The Tom Waits Thread

yeah, the tom waits covers that other artists do are so all over the place. van halen's "ice cream man" still makes me laugh becauseit was so unexpected for me. tori amos does one on her covers record from rain dogs IIRC
Tori covers Time and it’s excellent.
 
Here we go:

I'm a tad obsessed with Swordfishtrombones at the moment! Holy shit is this a monster of a record! I'm again just flooded by this, I'm actually glad it took me this long to really dig into Tom Waits, I don't think I'd be as open it this 10 or 20 years ago but now it's just perfect! I am finally starting to understand why he gets so much praise, if this album was only 16 Shells from a 30.6 it would be perfect but fucking In The Neighborhood exists!!! What a fucking song, good god that one just gets in your head, in your bones and is like, well I'm here now, we are together forever, enjoy! Musically it seems like it shouldn't work sometimes but it does and boy does it hit, it's a little all over but no matter what road he travels down it works! The instrumental pieces are amazing for fuck sake, and the lyrics are again so dense you can listen over and over and still catch new lines and turns of phrases! I'm not sure what it says about me but this isnt all that weird, it's the perfect next step or evolution of him as an artist!

Moving on finally, next up is Rain Dogs, this was actually the record that started this whole thing. I signed up for the 1001 album generator thing and when this came up I actually got excited, he's been on my to listen to list forever and this was the nudge I needed and after listening to it I was like, where to next? This is a problem I see sometimes when I find an artist and want to dig into their work but there's so many records you just don't know where to start! I usually start at the beginning but sometimes that's a bad idea because artists can take time to find their sound or get into a grove or even find themselves, this wasn't the case here, as I said that first record really floored me! This record starts with a sea shanty and follows it up with one of the most catchy songs I've heard in ages! Clap Hands is still running through my head! Back to the sea and he's really cooking, lyrics just painting such a vivid picture you feel like you're right there with him, you're a little scared but you aren't going anywhere, you're staying until the end! The storytelling on this is just amazing, it's almost like he took a leap so far forward that you just smile and say, oh I'll eventually catch up to you just give me a couple hundred more listens, and don't worry I'll enjoy the hell out of all of them! Can we just stop for a second and just all listen to Tango Till They're Sore?!?! That horn, those lyrics, Jesus! It's on repeat at the moment! Goes on a really nice run after that, great tracks a few different styles, musically it's just so good, like I'm not sure who his band is, if he even has one but whoever is playing is just killer! Time is hitting right now, good lord! It just gets better and better with each song, I don't feel like I can write enough words to explain how much this is blowing me away! I feel like I've used a lot of words so far and still haven't scratched the surface! Oh you want poetry, here you go, let that just take up a permit residency in your brain! I like how the back half of the record he is just going through different styles and nailing them all! My wife just asked "why do I know this song?" It's fucking Downtown Train and here I thought this was a Rod Stewart song all my life until today! Holy shit, that one two punch to end the record is just perfect!!! This got a little out of hand but as you can tell I'm really enjoying this!

This makes me so happy!
 
Also, speaking of Tom Waits covers, this is a band from Peterborough that did two gigs playing Rain Dogs in it's entirety and put out an album of the best versions. No idea where my CD of it got to, but I played the hell outta that thing!



The first time I saw these guys I was living in the Rockies and had no idea who they were but most shows at the bar were in the free to $5 range, so I'd seldom hesitate to take a chance on a band before I worked at said bar and got paid to see bands. The Silver Hearts were pretty solid but they truly won my heart when the unplugged during their encode, pied pipered a large portion of the audience outside while continuing to play and finished with an epic in the round in the middle of the 4-way stop out front, surrounded by a few dozen folks!
 
