Equipment Recommendations - The Home For New System and Upgrade Advice

Haha thanks Joe. So many unknowns for me and they tend to plague my mind so appreciate the reassurance there! At the moment seems the cart is before the horse on the greener side of the grass post-purchase and pre-receipt. Had I gone for the Grado Gold I'd no doubt be wondering about the Blue as well (as you do so commonly see it recommended and regarded in the price range). So should instead be looking forward to enjoying one well recommended one before seeing if I'd like to try another down the line. It's a good position to be in and I'm fortunate to be able to start out with the setup I am!

Back to boucing off the walls again 😂 happiness levels:

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Sounds like good service and I’m glad you’ve got something ordered and winging its way to you! Nothing better than new gear arriving 👍🏻
 
I will make my way out to Upscale Audio to demo Sutherlands and hear them in person.
This is the best decision you can make. If you can swing having the cash out of pocket for a bit, I'd suggest purchasing the Stellar phono and bringing it will you to Upscale to do side by side demos. Maybe not as good as in home trials, but likely as good as it will get.

Or if you're really willing, get both the Stellar and Duo in house from dealers with good return policies. One way shipping charges are certainly a fair price to pay for an in home demo. But I also understand not everyone wants a few grand out of pocket to make this type of demo happen.
 
That "rich and warm" you noted may make sense in the context of one review I read - while the review was positive, it mentioned that they found the need to set the impedance slightly higher for cartridges (e.g. 200 rather than 60ohms) than they normally would for the best sound. I imagine this would dull the sound a bit and may address that coloration.

The DUO is still in the running. I'm not buying anything this year and who knows what will come out in the meantime. Plus, right now I'm narrowing based on professional/user reviews, specs, and features. I will make my way out to Upscale Audio to demo Sutherlands and hear them in person.

Since you have it, I do have two - admittedly secondary - questions about the DUO that I'm curious about.

One - each chassis having a ground. How do you run those connections? I mean, normally you'd have one wire/spade going from TT to phono, but now you have two ground posts for the phono. What did you do?

Second - I see in the manual about user's choosing their own power cable. Understandable and something I would most likely, but does this mean it doesn't come with any cables for immediate hook-up? Like I said, secondary questions.

I also have a question about your gear....so w/ the MOFI, Sutherland, Prima Luna, that is all similar in price point/gear level. However, if I'm correct that Grado looks to be a few hundred dollar cartridge. Of course, I don't want to get caught up on numbers because, IMO, the real value of something is judged by our ears; but how did you end up with this cart - did you not worry that the cart would be outclassed by all of your other equipment?

Going back to the DUO - part of my issue and desire for easier gain/loading is that I'm looking at MC carts - specifically to have a mono and a stereo. There are some combos of carts where I couldn't use the same settings for both, and would need to change most likely the impedance. So, there, of course, I'd like it to be easier for me and be able to be done without really interrupting listening for long.

The Grado Timbre series actually looks interesting because they sell low/high output mono/stereo versions of those carts with the same specs. So, realistically I could just buy the same output version (low or high) of both a stereo and mono of the cart and it should do well with the same settings. This would address the one hesitation I have with the Sutherlands. I don't know if you've any experience with this line - I actually found reviews to be scarce. It also seems that there are not use replaceable stylus for them, but I'll assume that has to do with the wood bodies.

They're the same price, but any insight into low vs high output MM - pros/cons for either? Or why someone might choose a low output MM over a MC - assuming phonostage can handle either? And, in the case of the Grado, the price is only about 25% less than the MC's I'm looking at.

EDIT: Oh snap! 1) I didn't realize there is a Grado thread on N&G (nerds!) and 2) that Grado is repped here. Ummm... @RichGrado if you have any insight as to why someone might choose a high or low output version of one of the Timbre carts - again, aside from whether their phono stage can accommodate (isn't a problem). For reference, I'll be mounting whatever I get on a Technics SL1200G.

As long as you have a ground run to one of the chassis, you are good.

The Duo comes with a pair of basic computer grade power cords to get you up and running. Ron Sutherland didn’t go fancier because he figures buyers will buy their preferred power cables.

