I'm a bit torn. You wrote that her music is up your alley so I assume you're familiar with her debut album, which also got a VMP exclusive release. I think songs such as Pity, Dance While You Shoot and Toy are good examples that her music has always been very synthetic, forceful, harsh, with certain vocal peculiarities... and yet very good! The debut already had its fair share of influences, nevertheless she channeled them into an exciting new sound, complemented by some direct lyricism and her unique voice.
It's also pre Billie debut album era, so that ripoff is not entirely valid, as the song doesn't veer off too much from what she's done on her debut, especially on the title track. But I echo the sentiment regarding the Gorillaz: they've always been an influence to her music and the stronger integration of her (life and music) partner Ori Rousso on this new album (he was producer on Off The Radar) definitely amplifies this.
Overall, these new songs haven't clicked with me either. The darker and at times more experimental approach that she took on her debut, especially on Worth None and Balkada, is lacking IMO, at least in the singles we got so far. I still consider the influence-heavy debut album as the anchor to her music, but the production on this new album definitely seems to strech to other territories I like less. I'll be checking out the album on release date, but no pre-order for me.
P.S. for those interested in her earlier work, she released a reworked version of the Radar-album live with with the Israel Camerata Jerusalem, which adds some nice and unusual orchestral arrangements to these pop songs. Worth None, which already includes strings in the original, is particularly gorgeous, both mediative and stirring.