The person who buys it is too stupid to know the difference.Someone is going to be really upset when they find out how the $20 BNC sounds.
The person who buys it is too stupid to know the difference.Someone is going to be really upset when they find out how the $20 BNC sounds.
The last few in this series have been great!Don't know if anyone's posted this yet, but it has me curious.
View attachment 189802
Limited Edition Mono 180g Vinyl LP!
Never-Before-Released 1958 Studio Recording!
Cut by Kevin Gray at Cohearent & Pressed at Optimal in Germany!
Vinyl-Only Release Strictly Limited to 4,000 Copies!
In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – and an engagement at the Paris jazz club Au Chat Qui Pêche, a few days after their concert at the Olympia.
The group felt very comfortable at the club on rue de la Huchette, and it soon became a second home for them. In November and December 1958, Donald Byrd and his men were invited by the French Radio to make some recordings. Sam Records is proud to present this previously unreleased studio session recorded for the French Radio Television Show Jazz aux Champs-Elysées.
Features
Limited Edition - 4,000 Copies
180g Vinyl
Mono
First Official Release with the Full Permission & Cooperation of INA (Institut National de l'Audiovisuel)
Available on Vinyl Only
Remastered from the Original Mono Master Tapes
Cut by Kevin Gray at Cohearent Mastering
Pressed at Optimal in Germany
Deluxe High-Gloss Flipback Album Jacket
Double Insert Using an Original Photo by JP Leloir
Donald Byrd & Bobby Jaspar Paris '58 180g LP (Mono)
Elusive Disc, Inc., Features Only The Best In Audiophile Hardware, Accessories and Music. We Offer a Wide Variety Of Audiophile Turntables, Cartridges, Phono Stages, Record Cleaners, SACD Players, Speakers, Headphones, Pre-Amps, LP Cleaning Fluids, Cables, Vibration Control, Record Brushes &...elusivedisc.com
This is a repress. I think Sam Records presses their “strictly limited” releases in batches.Don't know if anyone's posted this yet, but it has me curious.
View attachment 189802
Limited Edition Mono 180g Vinyl LP!
Never-Before-Released 1958 Studio Recording!
Cut by Kevin Gray at Cohearent & Pressed at Optimal in Germany!
Vinyl-Only Release Strictly Limited to 4,000 Copies!
In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – and an engagement at the Paris jazz club Au Chat Qui Pêche, a few days after their concert at the Olympia.
The group felt very comfortable at the club on rue de la Huchette, and it soon became a second home for them. In November and December 1958, Donald Byrd and his men were invited by the French Radio to make some recordings. Sam Records is proud to present this previously unreleased studio session recorded for the French Radio Television Show Jazz aux Champs-Elysées.
Features
Limited Edition - 4,000 Copies
180g Vinyl
Mono
First Official Release with the Full Permission & Cooperation of INA (Institut National de l'Audiovisuel)
Available on Vinyl Only
Remastered from the Original Mono Master Tapes
Cut by Kevin Gray at Cohearent Mastering
Pressed at Optimal in Germany
Deluxe High-Gloss Flipback Album Jacket
Double Insert Using an Original Photo by JP Leloir
Donald Byrd & Bobby Jaspar Paris '58 180g LP (Mono)
Elusive Disc, Inc., Features Only The Best In Audiophile Hardware, Accessories and Music. We Offer a Wide Variety Of Audiophile Turntables, Cartridges, Phono Stages, Record Cleaners, SACD Players, Speakers, Headphones, Pre-Amps, LP Cleaning Fluids, Cables, Vibration Control, Record Brushes &...elusivedisc.com
Yeah I just got Cannes 58 and I was blown away. Planning on getting this one and the two ‘57 LPs that are already out.The last few in this series have been great!
I’m partial to his Connecticut homeOne of you rich friends on here ought to go buy this and have us over for a listening party
Dave Brubeck’s Former Oakland Treehouse Hits the Market for the First Time in Nearly 50 Years
Known as the “Heartwood House,” the alluring modernist gem where the jazz legend composed many of his famous songs is now available for $3 million.www.yahoo.com
One of you rich friends on here ought to go buy this and have us over for a listening party
Dave Brubeck’s Former Oakland Treehouse Hits the Market for the First Time in Nearly 50 Years
Known as the “Heartwood House,” the alluring modernist gem where the jazz legend composed many of his famous songs is now available for $3 million.www.yahoo.com
Man oh man, I guess he did okay for himself!I’m partial to his Connecticut home
Jazz icon Dave Brubeck’s Connecticut home is for sale - The Spaces
The piano room is a highlightthespaces.com
I wouldn't say no to either.I’m partial to his Connecticut home
Jazz icon Dave Brubeck’s Connecticut home is for sale - The Spaces
The piano room is a highlightthespaces.com
I'd be interested to hear your thoughts on it. I'm a little on the fence about it (the music that is, not the pressing). On the plus side, I like the way the guitar sound (which was rather samey on previous records) is much more varied. But her playing feels a bit more trad (a bit like last track of Universal Code, which I didn't like). I feel she's come off the highs of Golden Rule / Reverence, but maybe that's just me...Forgot to share this. Muriel Grossmann’s latest album, Devotion, arrived the other day. Waiting for the weekend to give it a clean and listen but looking forward to it. I opted for the limited coloured pressing on this one so hopefully it sounds good.
View attachment 190202
Forgot to share this. Muriel Grossmann’s latest album, Devotion, arrived the other day. Waiting for the weekend to give it a clean and listen but looking forward to it. I opted for the limited coloured pressing on this one so hopefully it sounds good.
I'd be interested to hear your thoughts on it. I'm a little on the fence about it (the music that is, not the pressing). On the plus side, I like the way the guitar sound (which was rather samey on previous records) is much more varied. But her playing feels a bit more trad (a bit like last track of Universal Code, which I didn't like). I feel she's come off the highs of Golden Rule / Reverence, but maybe that's just me...
Totally agreeSweet haul! That Tina Brooks album is a great one.