Joe Mac
Well-Known Member
Agreed. And I have a good amount of digital recordings on vinyl that sound great thanks to my boy KG and others. If the album was recorded well and you get a good engineer to work on the cut, it can sound awesome. Labels need to lean into that more. MoFi is probably the one who arguably should, because people see the banner and buy it. A lot of people don't really know the ORM vs MFSL banner difference and probably don't care if it sounds good. I know I don't entirely care.
Yeah I completely agree. The third disc of the Ryan Adams one that I mentioned is based on the bonus CD from the Japanese release. They had no tapes for that and were struggling to find hi res digital masters. They used the 16/44 masters made for the CD. Whilst obviously you would rather a better source than that if going digital they made a damn good job of it. Pity he’s a shit so I don’t feel the want to listen to it so much anymore.
It does show to me though that the problem with AAD, ADD and DDD converted into vinyl isn’t the fact that there is digital in the chain, or even that it’s recorded entirely in that realm, but rather the fact that proper vinyl mastering is often an afterthought in modern releases.