dhodo
Well-Known Member
Yeah, I'm not saying I trust Ken any more, just pointing out some divisions. Totally agree that there has to be some OG confirmation bias sometimes. Hoffman even talks crap about how MM changed the sound on the 33s (which I don't think he was involved in.)I've seen Ken's videos and think his reasoning is very weak, and seems to just come down to the usual OG fetishism rather than just admitting it's his tastes. The whole deal with Hoffman slagging RVG is obviously to generate buzz for his own stuff so I would say I'd take most of his stuff with a huge grain of salt too, but I do think the main point was that after hearing the master tapes, they discovered there was a heavy handed use of EQ on those old Blue Note records. Wether you think that makes them sound more "natural" like Ken, or muddy like Steve and Kevin Gray is probably going to depend on your taste, and system. Most people's systems are far from flat, especially with vinyl, compared to a mastering engineer like Kevin (Hoffman is another story and in another world from the rest of them) who would have a ruler flat system, and probably a taste for a flat neutral sound. Lots of notable audiophiles like Fremer do tend to prefer the newer AAA issues to their old copies. Of course you can say this is to generate click revenue as well lol. Honestly, I'm with you, lots of early Impulse and Blue Note stuff is $$$$$$$ so if the reissue can even be mentioned in the same breath, I'm on board.
As for the Electric Warrior, I'm not sure! I only have the US Reprise pressing which isn't that good. The Rhino has more bass, more detail while being smoother on the topped, and better midrange clarity to my ears. That Reprise one was certainly from a dub tape due to the it being a UK production. I'm going to Europe this summer and do plan on looking out for any UK originals for T-Rex out of curiosity. I'll let you know if I ever get any of EW.
I think it could be option C, too busy trying to sound cool (and refute the obvious critique that this is a $5 bin record) to bother getting any details right. I'm fairly certain he still doesn't grasp the fundamental difference in mastering a digital file to mastering for vinyl, as he continues to use it interchangeably. Personally I think they should let Ryan Smith write up a few sentences on the mastering of each release, or do a video like they did for Grundman. It would be interesting to hear and put the focus on the craft.
Good luck digging on your trip. Don't pass up one of those Cubes if you find one instead of a Fly, mine sounds pretty great.
Yeah, who knows with Storf. The write-up says it will be better than your $8 record, so you are behind on inflation!