The Official Needles and Grooves 1001 Album Generator Project (aka Preachin’ about the Preachers if today’s selection sucks)

1/9/25
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The Strokes - Is This It




Sometimes I wonder how I would feel about This album had I been born in 1961 instead of 1981.

As it stands, I was 18 when this album was released and it was the perfect soundtrack to hanging out until the wee hours drinking cheap beer and smoke packs of Parliament Lights.

What a time to be alive.
 
Sometimes I wonder how I would feel about This album had I been born in 1961 instead of 1981.

As it stands, I was 18 when this album was released and it was the perfect soundtrack to hanging out until the wee hours drinking cheap beer and smoke packs of Parliament Lights.

What a time to be alive.
Being born in ‘68 I enjoyed the album, but fully understood it was just Beatlemania, The Musical.
 
Being born in ‘68 I enjoyed the album, but fully understood it was just Beatlemania, The Musical.
If you say so. I had a realization last night. They’re like Death Cab to me, it feels like their songs don’t resolve… like it’s building to something that it never gets to and then just ends. I don’t like it. The music is fine.
 
Being born in ‘68 I enjoyed the album, but fully understood it was just Beatlemania, The Musical.
The funny thing is being a somewhat “hip” music nerd, seeing these trust fund pretty boys on the cover of every music magazine with their immaculately disheveled hair and thrift store suits, I wanted to hate them so bad, I wanted them to just be a bunch of phonies riding the hype.

Then I heard “Last Nite” and my immediate reaction was letting out a resigned “fuck” as I knew even if all the manufactured hype was a put upon, these dudes were making the music I had been waiting for. The music was good which made the t much easier to buy into the hype moving forward.
 
This is one of those albums that I really enjoy listening to, but I never understand all the hype surrounding it. It's a 4/5 album for me, but it doesn't seem like the kind of album to set off a whole musical revolution.

I think a lot about it was timing. The landscape was a bit dire after the nu-metal years. It felt like the first new fresh music scene since Britpop imploded in a cloud of cocaine in 97.

Of those NME hype bands of the time none of them lived up to it over a career but these were probably the best.
 
I think a lot about it was timing. The landscape was a bit dire after the nu-metal years. It felt like the first new fresh music scene since Britpop imploded in a cloud of cocaine in 97.

Of those NME hype bands of the time none of them lived up to it over a career but these were probably the best.
I ask this from a complete place of ignorance. Wasn’t LCD Soundsystem part of this whole New York scene? Musically they are very different but then so are Talking Heads and Ramones.
 
I ask this from a complete place of ignorance. Wasn’t LCD Soundsystem part of this whole New York scene? Musically they are very different but then so are Talking Heads and Ramones.

Yes but I don’t seem to remember them breaking as big or being hyped as big initially. My memory was that they were a bit more cult initially and blew up with Sounds of Silver.

They kinda always were a music fans band too whereas that first strokes album was a big chart success in the wider sense.
 
Yes but I don’t seem to remember them breaking as big or being hyped as big initially. My memory was that they were a bit more cult initially and blew up with Sounds of Silver.

They kinda always were a music fans band too whereas that first strokes album was a big chat success in the wider sense.
The question was really provoked by your last but… the Strokes have certainly built a career. Murphy has lived up to the hype and sustained himself. I actually like LCD Soundsystem too.
 
The question was really provoked by your last but… the Strokes have certainly built a career. Murphy has lived up to the hype and sustained himself. I actually like LCD Soundsystem too.

Yeah for sure. I like that first strokes album but I can take or leave vast swathes of their later career. And to be honest if I want to hear that kinda sound I just grab Tom Petty & The Heartbreakers debut album and probably enjoy it more. I’ve also seen them be very bad live on a number of occasions.

Out of the 2001 era new rock hype bands they probably did the best though. As I’m sure you can imagine I preferred the British bands that followed in their wake in the half decade that followed.
 
Yeah for sure. I like that first strokes album but I can take or leave vast swathes of their earlier career. And to be honest if I want to hear that kinda sound I just grab Tom Petty & The Heartbreakers debut album and probably enjoy it more. I’ve also seen them be very bad live on a number of occasions.

Out of the 2001 era new rock hype bands they probably did the best though. As I’m sure you can imagine I preferred the British bands that followed in their wake in the half decade that followed.
I was in a coma or something during this time.
 
I think a lot about it was timing. The landscape was a bit dire after the nu-metal years. It felt like the first new fresh music scene since Britpop imploded in a cloud of cocaine in 97.

Of those NME hype bands of the time none of them lived up to it over a career but these were probably the best.
Exactly. They were the right band from the right place at the right time.
 
I ask this from a complete place of ignorance. Wasn’t LCD Soundsystem part of this whole New York scene? Musically they are very different but then so are Talking Heads and Ramones.
You should read Meet Me In The Bathroom. It does a great job of painting a picture of the New York Indie scene at the turn of the millennium.

LCD might not have been as big of a thing had The Strokes, Interpol, and Yeah Yeahs Yeahs established NYC as the indie hipster Mecca.

James Murphy is a bit of an odd duck comparatively. He was a bit older and had already been a failed indie rock musician. What he did, first with his label DFA and then as LCD Soundsystem was popularize the melding of post-punk and dance music amongst the kids that weren’t around for the Factory/Manchester scene a 15 years earlier. He didn’t kick off the NYC scene but he made it bigger adding club kids to the mix.
 
You should read Meet Me In The Bathroom. It does a great job of painting a picture of the New York Indie scene at the turn of the millennium.

LCD might not have been as big of a thing had The Strokes, Interpol, and Yeah Yeahs Yeahs established NYC as the indie hipster Mecca.

James Murphy is a bit of an odd duck comparatively. He was a bit older and had already been a failed indie rock musician. What he did, first with his label DFA and then as LCD Soundsystem was popularize the melding of post-punk and dance music amongst the kids that weren’t around for the Factory/Manchester scene a 15 years earlier. He didn’t kick off the NYC scene but he made it bigger adding club kids to the mix.
It’s in my pile.
 
Yes but I don’t seem to remember them breaking as big or being hyped as big initially. My memory was that they were a bit more cult initially and blew up with Sounds of Silver.

They kinda always were a music fans band too whereas that first strokes album was a big chart success in the wider sense.
It was originally his singles that started him down blog hype train (at least for me) “Losing My Edge” in particular was a big song at the time. Probably at least a year prior to Sound of Silver officially dropping.
 
The question was really provoked by your last but… the Strokes have certainly built a career. Murphy has lived up to the hype and sustained himself. I actually like LCD Soundsystem too.
He’s released a single album since 2010 and that album was released 8 years ago. I love LCD Soundsystem as well but they are exactly setting the industry ablaze at this point.
 
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