Is the hot take in this discussion that the chart success makes Aerosmith good?
I'm not sure if it's a hot take since I'm not really stating an opinion - just a way of looking at facts that yields a surprising result (at least to me). I'm not saying that chart success makes them good - just, like, culturally relevant in a way that I don't think most people give them credit for. Of all of the legacy acts that have high-priced tours, I don't think Aerosmith gets recognition for the fact that, love them or hate them, they actually tried to keep making NEW music and were pretty damn successful in making new music over a long span of time, rather than just coasting on the success of their past hits.
Mostly I posted it here to see if someone could come up with any other band that had a longer stretch of top 10 singles. Maybe it's more of a "musical confession" because I haven't been able to come up with any. I think it's interesting that there are so many solo artists with that kind of longevity, but bands don't seem to last nearly as long - maybe it's easier to stay in the music business with fewer people to pay and negotiate decision-making with. It's wild to me that Aerosmith still exists and tours with the same 5 band members they started with 50 years ago.
For whatever reason, it seems like most bands tend to be rock bands, and rock bands tend to focus less on hit singles now and more on complete albums. And maybe Aerosmith has more of a pop sensibility to their music than other rock bands, and that's why they've been more successful on the singles charts, so maybe that skews things here.
Ultimately, I was trying to think of a way of determining with objective criteria how long a band has put out new music successfully that at least registers with people in a measurably significant way. I feel like measuring album sales is messy and is distorted by the fact that pre-streaming, people would just buy albums by popular bands because that was the only way to listen to the album* - singles don't really have that issue as much. And the issue with album sales post-streaming is that album sales in general have declined so much that "topping the charts" doesn't necessarily mean what it used to. Case in point [for both of those points], Aerosmith's last SIX albums have all made it to at least #5 on the Billboard 200 albums chart. That includes 2005's "Honkin' on Bobo" and 2012's "Music From Another Dimension!". So, if we wanted to talk high-charting albums, their streak would go from 1976 with "Rocks" at #3 to 2012 with MFAD at #5 - they'd still have a top 5 album in each of 5 decades (1 in the 70s, 1 in the 80s, 2 in the 90s, 2 in the 00s, and 1 in the 10s) - but all of that seems to be a less accurate way of measuring cultural relevance and significance. Every Rolling Stones album has charted in the top 5 on the Billboard 200, other than their debut which came in at #11 - but they're not all great, culturally significant albums. For both of these bands, the albums chart highly just because the bands are so popular that people just buy the albums without really checking to see if they enjoy that particular collection of songs.
*I feel like there's a weird phenomenon when you look through many artists'/bands' album sales where the albums that are the most popular or considered the best didn't necessarily chart the highest in their discography. Sometimes, their highest-charting album owes that status to the album(s) that were released right before in that artist/band's discography, which may have been a slower burn in generating sales, but built up the expectations for the new release. Like in Aerosmith's discography, I think Toys in the Attic is great, it charted at #11, but the album that came after it went to #3. "Nine Lives" went to #1 even though I don't think it's really considered to be that great - its biggest single was that song "Pink." But the album that came before it was "Get a Grip" which was their highest selling album ever worldwide.
--One last fun fact about Aerosmith: "On June 27, 1994, Aerosmith became the first major artist to release a song as an exclusive digital download, making the unreleased track "Head First" available as a 4-megabyte WAV file to Compuserve subscribers. Around 10,000 users downloaded the song in the first few days, even though at the time, most users accessed the service with a modem, meaning the download would have taken several hours."