Here we go:

I'm a tad obsessed with Swordfishtrombones at the moment! Holy shit is this a monster of a record! I'm again just flooded by this, I'm actually glad it took me this long to really dig into Tom Waits, I don't think I'd be as open it this 10 or 20 years ago but now it's just perfect! I am finally starting to understand why he gets so much praise, if this album was only 16 Shells from a 30.6 it would be perfect but fucking In The Neighborhood exists!!! What a fucking song, good god that one just gets in your head, in your bones and is like, well I'm here now, we are together forever, enjoy! Musically it seems like it shouldn't work sometimes but it does and boy does it hit, it's a little all over but no matter what road he travels down it works! The instrumental pieces are amazing for fuck sake, and the lyrics are again so dense you can listen over and over and still catch new lines and turns of phrases! I'm not sure what it says about me but this isnt all that weird, it's the perfect next step or evolution of him as an artist!

Moving on finally, next up is Rain Dogs, this was actually the record that started this whole thing. I signed up for the 1001 album generator thing and when this came up I actually got excited, he's been on my to listen to list forever and this was the nudge I needed and after listening to it I was like, where to next? This is a problem I see sometimes when I find an artist and want to dig into their work but there's so many records you just don't know where to start! I usually start at the beginning but sometimes that's a bad idea because artists can take time to find their sound or get into a grove or even find themselves, this wasn't the case here, as I said that first record really floored me! This record starts with a sea shanty and follows it up with one of the most catchy songs I've heard in ages! Clap Hands is still running through my head! Back to the sea and he's really cooking, lyrics just painting such a vivid picture you feel like you're right there with him, you're a little scared but you aren't going anywhere, you're staying until the end! The storytelling on this is just amazing, it's almost like he took a leap so far forward that you just smile and say, oh I'll eventually catch up to you just give me a couple hundred more listens, and don't worry I'll enjoy the hell out of all of them! Can we just stop for a second and just all listen to Tango Till They're Sore?!?! That horn, those lyrics, Jesus! It's on repeat at the moment! Goes on a really nice run after that, great tracks a few different styles, musically it's just so good, like I'm not sure who his band is, if he even has one but whoever is playing is just killer! Time is hitting right now, good lord! It just gets better and better with each song, I don't feel like I can write enough words to explain how much this is blowing me away! I feel like I've used a lot of words so far and still haven't scratched the surface! Oh you want poetry, here you go, let that just take up a permit residency in your brain! I like how the back half of the record he is just going through different styles and nailing them all! My wife just asked "why do I know this song?" It's fucking Downtown Train and here I thought this was a Rod Stewart song all my life until today! Holy shit, that one two punch to end the record is just perfect!!! This got a little out of hand but as you can tell I'm really enjoying this!
I love seeing people get excited over music like this. Fantastic write-up, I really enjoyed reading it.

Back in 2018 I listened to every bit of Waits' music that was on Spotify, plus the albums and bootlegs I had on vinyl. The Spotify portion alone was, at the time, 32 'Studio' albums, 4 compilations, 4 'bootlegs', and a 5hr long curated playlist. I loved every minute of it and listening to them in chronological order is fantastic for seeing how his music (and ideas) changed over his career.

For those wanting to dig deeper into the world of Waits, I recommend the 1986 Jim Jarmusch film 'Down By Law' (some fantastically Waits dialogue) and "Lowside of the Road: A Life of Tom Waits" by Barney Hoskyns.
 
Here we go again, my excitement for these records has me writing a whole hell of a lot, sorry if I'm carrying on a little too much, it's been a while since I've been this excited about a "new" musical discovery!

Next up is Frank's Wild Years, this is like the comedown from those last two records at least for me! It eases you in but doesn't give you much time you catch your breath! It's a slower burn, Straight to the Top (Rhumba) almost sounds like you're walking past the club and you want to go in so badly but figure if you do you'll never come out again! Now I'm again hit with just another song trying to bring me closer, trying to take me away and it's working! Temptation, we get a little weird but it works so well, the music is just so perfect you kind of get lost listening to it, and sort of lose track of what he's saying until he pulls you back in with a line or turn of phrase, this one will need a few more listens to really catch everything, just like all his stuff. I love the feeling of this record I'm getting, feels like something that's drawing you in but never letting you get close enough to be part of it, the story telling is so lively and vivid but just enough off kilter to keep you questioning what you're hearing. Listening to Please Wake Me Up, that ending sounds like some theme to an old TV show that only exists in your dreams!

