Vinyl Me Please (store, exclusives, swaps, etc)

Just some interesting quotes from that interview. I wonder what their reaction would be if you played this back to them now:

"Our hearts were in the right place we just had no idea how to run a company"

"It got to the point where we didn't have the time or money to sustain the quality of the product"

"One of the things we wanted was for VMP to have a community and to feel like a community. That it wasn't just a record coming to you in a mailer. To feel like you were a member, a member of a real club."

"We dont want to do anything that would betray the members that we have had for a long time."

"We just talked to our customers a lot, and chatted to them to keep them in the loop. Communication is one of those things that help you when things hit the fan."

"A good way to communicate is just to not be a jackass to them"

"They want to beat the shit out of you for making something, like on reddit or something"

"I think the people who are successful long term are the people that get rid of their ego"

Its also saddening to hear how VMP used to be compared to what its become. I came in at the Demon Days time and even then it had some level of personalization and customer care which it just doesn't seem to have now. In this interview Tyler talks about how him and Matt would go out and buy rolls of textured paper, wrap up each record with twine, and hand write a note to customers. He also says they would ring each customer to ask what they had been listening to that month and create customer cards, which they would then use to make personalized playlists to send to them. Sounds like the really early days were super cool.

I listened to most of this interview and really just came away saddened. The company Tyler talks about is NOT the same company we're all talking about now.

I think that's really the most important thing people need to start understanding. The old VMP is dead and buried. It's so obvious in the way this company is being run and managed now VS the way Tyler's talking about the original VMP. I mean, VMP of 2017, we're not talking about the early-early days.

The VMP most of the people on this forum really loved is gone. That company doesn't exist anymore. The idea of a company that cares about its customers, which is something Tyler mentions a few times, is completely dead. He goes on and on about communication, but VMP's new communication strategy is to post randomly on Reddit and hope their main subscriber base doesn't notice or care.

I think there's a lot of anger at VMP on this forum. And I think a lot of that anger can be dissolved if we all just collectively accept that VMP is a fundamentally different company being run by fundamentally different people with very different ideas about what VMP should be. It's not a community or a club. It's not even a company that values its vocal and die-hard customer base. It's a profit-centered entity.

They used to be about adding value to their customers. But now they're about extracting as much value from those same customers are humanly possible.

And that's fine. I'm okay with it. I wish VMP was that old company, but it isn't anymore. Listening to Tyler talk was seriously refreshing. That's the kind of person we want in control of a company like VMP. There was no bullshit faddish techie business jargon, just straight up ideas about how to run a company and how to provide value to customers. Basically, he cared, and he didn't sound like a douche. Compare that to how Cam sounded in his unboxings with Ghostly and it's no wonder the company is so fucked.

I really think that everyone should go listen to that Tyler interview. I mean seriously, listen to it, and think about the current state of VMP. It's an entirely different company and it will never ever go back. They will do their best to extract value from us while providing the absolute bare minimum in return. The perks, the extra quality, it's all going to go away sooner or later. Now's the time to get as much from them as humanly possible while starting to remove all emotional attachments from the equation. They're just a store that'll fuck you out of money if you let them, just like any other store.

As for me, I'm in for Classics until it starts to suck. I still think the Classics track is a great deal. I might do some more anthologies, depending what they are, but I'm disillusioned there. I'm not buying any VMP exclusives unless it's some kind of amazing classic that I really want, but I'm going to google around to make sure it's actually exclusive to VMP, and if it's not, I'm buying it wherever it's cheapest. That's the bottom line. If I'm just a customer, they're just a store.
 
I listened to most of this interview and really just came away saddened. The company Tyler talks about is NOT the same company we're all talking about now.

I think that's really the most important thing people need to start understanding. The old VMP is dead and buried. It's so obvious in the way this company is being run and managed now VS the way Tyler's talking about the original VMP. I mean, VMP of 2017, we're not talking about the early-early days.

The VMP most of the people on this forum really loved is gone. That company doesn't exist anymore. The idea of a company that cares about its customers, which is something Tyler mentions a few times, is completely dead. He goes on and on about communication, but VMP's new communication strategy is to post randomly on Reddit and hope their main subscriber base doesn't notice or care.

I think there's a lot of anger at VMP on this forum. And I think a lot of that anger can be dissolved if we all just collectively accept that VMP is a fundamentally different company being run by fundamentally different people with very different ideas about what VMP should be. It's not a community or a club. It's not even a company that values its vocal and die-hard customer base. It's a profit-centered entity.

They used to be about adding value to their customers. But now they're about extracting as much value from those same customers are humanly possible.

And that's fine. I'm okay with it. I wish VMP was that old company, but it isn't anymore. Listening to Tyler talk was seriously refreshing. That's the kind of person we want in control of a company like VMP. There was no bullshit faddish techie business jargon, just straight up ideas about how to run a company and how to provide value to customers. Basically, he cared, and he didn't sound like a douche. Compare that to how Cam sounded in his unboxings with Ghostly and it's no wonder the company is so fucked.

I really think that everyone should go listen to that Tyler interview. I mean seriously, listen to it, and think about the current state of VMP. It's an entirely different company and it will never ever go back. They will do their best to extract value from us while providing the absolute bare minimum in return. The perks, the extra quality, it's all going to go away sooner or later. Now's the time to get as much from them as humanly possible while starting to remove all emotional attachments from the equation. They're just a store that'll fuck you out of money if you let them, just like any other store.

