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So here's some weird:
Also included are "Monkey Banana," a laid-back groove that showcases drummer Tony Allen's mastery of the Afro-beat, and "Everything Scatter," a standard mid-tempo romp. Both songs are forgetful in relation to "Zombie," but this is still an essential disc to own for the title track alone.

What are they talking about, there are no versions of Zombie with those songs on it...

Also, this was brought up because it was my record of the day through this site which was brought to my attention by @Thackeraye in response to a profile post to @AnthonyI:
 
So here's some weird:


What are they talking about, there are no versions of Zombie with those songs on it...

Also, this was brought up because it was my record of the day through this site which was brought to my attention by @Thackeraye in response to a profile post to @AnthonyI:

I've run into different versions of Fela albums/comps back then a few times where they combined several releases or even split them up.
 
I love reviews that don't match their ratings. for Garbage's debut with a 4 1/2 star out of 5 rating:
Garbage's self-titled debut has all the trappings of alternative rock -- off-kilter arrangements, occasional bursts of noise, a female singer with a thin, airy voice -- but it comes off as pop, thanks to the glossy production courtesy of drummer Butch Vig. Not only is the sound of the record slick and professional, but all the tracks are well-crafted pop songs. Unfortunately, only a handful of the songs are memorable, but those that are -- "Vow" and "Queer," in particular -- are small, trashy alternative pop gems.
 
I mean there is appropriation as appreciation with recognition and acknowledgement, which is one thing; there is appropriation without acknowledgement; and then there is whatever the hell that is...
 
I love reviews that don't match their ratings. for Garbage's debut with a 4 1/2 star out of 5 rating:

It feels like a "i don't think this album is as perfect as you all think so, so i'm going to tell you but I'm afraid to rate it lower than 4.5 because people will riot"
 
So PJ Harvey, tonight's 1001 Album Generator album is Stories From The City, Stories From The Sea....

I get from reading reviews, this might not be the normal way she sounds, like maybe it's mellower than normal, which is interesting because it strikes me as jangly indie music with a bit of an anger edge and a bit of a sonic youth feel - it's just kind of raw.

What's even more interesting, maybe because the music isn't exactly blowing me away, the lyrics seem to be taking the lead here. Is that the deal with her, because the lyrics are where it seems to be at. I'm not normally drawn to lyrics first. I am drawn to her voice though more than the music.

It's also fun to hear Thom trade verses with her on This Mess We're In... he's in full whine mode, but it still seems like a bit of edge versus smooth there.

She also has a huge Chrissi Hynde feel to her voice on this.

I like. We'll see what happens after a couple of listens.

(Full disclosure, about halfway through first listen now)
 
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Kamikaze is interesting, revved up and the higher register parts of the song remind me of Yoko Ono (not tonally - well voice texture tonally, but in that avant-garde dissonance way. It's kind of like the album just builds up... This is Love is primal MC5/Stooges pre-punk growl. The music starts to demand your attention in the way her voice and lyrics did in the first half... or maybe given it getting mellow again with Horses in My Dreams, the whole thing just ebbs and flows, kind of like New York on any given night, pockets of more activity than you could ever ask for surrounded by solitude and the feeling that you are alone in this world despite the PEOPLE EVERYWHERE....

It's an interesting album. I'm adding it to my list of albums worth spending more time with....
 
So PJ Harvey, tonight's 1001 Album Generator album is Stories From The City, Stories From The Sea....

I get from reading reviews, this might not be the normal way she sounds, like maybe it's mellower than normal, which is interesting because it strikes me as jangly indie music with a bit of an anger edge and a bit of a sonic youth feel - it's just kind of raw.

What's even more interesting, maybe because the music isn't exactly blowing me away, the lyrics seem to be taking the lead here. Is that the deal with her, because the lyrics are where it seems to be at. I'm not normally drawn to lyrics first. I am drawn to her voice though more than the music.

It's also fun to hear Thom trade verses with her on This Mess We're In... he's in full whine mode, but it still seems like a bit of edge versus smooth there.

She also has a huge Chrissi Hynde feel to her voice on this.

I like. We'll see what happens after a couple of listens.

(Full disclosure, about halfway through first listen now)
so your mentioning of the 1001 album generator got me intrigued. Thanks for.
Starting my journey with Duran Durans Rio, which is a total 80s blindspot for me
 
Pitchfork sure didn't like it:

sounds like a different album than the one I just listened to. maybe this was the perfect entry point if it only gets better from here.
It's probably my favorite from her, but she also hasn't missed. Her discography is worth checking out from the beginning, and if you found this one to be "raw," wait til you hear 'Dry' and 'Rid of Me!'
 
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