The cartridge is correct- it’s $260 and sounds worlds better than the price would indicate. In fact, it’s easy to hear the difference between the Insight and the Duo- and the difference is massive. I’ve also got a Statement Platinum2 (boxed up now) which is now discontinued. The replacement is the Platinum3 low output. The original plan was to use the SP2 as a trade in towards a low output Sonata3 or Master3. As things sound so damn good with the Gold3 (the best analog sound I’ve ever had at home) I may not change anything.

My big issue with the Grado woodys, Soundsmith and MCs is down time when the stylus is worn. Needle Doctor used to send replacement cartridges up front at a reduced cost. Then you had 2 weeks to return your trade in. No down time. They are sadly gone and I can’t find another dealer who does this. So you either need to buy 2 cartridges to avoid down time or be without whilst waiting for an exchange.

You have the right idea regarding the same cartridge in mono and stereo. They will have the same sonic signature, and you’ll be able to change between stereo and mono without changing any settings, either on the phono stage or the arm.
 
As long as you have a ground run to one of the chassis, you are good.

The Duo comes with a pair of basic computer grade power cords to get you up and running. Ron Sutherland didn’t go fancier because he figures buyers will buy their preferred power cables.

The cartridge is correct- it’s $260 and sounds worlds better than the price would indicate. In fact, it’s easy to hear the difference between the Insight and the Duo- and the difference is massive. I’ve also got a Statement Platinum2 (boxed up now) which is now discontinued. The replacement is the Platinum3 low output. The original plan was to use the SP2 as a trade in towards a low output Sonata3 or Master3. As things sound so damn good with the Gold3 (the best analog sound I’ve ever had at home) I may not change anything.

My big issue with the Grado woodys, Soundsmith and MCs is down time when the stylus is worn. Needle Doctor used to send replacement cartridges up front at a reduced cost. Then you had 2 weeks to return your trade in. No down time. They are sadly gone and I can’t find another dealer who does this. So you either need to buy 2 cartridges to avoid down time or be without whilst waiting for an exchange.

You have the right idea regarding the same cartridge in mono and stereo. They will have the same sonic signature, and you’ll be able to change between stereo and mono without changing any settings, either on the phono stage or the arm.
I'd imagine that in some cases a dealer might be willing to get the new cart in and offer the discount when you bring in your worn cart for the transaction. But I'm sure most people don't have local Grado dealers at all, let alone a dealer willing to do that. Sad times.
 
Hey friends, I'm having some trouble with one of my speakers. The other night when listening to some music it got progressively more staticky. I was in the other room, and hurried over to turn off the receiver. At first I thought maybe one of the wires was loose, but I detached and reattached all of them on both the receiver and the speaker ends. I think I've isolated it to the negative port on the back of this speaker. Sometimes it's fine but sooner or later it just starts humming static. As you can see/hear in this video, just inserting the wire into the port causes it to go haywire. I've already cut and restripped the wire, twice, swapped the ends (positive to negative), and swapped which ends are connected to the receiver and to the speaker, and had the same problem with the same end. I probably just need new speaker wire? It's this wire, fyi. Oyaide Explorer 0.75 Speaker Wire – Planet of Sound


Goddamnit, this is happening again.
 
I forget all the troubleshooting you went through last time, but...did you swap speakers to confirm it's not the receiver?
I did. My receiver also has two sets of speaker inputs. I just changed the troublesome one to the second input and I get the static when it's selected and none when it's set to the other input, so I'm guessing it must be the speaker or its port. Going to try with headphones as well to confirm. It's just so bizarre that it went months without being a problem again.
 
I did. My receiver also has two sets of speaker inputs. I just changed the troublesome one to the second input and I get the static when it's selected and none when it's set to the other input, so I'm guessing it must be the speaker or its port. Going to try with headphones as well to confirm. It's just so bizarre that it went months without being a problem again.

Could just be a loose connection on the terminal. You might pop it off the speaker and see what's going on inside.
 
