more understandable.
Hard disagree on the price/quality point. They have zero QC, the amount of warps and crackly pressings they send out is shocking! I’d rarely rate anything they press above the low to mid 30s on anything other than a FOMO basis.
That would probably be a lot easier for more people to accept if VMP didn't expend so much energy trying to convince them otherwise. It's not the timelines that are frustrating, it's the commitments to timelines they can't/won't honor.
Maybe it's because I'm closer so they spend less time in transit. But I get all 3 of their tracks every month and can't remember the last time I had something with more than maybe a very slight warp (and definitely not crackly). Also for me the price is a the lower to mid 30s so my statement stays true. So this may be strictly from a US buyer perspective.
I also have a hard time taking alot of the complints seriously because alot (not all) of their delayed exclusives are out of their hands and the regular pressings are delayed as well, not just VMP. Especially lately, I think we're starting to see more of the effects of the Apollo Fire. I don't blame them for any issues with pressing timelines or Mail issues in receiving product since that is a mess all over the US.
The issue was more their communication which IMO has definitely improved as of late.
Yeah, screw that. I'd pick and choose at that price point. I also have to say that I have a much stronger tolerance for minor Warps and seam splits. I order enough online where it I drove myself crazy before I just accepted (definitely not just a VMP problem)Yeah we’re talking $49-52 (3 month and 1 month) for the AoTM and $33 on top for add on tracks. It’s steep even if they get the whale that they occasionally do. God you must be like the anti-@Mather, the luckiest man in VMPdom.
For sure, and if you look at my history I use to be one of the most critical of VMP in the fulfillment and shipping department, I used to have an email out to them almost every month.That would suggest that this was a recent development and maybe COVID related. Massively delayed, beyond their promised date, exclusives has been going on since early 2019 when even I was still a member! The vast majority of them have landed in my local on release date.
Yeah, screw that. I'd pick and choose at that price point. I also have to say that I have a much stronger tolerance for minor Warps and seam splits. I order enough online where it I drove myself crazy before I just accepted (definitely not just a VMP problem)
For sure, and if you look at my history I use to be one of the most critical of VMP in the fulfillment and shipping department, I used to have an email out to them almost every month.
Since scaling back on variant exclusives, and accepting I would get my box at SOME POINT that month, Ive been pretty satisfied. And their shipping timelines and communication (for their own pressings) have been much better this year. Though lets see what Holiday season brings since we're going on 2 years of it all falling apart badly at that time. Maybe one reason their doing their Black Friday "Sale" early this year.
So like if anybody got an extra copy they are willing to part with, let me know!Dinner Party sold out! Missed out
You really think a GZ DMM is worth mid 30s (the same price as an AAA MoFi or AP or Tone Poet) prices? If all GZ DMMs start costing that much, I will have to start buying a lot less new vinyl.Maybe it's because I'm closer so they spend less time in transit. But I get all 3 of their tracks every month and can't remember the last time I had something with more than maybe a very slight warp (and definitely not crackly). Also for me the price is a the lower to mid 30s so my statement stays true. So this may be strictly from a US buyer perspective.
I’ll be honest and say the happiest thing about dropping them is that I’ve built a really good relationship with my local. They’re really sound and because the amount of custom a nutter like me gives them they look after me too with things. Also I kinda get the good feels putting money into a smaller local business.
I mean, the implication there is still "If I bought the products they tend to have more issues with and/or took them at their word, I'd be more frustrated."
Not saying you shouldn't be satisfied with your choice, just that it's more indicative of how you've decided to engage with VMP than it is of their actual ability to deliver.
I know there is alot of GZ hate but most of VMPs tracks pressings are great, and seems to be the overwhelming opinion when they are received every month.You really think a GZ DMM is worth mid 30s (the same price as an AAA MoFi or AP or Tone Poet) prices? If all GZ DMMs start costing that much, I will have to start buying a lot less new vinyl.
My comment had nothing to do with quality. Getting a record pressed GZ DMM is CHEAP. The vast majority of records that are pressed that way are sold in the low 20s (not that rare to see prices below $20), including 2xLPs often, though sometimes those are higher 20s.I know there is alot of GZ hate but most of VMPs tracks pressings are great, and seems to be the overwhelming opinion when they are received every month.
Yes, many of their classics release are close Tone Poet if not quite as great (and I have all but I think 3 or 4 currently released Tone Poets, huge fan of that line and one of the best bargains in the industry. Also since they released by Blue Note themselves, you have to account for no licensing costs which allow the incredible price).
Most MoFi's I see are at minimum $50, and AP's are a bit more but yes, comparable in quality. Even if AP may be a bit more consistent when you take Classics. AP doesnt have a flawless record either, they just arent a subscription model so dont have every release under the microscope as much.
I mean, It's up to every consumer to decide what price they think is fair. I'm not going to pretend to know how much these cost for VMP in total when I know absolutely nothing about licensing costs, which is definitely a big portion of their burden per pressing.My comment had nothing to do with quality. Getting a record pressed GZ DMM is CHEAP. The vast majority of records that are pressed that way are sold in the low 20s (not that rare to see prices below $20), including 2xLPs often, though sometimes those are higher 20s.
MoFis and APs standard pricing is $35 for 1xLP and their relatively new inflated pricing for 2xLPs is $50, which is a huge markup and they definitely make a lot more on the 2xLP.
I agree with you that Classics is priced fairly if you can get them mid-30s, my comment was for the rest of the records they sell, of which the majority are not close to the cost to manufacture Classics presses.
Edit: Apparently AP 2xLPs are $55 now? This is getting out of hand.
I have no problem with you being happy with the price. Glad you enjoy it.I mean, It's up to every consumer to decide what price they think is fair. I'm not going to pretend to know how much these cost for VMP in total when I know absolutely nothing about licensing costs, which is definitely a big portion of their burden per pressing.
I personally don't care where something was pressed and how much it cost them to make. If I think the record sounds excellent, and in the price range I'm willing to pay, that's it. Most of the records they have pressed at GZ sounds great, and I highly doubt their profit margin on each release is as high as people think. Also, If I think a product is really good and I was ok paying the cost, the operating costs are of no concern of mine.
When I said they're bad at the retail piece, I meant more like this stuff:
For years now there have been all kinds of byzantine, self-contradictory, ever-shifting guidelines and explanations about how their systems work, from overselling, to swaps, to member exclusive windows, to replacement policies, to response times, to refunds vs. store credit, to product details in store listings, to how shipping works ("it's random," "wait no it's actually multiple lists," "oh wait you actually chose the wrong shipping option," etc.), to whether things are actually limited the way they were described, and on and on and on...that's the stuff I meant that has always been, and likely always will be, a bit of a mess. Add in letting Paul be their de facto spokesman several different times, and it all gives the impression that the customer-facing part has never been their top priority.
The pricing stuff is, well, another issue entirely. I think it took some remarkable cojones to not only jack up the prices for new products by the amount that they did, but also to increase prices on old product that used to sell for less. It was >1 price hike ago that they sold the line about how their old stock was "undervalued," and it wasn't true then either.
I've been a member for years and experienced my fair share of issues. I've had orders delayed with no explanation. CS emails go into a black hole. Well over a dozen oversells. Months of damaged records.I don't share your confidence that your box will eventually arrive, considering they recently completely deleted an order of mine from their system and I had to beg someone in CS to respond to me for 3 weeks to get them to realize that and ship me one. I think your implication that others may be happier if they just accept shipping might take a while diminishes genuine difficulties with the company like this that you have been lucky not to experience.