displayname
Well-Known Member
My main issue with the 1300G is that I know myself, and I know the entire time I owned the 1300G I would just be wishing it was the 1200G.
The gimbal is supposed to be much easier to work with, but like a lot of precision things their arms are a blessing and a curse. You can dial it in to be more precise. I've even heard of people who makes notes of VTA settings for different pressing weights. But with that, it means that the first time you dial it in, it can be more tricky. And if you ever make changes, getting back to perfect might take a little doing.So my initial desire was to get a VPI Prime but I've heard such nasty things about how finicky the tables are and how much of a pain the arm can be. Have you heard similar? I need to look more into Clearaudio decks, I haven't even considered them. Also havent heard of the Mark Levinson, checking that out now!
In my experience in hifi, the higher up you go, the more likely it is that it's owned by another equally obsessed audiophile. The biggest risks are shipping damages, poor packing, or in the case of the 1200 series, someone mislabling a GR as a G.Wonder how risky it is to buy a used 1200G? Seeing a couple closer to 3K then the 4.3K retail.
Apples and oranges. It's like comparing a rebuilt vintage sports car to an equally priced modern sports car.Was looking at some yesterday. Do you think they stack up sound wise against something like a 1200G?
A $60k rebuilt vintage mustang has a real appeal to it. But a $60k modern mustang would smoke it by all objective measures (except cool factor).