I'd also like to hear your review on the Stellar. I've been running the PS Audio NuWave Phono for a while, which I really like. But I've been looking at other things. For a while I was sold on the Sutherland 20/20. Then I actually decided, screw it, I'll get the Sutherland DUO - which I believe @HiFi Guy recently purchased.

Anyway, that was mostly me spewing out my inner shopping logic to really just say, again, that I'd love to see your impressions of the Stellar.

Hi @TheMythOfSisyphus,

Yes, been meaning to post my impressions but have been so busy with my son's distance learning (it's kicking my butt and he's only in Kindergarten...don't know how other parents are doing it). If I'm lucky, I get about 15 minutes in between hearing "I'm bored" or "what next"?

Anyways, I've only had my PS Audio Stellar Phono for about 2.5 weeks. My upgrade path (including stylus/cartridge changes), for some context, has been the following:
  • Started with a Pro-ject Debut Carbon SB w/stock Ortofon Red
  • Built-in phono of the Parasound HINT 6 (awful with the Ortofon Red that came with my Pro-ject Debut)
  • MoFi StudioPhono (really good for the price; tamed a lot of the sibilance of the Ortofon Red)
  • Upgraded to the Ortfon Blue (way less sibiliance and overall was a worthwhile upgrade)
  • Upgraded to the Grado Gold2 (lower output so required more gain, didn't pick up as much "bad sounds" from my records, warmer, better than the Ortofons...swore off Ortofons at this point)
  • Parasound JC3 Jr. (wow, HUGE improvement over the MoFi. It sounded less strained and everything just sounded smoother and more detailed at the same time). I was very happy with this combo until....
  • I upgraded my turntable to a MoFi Ultradeck. Transferred the Grado Gold2 and wow again, didn't know turntables could have such a huge impact on the sound. Same kind of improvements, where things just sounded smoother and more detailed, quieter backgrounds, less surface noise, etc.
  • Then found a great deal on a brand new Hana SL. The Hana gave me a huge soundstage, detailed, so much smoother, an even blacker background. There was a track on a Com Truise album where it sounded like sounds were coming from behind my head!
  • Started wondering if my JC3 Jr. was holding back the turntable & cartridge, so of course made the mistake of not staying away from forums and somehow ended up on the PS Audio website. And as fate would have it, they were having a 20% sale. So, with some trade-ins and the sale, I ended up getting the PS Audio Stellar Phono for $1500 (pretty much the same price as my JC3 Jr).
My Impressions of the PS Audio Phono
So keep in mind I'm still relatively new to all of this (HiFi)...I can't say how much confirmation bias there is and when I bought the PS Audio, my attitude was that I'll just return it if I didn't like it since they have a 30-day trial. I wasn't really sure what to expect out of it.

Build Quality
Since you have a PS Audio piece, I'm sure you're familiar with their build quality. This new phono stage is surprisingly heavy and the casework is really nice. The remote control, however, is a piece of crap. Remotes are really expensive to design/manufacture and in a piece of consumer electronics, is usually the first place a company will cut costs. The buttons are a type of mushy rubber and feels like really cheap plastic. If I dropped it, it feels like it'd shatter. I've been too lazy to program my Logitech Harmony to work with it, but will eventually.

A super super small thing to nitpick, but the user manual looks like it was printed at home and stapled together by a 13-yeard-old intern. For a company that positions itself as high-end, this kind of ruins it a tiny bit. I like to read manuals first, so if you think about that first experience with a brand/product and it's something where they obviously cut costs....

My Setup
I'm using Audioquest Yukons (XLR & RCA) between the Ultradeck/HINT 6/Stellar Phono. I'm also using an Audioquest NRG-Y3 power cord with the Stellar Phono. Maybe I'll try upgrading the power cord in the future since the manual specifically states power cord swap will improve things (but keep in mind they also make/sell power cords).

I've listened with both my KEF Q350s and Buchard S400s. It's interesting that with the KEFs, even bad recordings aren't too bad. With the Buchardts (and this new Stellar Phono), bad recordings sound really bad (but then decent to good recordings sound ridiculously good). I guess that's just what happens with more resolving systems? Or are the KEFs just tilted up enough in the treble to be able to cover up bad recordings, not sure.

