September 2024
Book 53: Rebecca F. Kuang - Yellowface
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Interesting read about race bias in the publishing industry. Following a friend's death a writer steals her manuscript, rewrites it and finds publishing glory. Eventually, claims of plagiarism abound and June's (now Juniper) life starts to unravel. It was pretty good and very entertaining although, I think that the lead character was fairly one dimensional in order to fit the role she was designed to exemplify. It's tough to critique the race aspects, I suspect, without being told, 'that's easy for a white person to say', and I dare say there's some truth to that, so I won't. The more interesting aspect of the novel for me was the depiction of the world of social media, specifically Twitter here, and how easy it is for oftentimes nameless, faceless people to make or break another person's life and career. I have no doubt this was a rather tongue-in-cheek, somewhat exaggerated critique of cancel culture but, it sounded like it represented the voice of experience and it just made me grateful all the more for never delving into that nest of vipers.
Book 54: Graham Greene - Brighton Rock
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Not bad British gangster thriller, a tad dated to it's detriment but, featuring a truly despicable lead in the form of Pinkie. Catholicism seems a recurring theme for Greene and plays a role here too as characters try and deal with their own sins. Not great but not bad, probably wouldn't recommend as it could have done with upping the pace a bit. Catch the classic movie though, that's ace.
Book 55: Jennifer Egan - Look at Me
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Egan is yet to do any wrong for me. This is my third and it is just so well written with an amazingly crafted plot chock-full of interesting characters. The overarching theme seems to be the gaze – how our visual sense predominates our sense of worth and our judgment of others. Launching right in with a road traffic accident that leads to face changing injuries for a commercial model, we're introduced to her close and not so close friends, family and associates. A mystery unfolds surrounding a sleeper terrorist (the book released a few months prior to 9/11 and I've read Egan was flooded with questions about how she could have foreseen such a thing), and while the unravelling was telegraphed enough to see it coming, it still maintains the locomotion needed to push the book forward. My favourite read of the month.
Book 56: Paul Auster - Oracle Night
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All the elements were here for a great book but the meta-world of Auster writing a writer, writing a writer whose two worlds seem to crossover with both each other and indeed, Auster's proved just a little bit too contrived to be wholly enjoyable. The main problem was that it felt like it's been done to death, largely by Auster and at this point it seemed a little bit too self-referential and just a bit boring to be honest.
Book 57: Agatha Christie - Five Little Pigs
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Great fun, never fails to entertain. Christie was superb at leading you down a very clever pathway to thinking you're the world's greatest detective just to remind you in the closing chapter that there can be only one world's greatest detective and that is of course, Hercule Poirot.
Book 58: Paul Lynch - Prophet Song
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Beautifully written but absolutely bleak as fuck story of a land overtaken by a totalitarian dictatorship. Ireland is the country of record here but the most frightening aspect for me is that it feels like this could really happen just about anywhere in the current political climate. The depth of the language, the continuous prose, the unsigned speech that passes from person to person without forewarning made it take a little longer than a book of this length might normally take to read. All this coupled with the third person present tense gave it a momentum though that always felt urgent and drenched with a sense of foreboding. Amazing fiction but, all too harrowing to claim I really enjoyed it.
Book 59: Angela Carter - The Bloody Chamber
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I finished my September reads a few days early so, I've moved on to October's which I like to hand over to horror and adjacent. This short story collection, like most, has some hits but a few misses too. Carter uses fairy stories and folk tales as a springboard to focus on the more grotesque elements and accentuate the sexuality latent in them. Like I said, not bad but, the language often seemed all too pretentious and I felt like there was tons of subtext that I just couldn't get in the mood to spend time decoding.