J-Jazz (Japanese Jazz)

This gem seems to have been repressed.

Anybody knows how is the quality of Deep Jazz Reality? This is tempting but pretty expensive to go blind on a record label I am not familiar with.
 
Anybody knows how is the quality of Deep Jazz Reality? This is tempting but pretty expensive to go blind on a record label I am not familiar with.

If it's the same pressing from the Re:Vinyl being repressed out of Japan - I have it and it's great.


Awesome album!
 
If it's the same pressing from the Re:Vinyl being repressed out of Japan - I have it and it's great.


Awesome album!
Yup, it's the same. I'm definitely happy with mine. Not sure if it's fully analogue, but definitely sounds good!
Well, I ordered it and Scenery 😬
 
someone should reach out to Ogawa-san via instagram where he is apparently very active (im not on it so sorry can't be me) to ask about sourcing...

my guess is that yes these are cut from digital files from master tapes as all of the re:vinyl series had been issued previously on CD in the last 5 years. or so SQ does vary across the board and some are definitely better than others

how does flute adventure sound? I have the Superfly from a couple of years back and felt it was pretty good (actually I enjoy all of the superfly stuff from a SQ perspective and who knows where most are sourced) - so I skipped the recent one...
 
also, not strictly j-jazz, but has anyone picked up any of the Japanese RSD stuff - they did all the Shamek Farah and the Frank Cunimodo Trio record - curious how they sound
 
someone should reach out to Ogawa-san via instagram where he is apparently very active (im not on it so sorry can't be me) to ask about sourcing...

my guess is that yes these are cut from digital files from master tapes as all of the re:vinyl series had been issued previously on CD in the last 5 years. or so SQ does vary across the board and some are definitely better than others

how does flute adventure sound? I have the Superfly from a couple of years back and felt it was pretty good (actually I enjoy all of the superfly stuff from a SQ perspective and who knows where most are sourced) - so I skipped the recent one...

I believe source for both Project Re:Vinyl and Superfly's Flute Adventure are the same. Yusuke Ogawa was involved in Superfly's reissue as he was in last two J-Jazz Superfly reissues.
 
Two new releases in the Project Re:Vinyl serie:

Jiro Inagaki & his Soul Media - In The Groove
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Kiyoshi Sugimoto Quartet - Country Dream
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More detail here : 7/27発売【PROJECT Re:VINYL】稲垣次郎とソウル・メディア/ In The Groove | 杉本喜代志 / Country Dream |中古
 
“In the Groove” sounds great, but I’d not heard ”Country Dream” before and streamed it today. It’s top-tier for me. Really great.

I’m spinning Cinedelic’s reissue of Akira Ishikawa & His Count Buffalos “African Rock” today for the first time, and it’s also excellent. Great sound quality and press. I have the bronze/black marble version. Highly recommend.
 
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Noriko Miyamoto - Push

For the first time, this critically acclaimed series that delves deep into the history of Japanese Jazz will be releasing an album by a Japanese female singer, Noriko Miyamoto produced by one of the legendary figures in Japanese Jazz, Isao Suzuki.

The release of her incredible debut album, ‘Push’, coincided with a surge in popularity for local female jazz singers such Kimiko Kasai, Yasuko Agawa, etc. that crossed over into the pop market. It was originally released by the now-defunct label, Yupiteru Records in 1978. Since then, it has been reissued a few times in Japan but recently, along with a surge of worldwide interest in old Japanese music, ‘Push’ has been gaining a cult status among foreign music heads, with the price for an original pressing skyrocketing in the second hand record market. This reissue of ‘Push’ will be the first time ever that this album will be officially released worldwide.