Ergonomics/Using it
The indicator lights are kind of annoying and the front panel looks a little cheesy. I'm a UI/Product designer though so maybe being a little too critical. The LEDs are super bright, and you see 4 pretty prominent blue lights on the front of the unit. If you mute it, there's a bright red LED. That front panel doesn't quite work with their established design language.

The mute button though, I initially thought was kind of a gimmick or some type of workaround for something, but I love it! I get quite a bit of static building up after a while and it'd always be annoying when I'd hear the various knocks and pops when changing records. There were also times when I'd want to clean my stylus in between sides. I suppose one could just mute their amp/preamp, but I love the mute (and so do they, 'cause it's massive in relation to the other buttons).

If you lose the remote, you're kind of screwed and will need to buy another remote, because switching between the MC/MM inputs and the loadings presets can't be done w/o the remote. It does remember your last settings (unless you turn off the main power), but would've been nice if there was some alternative way just in case. I also wish they had memory for your own custom presets (I know in reality, it's probably harder/more expensive than is reasonable). I should note though, if you're using an MM cartridge, probably not a big deal.

For me, the presets were fun to play with and let me understand how they change the sound. For me though, I'd only change these presets while setup or if I'd want to buy a different cartridge.

BTW, there's two sets of inputs...one for MC and one for MM. The custom loading for the MC, you can change per channel. And I'm guessing one could have two turntables hooked up a single Stellar Phono (one with an MC cartridge, one with an MM cartridge).

Sound
I've been blown away by this new phono stage. I haven't compared it to other phono stages at this price point (or above for that matter), and I haven't heard any Sutherlands, but man, this PS Audio Stellar Phono sounds amazing. The mid-range has this authority and weight to it and just makes everything sound much more grounded. There's more detail, better instrument separation, and things sound even smoother, while still having than I've ever heard in my system and I really really like it! I don't know that there's anything it doesn't do better than my JC3 Jr.

I'm not a supercritical listener, but something I noticed right away was that woodwinds and strings all sound better where I can hear things like string plucks more clearly and can get a better sense of the volume of air going into a tenor sax. It's not something I seek out (this sense of realism) but it was noticeable w/o me listening for it. I've really started enjoying my music even more; I've suddenly come down with stupid uncontrollable foot-tapping syndrome (SUFTS).

Conclusion
Sorry, this ended up being a much longer post than is probably readable, but I love the Stellar Phono. I'm also not one to compare a million audio components trying to suss out which component lets me hear the acoustics of the recording studio or what has more realistic vocalist's spit reproduction. I do my research and try to make an informed decision and then buy it. I either like something or don't (except with speakers). If I like something, I'll just make the most use of my time and enjoy it. It might also be because I'm still new at this and still developing my HiFi taste buds, but just want to include that since again, I haven't really compared to others so can't say "this is the best mousetrap in the world".

Lastly, this new Stellar Phono makes me appreciate how good the JC3 Jr. performs. I also get a much better understand of the whole diminishing returns thing. The Stellar Phono is definitely better, but I think if I had to stick with my JC3 Jr., I wouldn't really feel like I'd be missing out. Full MSRP for the PS Audio Stellar Phono is $2,500, and the MSRP of the JC3 Jr. is $1,500. I started wondering how much of the cost difference is in manufacturing cost savings (made in USA vs. Asia, respectively), 'cause I'm not so sure it's $1,000 better. However, given that I pretty much paid the same price for both, the Stellar Phono is noticeably better and I'm keeping it (and will list my JC3 Jr. for sale if anyone's interested).

Also, I think someone else pointed it out further down this thread, but the PS Audio trade-in thing, there's a cap of a 30% discount off the price of the new thing.

Hope this helped and sorry again it was so long. Good luck with it...I'd say give it a try. You don't even need to send in your old gear for at least 30 days. And I've even seen people send in their old gear, decide they don't want to keep the new thing, and PS Audio will send your old gear back. I'd also suggest seeing if you have other old equipment that can add up to the exact amount of the trade-in and either sell your stuff on your own or save it for trading in for something else later. I traded in my MoFi Studio Phono and a Sonos Connect.

