BazookaTooth
Well-Known Member
i like ciabatta very much though
Well all kidding aside you're putting together a nice system there and I think you'll be thrilled with the sound. Now do yourself a favor and don't buy anything with a Shibata diamond on it so you're not pulling your hair out all day like me.
NOT AS MUCH AS I USED TOAt least with your lockdown man bun you’ve plenty up there to pull out before anyone notices...
The tastiest and warmest cart is definitely a Ciabatta by Gra-dough.i like ciabatta very much though
I.The tastiest and warmest cart is definitely a Ciabatta by Gra-dough.
I.
WILL.
BE.
HERE.
ALL.
WEEK.
don't forget to tip your waitress, try the lasagna
The sweetest cart though is definitely torte-ofonThe tastiest and warmest cart is definitely a Ciabatta by Gra-dough.
Yeah but you live in a civilized country where there probably is no tipping and hospitality workers get real wages. Must be nice!
Yeah but you live in a civilized country where there probably is no tipping and hospitality workers get real wages. Must be nice!
theres nothing civilised about just letting people fucking drown or letting them rott in camps on islands.
I would see if the dealer discount brings the Marantz TT-15 into your price range. I haven't heard it myself, but I've read enough about it that I would consider it from the list you provided.Fair enough. From memory I believe these are the companies (brands) he deals with:
- NAD
- Pro-ject
- Audio Technica
- Thorens
- Marantz
- Denon
- Arcam
- Cambridge?
- Audiolab
- Mark Levinson
- Krell
- Tri Art
I wouldn't take that as too much of a sign. There are mountains of amazing gear that never makes it to a reviewers keyboard, even if they've heard some of it. The professional review industry is pretty complicated world. There's relationships with manufactures, distributors, gear shipping, margins, sales productions, advertising relationships, review and ad costs, logistics, etc. There's a reason you see so many more reviews for big companies than you do from smaller boutique companies. And there's a reason you don't see every single product from any company reviewed. There are pretty complicated formulas that equate to what actually makes it into professional reviewers hands, and follow up equations of what makes it to print. I've seen really positive reviews get spiked over a single sentence that rubbed one person the wrong way. We probably only see 70-80% of what's written, and even less of what's been discussed in the editing room. Let alone what's out there.PS I can’t find any professional reviews either which I tend not to take as a good sign...
I would see if the dealer discount brings the Marantz TT-15 into your price range. I haven't heard it myself, but I've read enough about it that I would consider it from the list you provided.
I wouldn't take that as too much of a sign. There are mountains of amazing gear that never makes it to a reviewers keyboard, even if they've heard some of it. The professional review industry is pretty complicated world. There's relationships with manufactures, distributors, gear shipping, margins, sales productions, advertising relationships, review and ad costs, logistics, etc. There's a reason you see so many more reviews for big companies than you do from smaller boutique companies. And there's a reason you don't see every single product from any company reviewed. There are pretty complicated formulas that equate to what actually makes it into professional reviewers hands, and follow up equations of what makes it to print. I've seen really positive reviews get spiked over a single sentence that rubbed one person the wrong way. We probably only see 70-80% of what's written, and even less of what's been discussed in the editing room. Let alone what's out there.
I take the word of people who have a similar taste in gear as me over the word of a review. Unfortunately that's equally hard to find sometimes. And I think a reviewer only becomes truly valuable when you know they like stuff that you like. Outside of that a review is an entertaining advertisement.
Part of that reason could be sales expectations and profit margins. NAD gets plenty of gear professionally reviewed, but they still can't have everything reviewed. Basically if they know they can sell 10X more units of an integrated amp, and that integrated amp nets a higher margin, why would they bother dealing with logistics of getting sample units of this preamp out to reviewers. As a matter of fact, if some of their amps have positive comments about their built in preamps, there is a very high probability that this is those exact same modules in it's own casing, so there may indirectly be professional reviews out there.but there are also so many reviews/reviewers. A small company Id agree but with the big boys if they don’t get it out to at least one reviewer there’s a reason for it for me. A bit like shit films never having critic screenings.
Taken from an online review by Andrew Robinson.
The more reason to purchase the right phono preamp.
- The X2 is not going to play well with all types of MM phono stages, built-in to your existing preamp or external. I'm not entirely sure if this is a gain issue, or just my review sample, but suffice to say, the X2 can go from being the epitome of neutrality with the right setup, to dull and lifeless with the wrong one.
Oh ok. I get matching your cart to your stage but matching your table to your stage is a new one on me!
Pretty sure it's the cart that's the issue - the Sumiko Moonstone has relatively low output for an MM so it produces a bit of a soft output at the standard 40db.