The Blue Note Thread

Sounds even better than it looks and that's saying a lot!

Just incredible soundstage. 🎵

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I have this and the quality of the music is spectacular but I'd say this is one of the worst Tone Poet pressings I've ever received. Lots of noise on the lead in on each record. More tracks than not have a raspy noise in the dead air between songs. Reckon I just got a dud I need to swap.
 
I have this and the quality of the music is spectacular but I'd say this is one of the worst Tone Poet pressings I've ever received. Lots of noise on the lead in on each record. More tracks than not have a raspy noise in the dead air between songs. Reckon I just got a dud I need to swap.
I cleaned mine before playing.
It is just about perfect and zero noise.
Not sure if that will help your situation but worth a shot.
 
Not a surprise, but Music Matters has started changing the status on most of their records on their site to "OUT OF PRINT" instead of out of stock. Every 33 is OOP and most of the 45s are too. They do have a few 45s left for $50 but the others are all very pricey now.
 
Given that Music Matters is likely out of the Blue Note reissue business at this point and those 45s were originally reissued a decade ago or more, I kind of don't begrudge them for getting what they can for their remaining stock. Those albums (and the 33s) were all reasonably priced upon initial release, and for the most part, they're being sold for more on the secondary market. Just comparing a few of the remaining 45s they have available with Discogs prices... they're still the better deal. Maybe Rambach is going to turn his attention to something else, but given the lack of activity recently, it seems more likely this is the end of the line. I'd want to make a buck or two off what I had left, too.
Fair enough.

I think the main grudge against Rambach is that MM started out with altruistic purposes - to honor RVG and the BN catalog and do it to the pinnacle of quality, which it largely achieved. But when Rambach jettisoned the distributors and went direct sale, it started to be all about the money. The reasonable price part - which was generally when the product was distributed by Elusive Disc - was how I acquired all my MM titles.

Rambach redid many of the 45 MM titles because he never really wanted to go 45 at the outset, but was pushed to as at that moment there was some fuzzy fetish for 45. Similarly, he brought in Hoffman because, at that moment, he still had some cachet in audiophile circles mainly due to his forum. Rambach hated hoffman's contributions, and wanted to rework some of what he felt were the biggest misses of the SH/KG period (and note that Rambach kept using the SH/KG hype stickers well after SH was dropped and only KG appears in the deadwax). fair enough, and although some people squaked at the more aggressive presentation of the 33's, I found them consistently more real than the 45's. The first MM 33's were still distributed at retail, but soon after, Rambach shut that down and went to direct sales. Fair enough, to most buyers, that doesn't matter much.

BUT - when he went direct, and basically fucked over distributors and generally abandoned overseas customers loyal to MM with high shipping costs (and obviously, overseas and other customers losing the ability to drop a MM title into a bigger order with non-MM titles to even out the shipping hit), he did so EXPRESSLY STATING THAT HE WAS DOING SO BECAUSE HE WAS ANGRY AT PEOPLE FLIPPING MM TITLES FOR CRAZY PRICES AND WANTED TO PUT AN END TO THAT.

Which was a lie - he simply wanted the ability to do it himself, and soon started playing a game of limiting availability of titles so he could drive up prices by making them appear almost out of stock. This is getting to deceptive practice.

That's where I, and others, lost trust in Rambach. His ethics. And then, I and others though back to where he got his start and made his money - as a second hand record dealers specializing in rare original BN pressings that he sold primarily to well heeled foreign buyers. He was always a hustler.

Given his age, Rambach is likely retired. He used the last few years of MM to build his nest egg, fair enough. But it left a bad taste for many, particularly those who supported him and MM from the beginning.
 
Fair enough.

I think the main grudge against Rambach is that MM started out with altruistic purposes - to honor RVG and the BN catalog and do it to the pinnacle of quality, which it largely achieved. But when Rambach jettisoned the distributors and went direct sale, it started to be all about the money. The reasonable price part - which was generally when the product was distributed by Elusive Disc - was how I acquired all my MM titles.

Rambach redid many of the 45 MM titles because he never really wanted to go 45 at the outset, but was pushed to as at that moment there was some fuzzy fetish for 45. Similarly, he brought in Hoffman because, at that moment, he still had some cachet in audiophile circles mainly due to his forum. Rambach hated hoffman's contributions, and wanted to rework some of what he felt were the biggest misses of the SH/KG period (and note that Rambach kept using the SH/KG hype stickers well after SH was dropped and only KG appears in the deadwax). fair enough, and although some people squaked at the more aggressive presentation of the 33's, I found them consistently more real than the 45's. The first MM 33's were still distributed at retail, but soon after, Rambach shut that down and went to direct sales. Fair enough, to most buyers, that doesn't matter much.

BUT - when he went direct, and basically fucked over distributors and generally abandoned overseas customers loyal to MM with high shipping costs (and obviously, overseas and other customers losing the ability to drop a MM title into a bigger order with non-MM titles to even out the shipping hit), he did so EXPRESSLY STATING THAT HE WAS DOING SO BECAUSE HE WAS ANGRY AT PEOPLE FLIPPING MM TITLES FOR CRAZY PRICES AND WANTED TO PUT AN END TO THAT.

Which was a lie - he simply wanted the ability to do it himself, and soon started playing a game of limiting availability of titles so he could drive up prices by making them appear almost out of stock. This is getting to deceptive practice.

That's where I, and others, lost trust in Rambach. His ethics. And then, I and others though back to where he got his start and made his money - as a second hand record dealers specializing in rare original BN pressings that he sold primarily to well heeled foreign buyers. He was always a hustler.

Given his age, Rambach is likely retired. He used the last few years of MM to build his nest egg, fair enough. But it left a bad taste for many, particularly those who supported him and MM from the beginning.
That’s a lot of words to say he priced his customers out of the market and Blue Note saw that they could take those coustomers by providing and affordable and quality product.
 
Based on the timing, it seems like he started to bump up prices when it became clear the license wasn't going to be renewed.
Or the license wasn't renewed because the original premise was top quality at competitive prices, with wide distribution, not the 'flexible' pricing model that eventually was implemented. And with Harley basically not involved with MM from near the end of the 45 run onwards, BN saw an opportunity.
 
Kenny Burrell is damn good. I like it a lot better than Feeling the Spirit. Both caused me to go ahead and get the mono Blue Train. Glad I did as it sounds great.
 
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