Out of interest, do you think it makes a huge difference over playing mono records on a stereo cartridge?
A couple of things, and these are my opinions based on what I've done and heard.
When I had two systems before I had a chance to try the Quintet Blue and Quintet Mono on the PLX-1000 and there was a definite difference in how they sounded when swapping between the two. With the mono cart there was more clarity, punchier low end, really quiet and vocals seemed a bit more natural compared to the Quintet Blue. There's something about the uniform sound distribution that works, and yes, I took notes back then because this mono thing has been a back burner itch for quite a while.
All that said, there are a bunch of ways to produce "mono", some I would consider "faux" mono, and hey, whatever works for you. But the reason I ended up going this route was for a couple of reasons.
Why not just put it on a head shell and use it on the 1210G? I'm nearing end game and really want simplicity when deciding what to listen to. So while I could have gone that route, I would have had to still adjust phono setting, and calibrate the cart to some extent, so some time and effort involved. I wanted it to be more simple.
I also wanted to run as true a mono chain as possible, the AT33MONO is a TRUE mono cartridge, so we found a good turntable and phono with the goal being this rig was as is, no changing carts, just set up for mono when I wanted to listen to mono, end of conversation. So the mono rig is going into AUX 1 on my amp and the 1210G/Manley through AUX 2, so it's literally a source button push and I can listen to whatever, whenever.
Lastly and most importantly, I wouldn't jump into the mono rabbit hole if you only have a few pressings, it's not worth it. I have quite of few new and old mono recordings. Like I mentioned earlier, there are other ways to go about it, but I think most of those aren't going to produce enough of an audio difference to warrant doing it that way, you'll enjoy the recording just as much in stereo. I just wanted to do it as close to the "Right" way as possible, just my opinion/decision.
If you want to go down this road, I would recommend finding a decent table, doesn't have to be super expensive, put your money towards a true mono cart and push it through your phono input if you're using a separate phono for your main rig. I had to go with an additional phono because I went with an MC cart. Keep in mind that your going mono, so a separate phono can be very inexpensive, you can go with a Schiit Mani for $150 and be done. I grabbed an open box StudioPhono for $200. So there are options, again, my snag was "doing it the right way"..........according to me
In conclusion, lol. Yes, I think mono LPs sound better
on my rig, set up the way it is, with the components I'm using