Heads up on the Jazz RSD rundown:
1. Art Pepper Meets the Rhytym Section:
Nice pressing. Sounds great. The big surprise to me is the clarity and authenticity of the cover, particularly the back cover.
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2. Bill Evans - Morning Glory:
Very nice sounding, clearly a professional recording. Drums maybe a slight bit recessed, but not a worry, the piano sound is glorious, the bass is very solid, and this overall is very recommended. It is also a really great concert, an electric atmosphere.
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3. Bill Evans - Inner Spirit:
As with the earlier recorded Morning Glory, the sound here is excellent. Maybe a bit more noticeable that the drums have little impact, but again, the performances are killer, and the material is great. A fabulous late Evans trio recording. Marc Johnson kills it. Both these Evans recordings will result in a flood of the Ronnie Scotts RSD release heading to the used bins.
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4. Pepper Adams - Live At The Room At The Top:
Acceptable recording, but not A-grade. The piano is pretty bright, and Pepper a bit recessed. And despite KPG in the deadwax, an obvious digital transfer. It is a pretty good live date, though, and Pepper is the king on baritone. Always has been. Every baritone player since the late 50's has come through Pepper, not Mulligan. Despite reservations on the recording, and the pressing which is not exactly RTI standard, this is fabulous and essential.
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5. Mingus - The Lost Concert:
Interesting. The recording is very good. The material can get pretty wild, even getting close to off the rails at points. But is fun, if not essential Mingus, it fills a gap in his recorded career very well. Recommended.
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6. Albert Ayler - Revelations:
Again, the KPG in the deadwax doesn't mask the limitations of the recordings. However, this material sounds better here than it ever has, and the fact that Ayler veers off-mic quite a bit can't be helped. This is full-blooded late period Ayler, there is some ear bleeding singing from Ayler and Mary Maria (thankfully not much), and several places where Ayler shows that he is not just a screecher, but has R&B as well as solid bop chops. There are a fair number of very straight solos here, and overall, this expands the understanding of Ayler significantly, while bringing back his last late period live recordings up to very good sonics. For me, this can't be more the opposite of Pepper Meets the Rhythm Section, but even more revelatory. Nice pressings.
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