As for me, I'm in for Classics until it starts to suck. I still think the Classics track is a great deal. I might do some more anthologies, depending what they are, but I'm disillusioned there. I'm not buying any VMP exclusives unless it's some kind of amazing classic that I really want, but I'm going to google around to make sure it's actually exclusive to VMP, and if it's not, I'm buying it wherever it's cheapest. That's the bottom line. If I'm just a customer, they're just a store.

I could buy that if they’d just become a new Newbury and sold coloured shit but actually sold and delivered it. I actually disagree with you on the Classics, I think it’s been a pure mess this year, but that’s all subjective. It’s the myriad of logistical problems that has really fucked most of us off, not necessarily that they are just a shop now.
 
But I want to complete my VMP Classics collection! This is the only one I’m missing!

So you just want it because it has the VMP sticker on it?

Both are cut by Kevin Gray. But the VMP is a single LP at 33rpm; pressed at GZ. The Analogue Productions is 2LP at 45rpm and pressed at QRP.

The VMP goes for roughly $100. The AP release can be had for half of that.

Are you into collecting records, or listening to music. That's really where the decision point is. If you do it for the music, AP is a no brainer.
 
So you just want it because it has the VMP sticker on it?

Both are cut by Kevin Gray. But the VMP is a single LP at 33rpm; pressed at GZ. The Analogue Productions is 2LP at 45rpm and pressed at QRP.

The VMP goes for roughly $100. The AP release can be had for half of that.

Are you into collecting records, or listening to music. That's really where the decision point is. If you do it for the music, AP is a no brainer.
But I’m sure the VMP exclusive will sound amazing if it is still cut by Kevin Gray on 180g vinyl! And I like that it’s a single LP!
 
So you just want it because it has the VMP sticker on it?

Both are cut by Kevin Gray. But the VMP is a single LP at 33rpm; pressed at GZ. The Analogue Productions is 2LP at 45rpm and pressed at QRP.

The VMP goes for roughly $100. The AP release can be had for half of that.

Are you into collecting records, or listening to music. That's really where the decision point is. If you do it for the music, AP is a no brainer.

I have the VMP hooker and it sounds great. And I would always pay a bit extra for 1lp over a 2lp. I hate flipping that much for a short record and I'm honestly not an audiophile enough to tell the difference.

And I don't see the problem in collecting AND being into the music. If I was missing just 1 of the classics and it was a record I wanted anyway, yeah I'd splurge to complete the set.
 
But I’m sure the VMP exclusive will sound amazing if it is still cut by Kevin Gray on 180g vinyl! And I like that it’s a single LP!

The VMP sounds okay. My copy had a lot of non-fill (Gz has gotten better, but they used to be awful)

Just one point to note here, the weight of the vinyl (180g or otherwise) does not impact sound quality. In theory, the thicker records are supposed to be less prone to warping, but there's nothing inherently "better" about thicker records in terms of sound quality.
 
So you just want it because it has the VMP sticker on it?

Both are cut by Kevin Gray. But the VMP is a single LP at 33rpm; pressed at GZ. The Analogue Productions is 2LP at 45rpm and pressed at QRP.

The VMP goes for roughly $100. The AP release can be had for half of that.

Are you into collecting records, or listening to music. That's really where the decision point is. If you do it for the music, AP is a no brainer.
I can’t afford the Analogue Productions copy. It’s just too expensive when then international shipping comes into play + conversion rate from AUD dollars. And there’s so many other audiophile releases I want more, like curtis Mayfield’s MoFi Superfly release!
 
At checkout it gave the option to have it included in your next ROTM box or have it shipped separately "right away". I'm not any more worried about it than I am getting other records I have ordered in the past haha.
Fiona had that option too. I wouldn't put too much stock in that promise given that no one's Fiona seems to have shipped yet.
 
The VMP sounds okay. My copy had a lot of non-fill (Gz has gotten better, but they used to be awful)

Just one point to note here, the weight of the vinyl (180g or otherwise) does not impact sound quality. In theory, the thicker records are supposed to be less prone to warping, but there's nothing inherently "better" about thicker records in terms of sound quality.
Ahhhhhhh that’s good to know! I always thought 180g meant a little bit improved sound quality, because it gives better tracking for the needle.

What is non-fill? That’s a term I see here but I don’t actually understand what that means? Like a non-full creates a locked groove or something?
 
Would this surprise anyone:

View attachment 26050
giphy.gif
 
Ahhhhhhh that’s good to know! I always thought 180g meant a little bit improved sound quality, because it gives better tracking for the needle.

What is non-fill? That’s a term I see here but I don’t actually understand what that means? Like a non-full creates a locked groove or something?
Non-fill: This is What "Non-Fill" Looks Like

180g doesn't mean much these days. It has *potential* to sound better, because it has *potential* to have the grooves cut deeper.
But since it's become an effective marketing term, it just means they used 40g of extra material. You can press shallow grooves and a bad master into 180g vinyl just fine. I have old super thin vintage vinyl that sounds great too.
 
Just one point to note here, the weight of the vinyl (180g or otherwise) does not impact sound quality. In theory, the thicker records are supposed to be less prone to warping, but there's nothing inherently "better" about thicker records in terms of sound quality.

Even if they don't sound better, I like them so much more than standard weight. The heft just feels like quality to me.

Or, to put it another way, I'm a pan pizza guy.
 
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