Nee Lewman
बैस्टर्ड
In the home stretch. All the shine is gone. It's fine I guess. When I pay attention to the lyrics, I'm overanalyzing them in the context of who he became, which probably isn't fair. The production doesn't seem as great now either, but I imagine that is due to his techniques being used by others a million times since this was released. Power was the highlight of the album. He does seem like a much better emcee in the age of trap and mumble. That being said, he still has a corny forced flow that isn't helped by cadences that are slightly beyond his ability. Wish I could listen to it in a vacuum without him as baggage. Doesn't sting as much as other artists I've given up because they are pieces of shit and unlike Ryan Adams, there isn't anything here that makes me think it overly sucks to not return to it. I'm sure there are one or more other albums on the list by him. 2 stars. (would have been a 5 back in the day)