Melt Face Molly Drop
Well-Known Member
On the real though, checking this out now and digging it.
The Bees are a blast. They have to go by A Band Of Bees in the US due to a 60s band already owning the name.
Love In The Harbour sounds like a wonderful CSNY / Grateful Dead mashup.
Is that true? They've always been listed as The Bees on Spotify.
I use Apple Music and they were called “Band of Bees”Is that true? They've always been listed as The Bees on Spotify.
yeah...my bad. I was on my phone and thought I knew where I was.Is this meant for the What's Spinning thread?
It’s about change and the power to change. It’s about metamorphosis and evolution. It’s about sticking to your guns and toughing it out. It’s about now, not tomorrow. It’s about recognizing your potential. It’s about self-doubt and inaction. It’s about you. It’s about me. It’s about you and me and the others. It’s about the choices we make. It’s about finding the poetry and avoiding the cliché. It’s about being the solution, not the problem. It’s about showing weakness to be strong. It’s about digging through your dirt to look for diamonds. It’s about claiming your right to think unacceptable thoughts. It’s about boredom and the things we do to drive it away. It’s about being on your own so you can be with people. It’s about knowing what it means to be human and what it might mean one day. It’s about the parts and the sum of the parts. It’s about the music and the message: together, one and the same. It’s about bass, guitars, drums, and vocals. It’s about opening-out and never, ever dying. But most of all it’s about love, every kind of love. Love is the answer.
"I'm not going to hurt you."
This week's Listening Club selection is what you get when you mess with love (and/or pick me at random).
Most of my main picks were quickly ruled out due to physical inaccessibility, but I'm pleased with where things netted out:
Savages – Adore Life (2016)
View attachment 14690
Although I haven't been as active in this thread as I'd intended since the forum launch, I have lurked on several of the albums. Savages' quiet reservedness in the years following this cycle around this post-punk proclamation is somewhat reflective of that.
What I love about this album is that it feels made by sheer necessity. Its compositions and verses meander in ways that command constant attention, yet they always drive their point home — permeated with desperate optimism.
The rhythms are unrelenting. The battle of distortion and clarity: satisfying to the ears. The mood: darkly uplifting. The band even delivered the album with a guiding manifesto (which ties perfectly to the art's raised fist).
Things have been quiet on the Savages front as of late. Singer Jehnny Beth has been producing her interview podcast Start Making Sense, contributing to the XY Chelsea soundtrack, featuring on Gorillaz's Humanz and performing on their tour. Rhythm section Ayse and Fay have been experimenting with electronics as 180db. Ayse is also 1/2 of bass duo Kite Base and releasing solo music as Esya. Guitarist Gemma has been scoring documentaries and exploring solo material as Bashan.
Adore Life continues beautifully where their breakthrough debut Silence Yourself left off, though I feel it hasn't received the attention it truly deserves. Thus, I'm inviting you all to (re)discover this under-appreciated release, in hopes that even more new Savages material is on the near horizon.
"I may die maybe tomorrow, so I need to say, 'I adore life!' Do you adore life?"
"I'm not going to hurt you."
This week's Listening Club selection is what you get when you mess with love (and/or pick me at random).
Most of my main picks were quickly ruled out due to physical inaccessibility, but I'm pleased with where things netted out:
Savages – Adore Life (2016)
View attachment 14690
Although I haven't been as active in this thread as I'd intended since the forum launch, I have lurked on several of the albums. Savages' quiet reservedness in the years following this cycle around this post-punk proclamation is somewhat reflective of that.
What I love about this album is that it feels made by sheer necessity. Its compositions and verses meander in ways that command constant attention, yet they always drive their point home — permeated with desperate optimism.
The rhythms are unrelenting. The battle of distortion and clarity: satisfying to the ears. The mood: darkly uplifting. The band even delivered the album with a guiding manifesto (which ties perfectly to the art's raised fist).
Things have been quiet on the Savages front as of late. Singer Jehnny Beth has been producing her interview podcast Start Making Sense, contributing to the XY Chelsea soundtrack, featuring on Gorillaz's Humanz and performing on their tour. Rhythm section Ayse and Fay have been experimenting with electronics as 180db. Ayse is also 1/2 of bass duo Kite Base and releasing solo music as Esya. Guitarist Gemma has been scoring documentaries and exploring solo material as Bashan.
Adore Life continues beautifully where their breakthrough debut Silence Yourself left off, though I feel it hasn't received the attention it truly deserves. Thus, I'm inviting you all to (re)discover this under-appreciated release, in hopes that even more new Savages material is on the near horizon.
"I may die maybe tomorrow, so I need to say, 'I adore life!' Do you adore life?"
Damn, I'll try again but this is the first flop of the thread for me.Actually this was on my N&G AotM shortlist. Great band, both records are stellar.