I liked it much better from the first two tracks on. I think I just put it on at the wrong time.Definite the most “free” of the second quintet albums. One of the songs, I am convinced, doesn’t even have chord changes.
But I find it rewarding with repeated listens. Hopefully you will too
I liked it much better from the first two tracks on. I think I just put it on at the wrong time.
Joining you, I love this dude:
Mine was cheaper and I agree it’s pretty amazing!This is such a great pressing, better yet, picked it up for $10 a few years back in Florida
Supertramp – Breakfast In America
A&M Records [SPJ-3708] - 1979
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Joining you, I love this dude:
It's pretty solid, nothing to really knock on it...........in my opinion.Thinking about pulling the trigger on the flipbin. Any issues? Recommended?
None at all; sounds pretty good. It’s also a solid album. There’s some noise on the runouts, but I don’t care. Pretty dynamic overall.Thinking about pulling the trigger on the flipbin. Any issues? Recommended?
Oh, drunk little LeeNone at all; sounds pretty good. It’s also a solid album. There’s some noise on the runouts, but I don’t care. Pretty dynamic overall.
If you say so. I am pretty drunk though. Sounds good.Oh, drunk little Lee
None at all; sounds pretty good. It’s also a solid album. There’s some noise on the runouts, but I don’t care. Pretty dynamic overall.
Gonna have to give it another chance at a more opportune time to really appreciate it this weekend. I think I was just in the mood for something jumpier at the time. Hand Jive definitely grabbed my attention, though.Oh man, those two tracks are earth-shattering for me!
To only play the head of the tune ("Nefertiti") and let the rest of the band build the improvisation? That is a suspense movie played by a jazz quintet for me!
They re-visit the idea through "Fall" of playing the head the entirety of the song, and improvise around that... it's a top 5 for Wayne in my book.
If you check out the bonus reissue cuts, they tried doing the same thing with "Pinnochio" to a less impressive extent, but I think it says a lot about what they were thinking about: honoring the melody/theme of the composition.
Then, "Hand Jive,"... it gets weird. I transcribed this entire album in college, and this song and "Madness" stumped me because there was NO consistency with the chord changes. If you listen again, Herbie barely/doesn't even comp under his own improvisations... very, very free compared to how the album begins.
I just can't say enough nice things about it.
Might have to go find it right now, actually...