Long before R&B music went onto enjoy mainstream success in Japan, a soul music and disco loving lady, Noriko Miyamoto who started her music career working as a dancer at the legendary Tokyo disco, ‘Mugen’, was inspired by Tina Turner’s performance there and decided to became a soul singer. It was at a time in the early 1970s when there were only a handful of female songstresses who sang soulfully in Japan. In 1977, Miyamoto was scouted by Isao Suzuki to join his band, Soul Family and subsequently, with their backing, he produced Push, an album that kickstarted her career. It is an album that exquisitely combines her jazzy and soulful vocals with Suzuki’s acoustic bass and precocious playing from his youthful and vibrant group at the time.

Along with Sadao Watanabe, Terumasa Hino, Masabumi Kikuchi and George Otsuka, bassist, cellist, multi-instrumentalist, composer, arranger, producer and band leader, Isao Suzuki was considered to be one of the most influential figures in Japanese jazz history. Beloved by many in the Japanese jazz scene as “Oma-san”- Suzuki was renowned for developing young talent. Noriko was one of his prodigies, and so ‘Push’ became a vehicle to showcase her and his band as well, which featured notably future renowned players such as keyboardist, Masanori Sasaji, who went on to back Yasuaki Shimizu and guitarist, Kazumasa Akiyama, who played with many major Japanese Jazz musicians. According to Noriko, these young musicians in the group helped Suzuki create a brand new sound, mixing orthodox jazz with the crossover / fusion sound that was popular at the time, coming together supremely on ‘Push’.

For ‘Push’, Suzuki focused on Noriko’s unique prowess of singing songs in English, somewhat a rarity in the Japanese music scene at the time. She sang two jazz standards, ‘Everything I Have Is Yours’ and ‘Stella By Starlight’ on the album. Noriko also wrote English lyrics for two original compositions of Suzuki’s, an instrumental piece, ‘Cadillac Woman’, and ‘My Life’, a song that he composed for Kimiko Kasai, who’d originally sung it in Japanese on her 1977 album, ’Tokyo Special’.

Noriko fulfilled her long-held dream of becoming a soul singer after she moved to the US in 1990 and subsequently joined a number of prestigious outfits, such as Eddie Murphy’s band, Graham Central Station, the Brothers Johnson and Side Effect, but ‘Push’ is the album that paved the way for her career and hopefully, with this first time ever, worldwide reissue, it will attract more listeners. Sadly the producer of this album, Isao Suzuki sadly passed away recently at the age of 89. It is unfortunate that he was not able to see the reissue of this special album that he produced for Noriko Miyamoto.

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Noriko Miyamoto - Push

For the first time, this critically acclaimed series that delves deep into the history of Japanese Jazz will be releasing an album by a Japanese female singer, Noriko Miyamoto produced by one of the legendary figures in Japanese Jazz, Isao Suzuki.

The release of her incredible debut album, ‘Push’, coincided with a surge in popularity for local female jazz singers such Kimiko Kasai, Yasuko Agawa, etc. that crossed over into the pop market. It was originally released by the now-defunct label, Yupiteru Records in 1978. Since then, it has been reissued a few times in Japan but recently, along with a surge of worldwide interest in old Japanese music, ‘Push’ has been gaining a cult status among foreign music heads, with the price for an original pressing skyrocketing in the second hand record market. This reissue of ‘Push’ will be the first time ever that this album will be officially released worldwide.

Long before R&B music went onto enjoy mainstream success in Japan, a soul music and disco loving lady, Noriko Miyamoto who started her music career working as a dancer at the legendary Tokyo disco, ‘Mugen’, was inspired by Tina Turner’s performance there and decided to became a soul singer. It was at a time in the early 1970s when there were only a handful of female songstresses who sang soulfully in Japan. In 1977, Miyamoto was scouted by Isao Suzuki to join his band, Soul Family and subsequently, with their backing, he produced Push, an album that kickstarted her career. It is an album that exquisitely combines her jazzy and soulful vocals with Suzuki’s acoustic bass and precocious playing from his youthful and vibrant group at the time.

