imtheocean
Well-Known Member
Still a better way to go than Eric 'Stumpy Joe' ChildsHe died choking on his vomit after a night drinking. Anyway, do you want to hear how I soundtrack my night drinking?
Still a better way to go than Eric 'Stumpy Joe' ChildsHe died choking on his vomit after a night drinking. Anyway, do you want to hear how I soundtrack my night drinking?
He died choking on his vomit after a night drinking. Anyway, do you want to hear how I soundtrack my night drinking?
I clicked that link and hoped it was a link to @MikeH ‘s referral code.I believe the legal term is "Death by Misadventure."
He has gone all in on BandBuxBy the way, @MikeH , what is your referral code? People were asking
I think @Yer Ol' Uncle D and I would rather you commit to full time Neil.View attachment 213025Hey @MyWifeHatesTrain it’s part time.
Gotta play Trans nextView attachment 213025Hey @MyWifeHatesTrain it’s party time.
this is bonkersand price increase incoming
View attachment 212775
These are the previous prices for international members. So in a way it’s like going to another country cheaply. Great value holidays.this is bonkers
These are the previous prices for international members. So in a way it’s like going to another country cheaply. Great value holidays.
But it also makes downsizing difficult for them. Going back to three tracks will help, but smaller pressing numbers will make less projects feasible because of licensing cost as in sundaes caseI think this above is part of VMP's issue with maintaining 5 tracks, cost issues, and ongoing curation woes
Record buying was fun for awhile. Someone @ me when the bubble bursts.Sundazed had an email newsletter that went out today and featured a question about what gets (re)released. In light of discussions here, I thought this part was interesting:
"A big hurdle with reissues is that the rights to an overwhelming majority of the master recordings are controlled by just a few companies (Universal, Warner, Sony). Sometimes their minimums or prices are way out of line with what's realistic for a project. We have to agree to manufacture usually 2000 or more records for a release when usually, past sales from similar projects suggest 500 or 1000 are more realistic numbers. We've had a lot of times where we won't do something we love very much because we can't figure out how to break even on the project. The margins are extremely thin on major label licenses so breaking even is tough to get to and might take a while. There are tons of projects we know the market is dying for a reissue of (as are we), but we simply get told that we can't license that title or can't reorder that title anymore (we're getting low on Dock Of The Bay (hint hint, sigh). Generally it's because they want to do a version themselves, which we understand, but it'd be easier to swallow if they did indeed do them or do them sooner."
I think this above is part of VMP's issue with maintaining 5 tracks, cost issues, and ongoing curation woes. This was the same issue that hit Rubellan too.
It wasn’t even enough to be noticed by anyone with a modicum of common sense- honestly soooooosensitive@ByersVinyl got told off for doing some typical N&G ball busting. I love this forum.
What’d you say?It wasn’t even enough to be noticed by anyone with a modicum of common sense- honestly soooooosensitive