DownIsTheNewUp
Well-Known Member
Wait, 4DX throws you out of your seat?
Agreed; while I think this was the most successful Godzilla movie at foregrounding human characters and giving personal stakes to an impersonal monster (Godzilla is already a metaphor for trauma, but in this movie he felt like an actual personification of one specific person's trauma), the human story was a little rote and melodramatic.
When it comes to the end:
I'm curious what didn't land with folks. I don't disagree it was a bit clumsy and rote, but I felt like the ejector seat, while fumbled with a Hudsucker-esque flashback, had thematic importance in terms of the Japanese army not providing ejector seats for pilots tying in to the endeavors of the people rescuing us. I guess it was convenient that everyone survives but the reunion at the end got to me.
An interesting tidbit I read was that the director, while wanting to do a sequel, didn't write the end with a sequel in mind so much as they wanted the audience to feel like the story and characters keep going. Very Back to the Future esque...at least until they made BTTF 2.
I can't get spoiler tags up from my phone. But it was specifically the part you call convenient.