-Thomas
 
Hi @TheMythOfSisyphus,

Sure, no problem.

Replies/comments below....

Funny you mention the LED lights cause there was a long tangent in the PS Audio forum in the Beta Testing thread for the Stellar about them. Some hates them, some liked, some indifferent (as you’d expect). Personally, I’m probably indifferent to them.

Yeah, it seems like a lot of components these days use super bright LEDs. I ran out of space in my home entertainment cabinet so put the Stellar Phono in the center where a center channel is supposed to go. There's the speaker cloth material so I can see it, and those lights are pretty bright.

What specifically makes the front panel look “cheesy” to you? I’ve only seen images and am interested in the black but it looks like the standard PS Audio aesthetic.

Sorry, it was probably overly critical of me to say...I'm a design director and it's hard for me to get out of design critique mode. The typeface and type treatment are pretty bad (it's obvious engineers did it), but also the layout of the lights could have been executed more elegantly. Sorry, it's a really minor thing and most probably won't notice it or have it bug them, but for me, it was something that took me a while to not let it bug me (even though I wasn't looking it all the time). And I should be commenting just on the performance and not such minor things...

I have it in black, BTW.

Also, your remark about it not remembering your custom settings - what do you mean? The only custom setting I’m aware of is the custom loading for the MC input. That would be “remembered” simply by the fact that it’s dials on the rear so if you switch the loading to your custom setting it should just be wherever you’ve set the left and right loading dials. Unless you mean something else?
Again, thanks for your impressions.

Sorry, I think I meant it'd be nice if you could put in more than 1 set of custom presets. So the default ones are 60, 100, 200, & 47K. Then you've got custom. I wish there was a way to have more than 1 custom setting, but that's just a nice-to-have and probably not worth the time/money for them to implement. But you're correct, the custom settings are via dials so those won't get lost.

Again, my overall impressions are very positive and my nitpicking is just nitpicking and stuff I don't even think about anymore.

Hope this helps and let me know if you have any other questions.

-Thomas
 
So...I accidentally hit my needle while using a swifter to dust...The needle is kinda going sideways now...I think I already know what I got to do but just wanted to get your opinions...get new one, let it ride, or try and adjust it?
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I played a record to see how it would sound...it sounded fine but it’s not the best pressed album anyways so who knows;)
 
Having a distortion issue on Immortal Otis that I can’t figure out. On ‘Hard to Handle’ I’m getting a fuzzy hiss on the louder vocal sections, what I would normally think was a setup issue. I recently installed a new Grado Red cart, and have made some alignment tweaks to dial it in over the past couple of weeks, probably at 30 hours of run in time, everything has been sounding great today. I’ve even spun ‘Hard to Handle’ from my Dock of the Bay Sessions and do not have this issue on that version. I’ve got downforce set at 16.5 on my Pro-ject debut Carbon. Anyone else have this issue on Otis, or have any advice for further tweaking I should try?
 
I've had some issues recently with my speakers having a little bit of a hiss...the sound does not go up when I turn the volume up. It's not super noticeable, but if I am close up to them I can definitely hear it. Sounds more like a breeze/static than a feedback kind of hum...

I bought a panamax (which I was going to do anyway) but the hiss is still present. Others on here thought it might be a ground loop hum...but not entirely sure how to fix it. I live in an old, pre-war apartment building with bad electricity. We only have two circuits in our apartment, lights, fridge and most outlets are on one, and there's one dedicated outlet for AC...my question is, does anybody know how to fix this? My gear is the following:

TT: Vinyl Nirvana Thorens TD-150 w/ Ortofon Bronze cart
Amp: Rotel RA-1570
Pre-Amp: Musical Fidelity - LX-LPS
Computer plugged in via USB using the Rotel internal DAC
Speaker Cables: Zu Audio Libtec
Speakers: KEF R300s.

The TT ground wire is attached to the preamp's grounding post. Any thoughts? Is it just something I might be stuck with for now in my current living set up?
 
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