Glad this is still in the mix. It was one of the first ones I suggestedThat’s a tough price range new or used. I really liked my Vincent PHO-8 when I had it. There’s a used one on USAM for $200 shipped.
Vincent Audio PHO-8 Phono Preamp
Vincent Audio PHO-8 Phono Preamp.The one for people who dont like wall warts.Very well regarded for the price. A huge step up from cheapie pro-ject and the like.simple switch for Moving Magnet or Moving Coil loads.I have original box, cords and paperwork.$200 includes shipping to continental USA...www.usaudiomart.com
Moving Magnet (MM) phono stage from www.darlingtonlabs.comA friend of mine has an outstanding system that is currently only digital (streaming and CD) but he’s considering breaking out his turntable again and looking at phono stages. He seems to be most drawn to units in the 300-500 range, and he’s always going to go used because he loves finding a deal.
For those of you that know the current market at that price range better than I do, what would be your go to recommendation?
Congrats! Looking forward to the commentary on how it sounds!I negotiated a deal on a first gen Rogue Ares Phono Amp.
Comes with the Cinemag Red 3340 SUT windings instead of the newer Blue 1254.
However it does include the external power supply and Genalex Gold Lion tubes.
For $800 and some shipping, I'm pretty happy with the deal.
They cool thing is I can upgrade windings in the future with Rogue, if I choose.
Nice! Everything I I’ve read indicates the Cinemag 1254 is a substantial upgrade over the 3340. No personal experience though.I negotiated a deal on a first gen Rogue Ares Phono Amp.
Comes with the Cinemag Red 3340 SUT windings instead of the newer Blue 1254.
However it does include the external power supply and Genalex Gold Lion tubes.
For $800 and some shipping, I'm pretty happy with the deal.
They cool thing is I can upgrade windings in the future with Rogue, if I choose.
Yeah, I think it's a worthy upgrade to consider in the future.Nice! Everything I I’ve read indicates the Cinemag 1254 is a substantial upgrade over the 3340. No personal experience though.
I’m finding that I can’t get too excited about SUT upgrades without understanding why one should be better than others because of the physics.Nice! Everything I I’ve read indicates the Cinemag 1254 is a substantial upgrade over the 3340. No personal experience though.
This will be my first go with a SUT. I'm really intrigued with it. Windings are a bit of black magic tech that I'm sure you can go pretty far down a rabbit hole. I've observed it in the automotive industry years ago.I’m finding that I can’t get too excited about SUT upgrades without understanding why one should be better than others because of the physics.
It’s just an area I have not explored much and probably won’t if active amplification keeps getting better. Currently, I’m very curious about Micheal Fidler’s MC Pro.
Congrats! If your SUT experience is anything like mine, you’ll be in for a treat. I was tempted but honestly don’t feel anything in my system needs improvement.The SKY 30 is coming home.
Kind of shocked my lowball offer worked but this SUT is too intriguing.
I can handle the Ramen and beans for a few months
I'll try it out. I'm too curious lately.Congrats! If your SUT experience is anything like mine, you’ll be in for a treat. I was tempted but honestly don’t feel anything in my system needs improvement.
Shouldn’t a SUT be similar to the generator in a phono cartridge? You can get the same output from powerful magnets and fewer windings or less powerful magnets and more windings. But each would sound different.I’m finding that I can’t get too excited about SUT upgrades without understanding why one should be better than others because of the physics.
It’s just an area I have not explored much and probably won’t if active amplification keeps getting better. Currently, I’m very curious about Micheal Fidler’s MC Pro.
That looks right to me. Start with grounding the turntable to the Ares. If there is noise, experiment with grounding to the SUT or Perseus. Ground loops can be unpredictable in what actually will resolve them.So I need to get this crazy train of connections I have assembled straight in my mind.
Help is appreciated.
Is this the correct signal path?
Power Amp>Perseus Preamp Aux (instead of phono input)>Ares Phono Stage (MM @ 47K ohm)>SUT>TT>LOMC
Then, there is the grounding. How should I ground this signal?
Well if you get the itch again later, you can always add an equalizer.The first gen Rogue Ares phono amp is up and running.
Bonus it came with some nice tubes!
No SUT in yet but I can say this little separates journey has pulled more sound out of the vinyl than I could have imagined. The bass is clean and strong. Percussion sounds are so damn life like whether it's hat or snare. Vocals sound clear. Everything is where I wanted to go.
Sounds like a different pair of speakers now with the amount of punch coming through.
I was concerned about losing the tone controls but I don't think I miss them at all.
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Well if you get the itch again later, you can always add an equalizer.
That makes my head hurt.Well if you get the itch again later, you can always add an equalizer.