Confession time, I'm pretty sure the first Tom Waits song I ever heard that I knew was Tom Waits was the theme to the Wire... actually that's not true, he did a song called Big in Japan that an internet radio station I used to listen to played a lot, shit I heard about Tom Waits more than I ever heard his music! This was during a time where if you didn't buy it or know someone that could dub you a copy you were never going to hear it! I'm not sure I knew anyone into him and I know they didn't play him on the local radio station when I was younger so it was just a name, a name mentioned a lot on a lot of best of lists, a guy name dropped frequently that was nothing more than a name! Funny how things change and now his entire catalogue is at my fingertips!

The second half of this record is wild! It's a little unexpected and yet feels like this was the only direction to go, until he switches it up again! Why shouldn't I trust a man in a blue trenchcoat and what's wrong with driving when you're dead? Really like the way this album ends, perfect comedown from the nice turn the second half took!


Bone Machine: this one starts off dark, I don't know what happened in the five years since his last record but it seems like he went through some shit! He kind of snaps out of it then gets weird, I'm on the record that his weird is so much better than most, it doesn't feel like he's being weird to be weird it just seems like he just does the song whatever way he feels like and whatever way that is is the right way. Like he's doing this wild duet with himself and it shouldn't work but you can't stop listening to it! Gets back to a mixture of what is probably really dark but sounds almost sweet, lyrically he hasn't missed a beat! This is a sad dark album that's not putting it on the listener, the artist is adsorbing all the pain and sorrow, you're listening trying to figure out if he's going to be ok. I don't know how he keeps finding new ways to create scenes that both sound impossible and also somehow the most realistic scenes imaginable! I'm just listening to A Little Rain over and over because I want to go to that place and just live there for as long as I can! Going Out West sounds really familiar, I wonder if I somehow heard this before? Ok I looked it up, it was in Fight Club so add that to Tom Waits songs I've heard before this! For as much music as I have listened to the last few days I'm amazed at seemingly not finding one bad song in the bunch, might be a bit of an exaggeration but I can't remember one song I flat out didn't like, can't say I've skipped any either, that's a little crazy this deep into his catalog, I love it, I hate interrupting the flow of an album with a terrible song or just one so boring you just want it to stop so you move on! I think I've also heard I don't wanna grow up, I know for sure I've heard the Ramones version!
Another fantastic experience, this is yet another album that will find its way into heavy rotation!
 
Here we go again, my excitement for these records has me writing a whole hell of a lot, sorry if I'm carrying on a little too much, it's been a while since I've been this excited about a "new" musical discovery!

Next up is Frank's Wild Years, this is like the comedown from those last two records at least for me! It eases you in but doesn't give you much time you catch your breath! It's a slower burn, Straight to the Top (Rhumba) almost sounds like you're walking past the club and you want to go in so badly but figure if you do you'll never come out again! Now I'm again hit with just another song trying to bring me closer, trying to take me away and it's working! Temptation, we get a little weird but it works so well, the music is just so perfect you kind of get lost listening to it, and sort of lose track of what he's saying until he pulls you back in with a line or turn of phrase, this one will need a few more listens to really catch everything, just like all his stuff. I love the feeling of this record I'm getting, feels like something that's drawing you in but never letting you get close enough to be part of it, the story telling is so lively and vivid but just enough off kilter to keep you questioning what you're hearing. Listening to Please Wake Me Up, that ending sounds like some theme to an old TV show that only exists in your dreams!

