This is a follow up to my own inquiry a month ago, a quick review of Nagaoka MP-200 being compared to the UltraTracker (bear in mind, with considerable mileage after 1.5 years of regular use). I posted my initial review a few weeks ago but quickly deleted it once I realized that the cart was much too rough out of the box without break in. So below is the second attempt.
Set up
After mounting the MP-200 using Tracking Wizard UltraDeck print out protractor, I set the tracking force was to 1.9g. The anti-skate was tested on a blank LP, and set to the lightest setting (by comparison, UltraTracker demanded anti-skate to be set to the heaviest setting.) Once I started listening, I also thought the sound balance seemed a bit bright and reduced VTA just a little (more about that below).
Breaking in
This cart needs breaking in and lots of it. Out of the box, the sound was etched and harsh, mostly around mid-range. To make it “listenable” I initially switched from Graham Slee Accession MM preamp to my older and less revealing MoFi UltraPhono, and after a couple of weeks I switched back to Slee. At this point the sound was still a little rough, but much improved. Nagaoka recommends 30 hours break-in and that sounds quite accurate.
Listening
Compared to UltraTracker, this cart has got a noticeably better drive and timbre; overall it is more “musical” where UltraTracker always sounded a bit too linear and plain. Its presentation is more detailed and the instruments sound (subjectively) more accurate and natural. There were quite a few instances where I heard subtle details unheard previously with the UltraTracker (though it was old and must have sounded a bit rolled-off in the end). On the other hand, compared to UltraTracker Nagaoka is also quite lean. Which was a surprise - I’ve read reviews stating that this cart is warmer than most, no idea what folks were comparing it to. So if you want to feel some some bass drum punch, I think you might be underwhelmed initially. I mitigated this somewhat by lowering the capacitance on the Slee to 50pf instead of Nagaoka’s specified 100pf and that did make the sound slightly warmer but not by that much. Further lowering VTA beyond parallel brought additional bass to the point where I was somewhat satisfied. Back to positives: the sound stage is expansive and noticeably more detailed than with the UltraTracker. And being a low compliance cart I thought the Nag should match the heavy UltraDeck arm well and it was so: I didn’t notice resonance of any kind. Finally, the cart tracks really well though in places I did notice very minor groove noise I haven't heard with the UltraTracker (MoFi always claimed their needles are cut to be particularly quiet, matching the lacquer cutting stylus and all that… perhaps that's true).
Hope this review helps others in the community interested in this cart. I have never tried the MasterTracker but would say MP-200 is most certainly on the UltraTracker level and many would likely prefer its "musicality" and the improved soundstage to the MoFi cart. It is a little lean but to my ears it still performed better than Audio-Technica VM750SH and Hana EH I had tried on the same table before. Just make sure to let it break in, tinker with the setup until you’re satisfied, and enjoy!
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