So, this was the last interesting album Kanye made. Life of Pablo was the moment his ego took over, possibly because this did so well waiting till the last minute to finish with no real hype machine behind it which, of course, fed the hype machine. It is an interesting mix of what came before and a future sound we have quite gotten to yet. He is artistically brave, but the problems with his head are starting to show. Too bad he's become toxic, because as a producer, he is outstanding. His rapping has always been weak. Here he manipulates his voice enough to give some interesting performances through out. 4 stars.Generator hates me tonight:
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Man, the Allmusic review reads like there are entire sentences missing:
Shack - HMS Fable
IDK?
I don't know man. Best I can figure, we are working on an older edition of the book. I decided when I started that I would listen to every album. Kanye was a test, I almost didn't listen to it. But, here's the thing when it came out, Kanye hadn't turned into a say crazy shit to sell albums and then turned into the weird racist republican shill he became. Even knowing that, there is none of that on display in Yeezus. The cracks are starting to show, there is definitely some misfiring happening in his synapses, but it truly is the last time I thought he was more interesting as a producer than as a spectacle. I think between this and Adams and to a lesser extent Arcade Fire (as I was never that invested in that band), I've decided that these listens need to focus on why the album made the list more than is the musician a scummy piece of shit human. Artists often are, because people often are. I'm going to make a more concerted effort in the auspices of this project, to separate the art from the artist (unless there is a need to really examine the art as an extension of the artist, which I think might have been the case with Adams and to a lesser extent, this Kanye album.)I think I got it worse than @Lee Newman tonight.
Yeah, this sounds like 90s british pop rock stuff as it starts, anyhow. Will probably take a few listens which won't happen now to know where it stands in all of that, but I quite like it. Like an upbeat Stone Roses.
Shack - HMS Fable
IDK?
Does that make sense?
I really like his voice. I like the Smiths, I haven't listened to any of his solo stuff since people would subject me to it (mostly sad artsy girls that I thought were cool) in college.Fully makes sense.
But in addition to being a complete and total fuck knuckle, I also really don't like Morrissey's music!
More on that later.
“The More You Ignore Me, The Closer I Get” is one of the best creeper songs of all time. Up there with “Every Breath You Take”, and “Tyler”.Fully makes sense.
But in addition to being a complete and total fuck knuckle, I also really don't like Morrissey's music!
More on that later.
I feel like this song was in like 90% of TV commercials and movie previews in the late 80s, early 90s.I've seen this album cover before but that's the extent of my knowledge of the band before this listen. 5/5 excellent album that I'm very pleased to have heard. I'll absolutely return to this one regularly. The first track is one many are probably familiar with, but it's my least favorite on the album even though it's not bad.
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