Oldwhitelincoln11
Well-Known Member
Both . I think I like the mono but the stereo is nice as well with bonus stuff.What's the consensus on the Blue Train TP. If you were to get just one would you do the stereo or mono?
Both . I think I like the mono but the stereo is nice as well with bonus stuff.What's the consensus on the Blue Train TP. If you were to get just one would you do the stereo or mono?
I like the mono. I’m not sure there is a consensus.What's the consensus on the Blue Train TP. If you were to get just one would you do the stereo or mono?
So do I. It just has much greater impact. The bonus stuff on the stereo is IMO redundant, I wouldn't listen to it more than once, and I feel they detract from appreciation of the work.I like the mono. I’m not sure there is a consensus.
I am curious how they cut newer mono releases.
Is it still with the ST head or does KG use a differenthead for mono?
Yes it would. I am not sure anything has been mono cut since the 60s, but I could be mistaken.I don't know but interesting question. Would it make a difference to the cut / grooves if they used a stereo head?
For what it's worth, Kevin Gray said he prefers the mono himself. Says that Rudy used to ride the reverb levels live and the stereo one has a bit more reverb in one channel, and that is mitigated a bit in the mono.What's the consensus on the Blue Train TP. If you were to get just one would you do the stereo or mono?
I believe newer mono releases are almost entirely cut with stereo cutting heads and they aren't "true" mono. You do have some releases like ERC that cut in true mono and have mono grooves. I also think Classic Records may have done a true mono series when they were in business.I am curious how they cut newer mono releases.
Is it still with the ST head or does KG use a differenthead for mono?
Yeah that's was my line of thought.I believe newer mono releases are almost entirely cut with stereo cutting heads and they aren't "true" mono. You do have some releases like ERC that cut in true mono and have mono grooves. I also think Classic Records may have done a true mono series when they were in business.
Mass market releases like these Tone Poets wouldn't use a mono cutting head as I believe that would introduce more noise for the large majority of people using stereo carts
True. True mono cutting hasn't been done for decades. The last I know of, ignoring the ERC reissues, would be the Classic Records BN mono series, that used a tube mono cutting head/amp. There really is no advantage with a mono cutting head as there is no mass market mono equipment made, and it would present disadvantages to those with stereo carts - 99% I would expect.I believe newer mono releases are almost entirely cut with stereo cutting heads and they aren't "true" mono. You do have some releases like ERC that cut in true mono and have mono grooves. I also think Classic Records may have done a true mono series when they were in business.
Mass market releases like these Tone Poets wouldn't use a mono cutting head as I believe that would introduce more noise for the large majority of people using stereo carts
Well, for those enjoying a mono cart, it's really a glorious spin when you can get the signals lined up. I know the market is ST carts. Thus a biz decision to cut ST.True. True mono cutting hasn't been done for decades. The last I know of, ignoring the ERC reissues, would be the Classic Records BN mono series, that used a tube mono cutting head/amp. There really is no advantage with a mono cutting head as there is no mass market mono equipment made, and it would present disadvantages to those with stereo carts - 99% I would expect.
Yea and ONLY this deluxe one I believe is cut by KG. The other represses seem to be the old cuts. Craft did confirm this is digital high res sourceMaybe not definitive, but this DELUXE edition looks like a boom-boom ADA cut... check the notes... only 6 'damaged' in stock at PR
[DAMAGED] Vince Guaraldi - A Charlie Brown Christmas [Deluxe Edition]
**All of these copies have bent jackets, dinged corners or seam splits. This deluxe 2-LP set of A Charlie Brown Christmas features a brand-new Stereo Mix of the classic album remastered from the original three-track and two-track sources on record number one. The second record features thirteen...www.plaidroomrecords.com
This deluxe 2-LP set of A Charlie Brown Christmas features a brand-new Stereo Mix of the classic album remastered from the original three-track and two-track sources on record number one. The second record features thirteen unreleased outtakes, highlights taken from five sessions of recording material that are amazing in their own right and show how this iconic score took shape. Housed in a gatefold jacket, the set also features new liner notes from Peanuts historian, Derrick Bang.
Record one features a new stereo mix from the original analog sources.
Record two contains newly discovered material consisting of 13 highlights from five sessions’ worth of recording session material.
Audio has been remixed and mastered by Paul Blakemore from the original three-track and two-track sources.
Lacquers cut by Kevin Gray at Cohearent Audio
Reference UPC 888072245273
Released 10/14/2022
also $34 on Bezosville if it sells out at Plaidroom
Amazon product ASIN B0B55D8LLJ
Discogs entry has some discussion in comments:Yea and ONLY this deluxe one I believe is cut by KG. The other represses seem to be the old cuts. Craft did confirm this is digital high res source
I might be down for this if you're able to flatten 'er out. Doing a bit of research now but please keep me in the loop.Anyone looking for the DCC pressing of Aqualung? Going to be listing it soon. (was purchased sealed recently and is MINTY) Unfortunately, it does have a warp to it but a buddy of mine just purchased the Record Pi flattner so it'll be perfect! Since I only paid 80 for the Mofi, I'll let the DCC go for the same price for anyone in here
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