Confession time, I'm pretty sure the first Tom Waits song I ever heard that I knew was Tom Waits was the theme to the Wire... actually that's not true, he did a song called Big in Japan that an internet radio station I used to listen to played a lot, shit I heard about Tom Waits more than I ever heard his music! This was during a time where if you didn't buy it or know someone that could dub you a copy you were never going to hear it! I'm not sure I knew anyone into him and I know they didn't play him on the local radio station when I was younger so it was just a name, a name mentioned a lot on a lot of best of lists, a guy name dropped frequently that was nothing more than a name! Funny how things change and now his entire catalogue is at my fingertips!

The second half of this record is wild! It's a little unexpected and yet feels like this was the only direction to go, until he switches it up again! Why shouldn't I trust a man in a blue trenchcoat and what's wrong with driving when you're dead? Really like the way this album ends, perfect comedown from the nice turn the second half took!


Bone Machine: this one starts off dark, I don't know what happened in the five years since his last record but it seems like he went through some shit! He kind of snaps out of it then gets weird, I'm on the record that his weird is so much better than most, it doesn't feel like he's being weird to be weird it just seems like he just does the song whatever way he feels like and whatever way that is is the right way. Like he's doing this wild duet with himself and it shouldn't work but you can't stop listening to it! Gets back to a mixture of what is probably really dark but sounds almost sweet, lyrically he hasn't missed a beat! This is a sad dark album that's not putting it on the listener, the artist is adsorbing all the pain and sorrow, you're listening trying to figure out if he's going to be ok. I don't know how he keeps finding new ways to create scenes that both sound impossible and also somehow the most realistic scenes imaginable! I'm just listening to A Little Rain over and over because I want to go to that place and just live there for as long as I can! Going Out West sounds really familiar, I wonder if I somehow heard this before? Ok I looked it up, it was in Fight Club so add that to Tom Waits songs I've heard before this! For as much music as I have listened to the last few days I'm amazed at seemingly not finding one bad song in the bunch, might be a bit of an exaggeration but I can't remember one song I flat out didn't like, can't say I've skipped any either, that's a little crazy this deep into his catalog, I love it, I hate interrupting the flow of an album with a terrible song or just one so boring you just want it to stop so you move on! I think I've also heard I don't wanna grow up, I know for sure I've heard the Ramones version!
Another fantastic experience, this is yet another album that will find its way into heavy rotation!
Two of his best, and at times I think Franks Wild Years is my favorite of his records. Not sure if you've seen the movie Smoke, but they use Innocent When You Dream to wrap up the movie. Perfect spot for that song.

 
Here we go again, my excitement for these records has me writing a whole hell of a lot, sorry if I'm carrying on a little too much, it's been a while since I've been this excited about a "new" musical discovery!

Next up is Frank's Wild Years, this is like the comedown from those last two records at least for me! It eases you in but doesn't give you much time you catch your breath! It's a slower burn, Straight to the Top (Rhumba) almost sounds like you're walking past the club and you want to go in so badly but figure if you do you'll never come out again! Now I'm again hit with just another song trying to bring me closer, trying to take me away and it's working! Temptation, we get a little weird but it works so well, the music is just so perfect you kind of get lost listening to it, and sort of lose track of what he's saying until he pulls you back in with a line or turn of phrase, this one will need a few more listens to really catch everything, just like all his stuff. I love the feeling of this record I'm getting, feels like something that's drawing you in but never letting you get close enough to be part of it, the story telling is so lively and vivid but just enough off kilter to keep you questioning what you're hearing. Listening to Please Wake Me Up, that ending sounds like some theme to an old TV show that only exists in your dreams!

Confession time, I'm pretty sure the first Tom Waits song I ever heard that I knew was Tom Waits was the theme to the Wire... actually that's not true, he did a song called Big in Japan that an internet radio station I used to listen to played a lot, shit I heard about Tom Waits more than I ever heard his music! This was during a time where if you didn't buy it or know someone that could dub you a copy you were never going to hear it! I'm not sure I knew anyone into him and I know they didn't play him on the local radio station when I was younger so it was just a name, a name mentioned a lot on a lot of best of lists, a guy name dropped frequently that was nothing more than a name! Funny how things change and now his entire catalogue is at my fingertips!

