Dtknuckles
Well-Known Member
The Floating Points album Promises that got so much attention last year is worse than boring, it's infuriating. Clearly it's pretty light in terms of musical ideas, but that's not a problem in itself (I'll gladly listen to long Morton Feldman or Éliane Radigue recordings). It's an hour long repetition of C minor arpeggios that keep banging back at any attempts to improvise, forcing the soloist to conform to its mechanical insistence on RESOLVING between one C minor arpeggio and a slightly different one, back and forth in a cloying simulation of emotional tension. No wonder Pharaoh plays so little, there's nowhere to go.
And what a waste of resources. If I had access to the strings of the LSO, a grand master avant-garde sax player, and that bucket list of keyboards and synths, I'd put a bit a bit more work into it, I can tell you. Hire an arranger ffs, like Nels Cline did in his attempt at mood music.
It's actually very rare that music annoys me. If I don't like something I'm usually just, Meh! I don't care for it. Moving on. I actively hate this album almost as much as I hate The Joshua Tree. But at least I cannot find fault in U2's competence as a commercial pop group. They do the job, deleiver the goods, despicable as they may be, just like a Merc is a top-shelf product if you're into Teutonic richmobiles, U2 is top-shelf reactionary romantic bombast. But wtf even is Promises? An assembly of hipster style-points.
I once took a date to see a performance of feldman’s piano with string quartet. It was a transformative experience. It’s a shame his music more prominent. Surprisingly the date was impressed.
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