Along with Sadao Watanabe, Terumasa Hino, Masabumi Kikuchi and George Otsuka, bassist, cellist, multi-instrumentalist, composer, arranger, producer and band leader, Isao Suzuki was considered to be one of the most influential figures in Japanese jazz history. Beloved by many in the Japanese jazz scene as “Oma-san”- Suzuki was renowned for developing young talent. Noriko was one of his prodigies, and so ‘Push’ became a vehicle to showcase her and his band as well, which featured notably future renowned players such as keyboardist, Masanori Sasaji, who went on to back Yasuaki Shimizu and guitarist, Kazumasa Akiyama, who played with many major Japanese Jazz musicians. According to Noriko, these young musicians in the group helped Suzuki create a brand new sound, mixing orthodox jazz with the crossover / fusion sound that was popular at the time, coming together supremely on ‘Push’.

For ‘Push’, Suzuki focused on Noriko’s unique prowess of singing songs in English, somewhat a rarity in the Japanese music scene at the time. She sang two jazz standards, ‘Everything I Have Is Yours’ and ‘Stella By Starlight’ on the album. Noriko also wrote English lyrics for two original compositions of Suzuki’s, an instrumental piece, ‘Cadillac Woman’, and ‘My Life’, a song that he composed for Kimiko Kasai, who’d originally sung it in Japanese on her 1977 album, ’Tokyo Special’.

Noriko fulfilled her long-held dream of becoming a soul singer after she moved to the US in 1990 and subsequently joined a number of prestigious outfits, such as Eddie Murphy’s band, Graham Central Station, the Brothers Johnson and Side Effect, but ‘Push’ is the album that paved the way for her career and hopefully, with this first time ever, worldwide reissue, it will attract more listeners. Sadly the producer of this album, Isao Suzuki sadly passed away recently at the age of 89. It is unfortunate that he was not able to see the reissue of this special album that he produced for Noriko Miyamoto.

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thanks for posting Skalap...this is a fun record for sure and worthy of reissue, IMO a lot more than most of the city pop that people seem to be going nuts for these days, but 2x45s AGAIN... I don't know what the deal is with BBE's license but im just not buying these anymore - if they put the money into better packaging and put this on 33rpm they could charge the same AND most likely have less QC issues with shit vinyl defects....also this record isn't super rare as even discogs has a bunch all around the same price, and used to be seen in the wild a bit...

now, if they could do the Masao Nakajima record Kemo-Sabe from the same series that would be something - I've never seen that record in the wild and is mega rare...but on 33 PLEASE!!!!

That being said, all the records from Yupiteru/Atlas during this period are just good jazz sessions and most of them are easy to source and they all sound incredible.
 
Ran across this one pokin' around on youtube. Of course it's out of print.



This one is very interesting. It came out at the real tail end of vinyl in Japan and was pressed once, in very low quantities - so it is very hard to get and very expensive when found.

Himiko Kikuchi was what would be called a smooth jazz/pop atrist and IMO the majority of her material is pretty dated, and not in such a good way. BUT - Flying Beagle turns that on it's head, and is a great album, very worthy of a good reissue.
 
This one is very interesting. It came out at the real tail end of vinyl in Japan and was pressed once, in very low quantities - so it is very hard to get and very expensive when found.

Himiko Kikuchi was what would be called a smooth jazz/pop atrist and IMO the majority of her material is pretty dated, and not in such a good way. BUT - Flying Beagle turns that on it's head, and is a great album, very worthy of a good reissue.
I felt like it definitely toed the line of dated/bad music of that era.
 
Now let's find Blow-Up as it's the last TBM reissue that I am missing. Of course it's sold out everywhere... Crossing my fingers to see this one showing at my local.

First three in this picture are :

Sumire Kuribayashi & Hideaki Kanazawa - Duo III (Japanese RSD 2022 exclusive)
Toshiaki Yokota And The Beat Generation (2) – Flute Adventure: Le Soleil Était Encore Chaud (Project Re:Vinyl last addition)
Uyama Hiroto – Freedom Of The Son (hip-hop beats from a very close Nujabes friend)

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