The second half of this record is wild! It's a little unexpected and yet feels like this was the only direction to go, until he switches it up again! Why shouldn't I trust a man in a blue trenchcoat and what's wrong with driving when you're dead? Really like the way this album ends, perfect comedown from the nice turn the second half took!


Bone Machine: this one starts off dark, I don't know what happened in the five years since his last record but it seems like he went through some shit! He kind of snaps out of it then gets weird, I'm on the record that his weird is so much better than most, it doesn't feel like he's being weird to be weird it just seems like he just does the song whatever way he feels like and whatever way that is is the right way. Like he's doing this wild duet with himself and it shouldn't work but you can't stop listening to it! Gets back to a mixture of what is probably really dark but sounds almost sweet, lyrically he hasn't missed a beat! This is a sad dark album that's not putting it on the listener, the artist is adsorbing all the pain and sorrow, you're listening trying to figure out if he's going to be ok. I don't know how he keeps finding new ways to create scenes that both sound impossible and also somehow the most realistic scenes imaginable! I'm just listening to A Little Rain over and over because I want to go to that place and just live there for as long as I can! Going Out West sounds really familiar, I wonder if I somehow heard this before? Ok I looked it up, it was in Fight Club so add that to Tom Waits songs I've heard before this! For as much music as I have listened to the last few days I'm amazed at seemingly not finding one bad song in the bunch, might be a bit of an exaggeration but I can't remember one song I flat out didn't like, can't say I've skipped any either, that's a little crazy this deep into his catalog, I love it, I hate interrupting the flow of an album with a terrible song or just one so boring you just want it to stop so you move on! I think I've also heard I don't wanna grow up, I know for sure I've heard the Ramones version!
Another fantastic experience, this is yet another album that will find its way into heavy rotation!
don't skip the live albums -- they really are something else. big time is after frank's wild years and glitter & doom is more recent (I think after mule variations? I know there's a VH1 storytellers after mule variations but i don't think there's an official release. it's vey worhwhile, if only to hear the wooden leg story)
 
And there's this...

But i have to say, most Waits covers albums make me want to hear his versions regardless of who is interpreting them.
Love this album. Not all of the covers are great, but a few of them are quite good.
 
don't skip the live albums -- they really are something else. big time is after frank's wild years and glitter & doom is more recent (I think after mule variations? I know there's a VH1 storytellers after mule variations but i don't think there's an official release. it's vey worhwhile, if only to hear the wooden leg story)

Glitter and Doom came after Orphans - Brawlers, Bawlers and Bastards. I think before Bad As Me though.

And I absolutely agree on VH1 Storytellers. Very worthwhile.
 
don't skip the live albums -- they really are something else. big time is after frank's wild years and glitter & doom is more recent (I think after mule variations? I know there's a VH1 storytellers after mule variations but i don't think there's an official release. it's vey worhwhile, if only to hear the wooden leg story)

I'm just running through the studio albums and since it's going so well I was going to go back and fill in anything I missed that's available! Any thoughts on the soundtracks or comps?
 
I'm just running through the studio albums and since it's going so well I was going to go back and fill in anything I missed that's available! Any thoughts on the soundtracks or comps?
The soundtracks are mostly ok but not as essential as the albums. Black rider is the exception, it's great. Not top 10, but that's mostly because it's a collaboration (with burroughs) and he's got so much top tier material.

Orphans collects most of the one offs and is essential imo. My only complaint about orphans is they used the version of "little drop of poison" from Shrek instead of from A history of violence
 
The early years vol. 1 is also a very cool listen. It's very much unauthorized and he hates that it's out there, but I quite like it.
 
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