RobbieBobby
Active Member
I think most of the songs on the album sound pretty good, but yeah Wax and Wane sounds bad. It's not your copy, it just be like that. Overall I love this album though.
Cadet was a second rate label that did not do great recording. So...it is what it is, and sounds fantastic given the recording.I think most of the songs on the album sound pretty good, but yeah Wax and Wane sounds bad. It's not your copy, it just be like that. Overall I love this album though.
This is the first Cadet record I own and given VMPs history of botching pressings I think it makes sense to gather clarification around audible distortion yada yada yada, this has immediately become one of my favorite albums in the collection, so not complaining as much as being thorough to ensure I got what I paid forCadet was a second rate label that did not do great recording. So...it is what it is, and sounds fantastic given the recording.
Funny how people clamored for this record for ages, then VMP respond to that by doing a top job on it, and still some people complain - I guess who either weren't aware of Cadet's recording history, or who think miracles can happen.
We have this record now in sound that vastly exceeds originals. Be happy!
Cadet was a second rate label that did not do great recording. So...it is what it is, and sounds fantastic given the recording.
Funny how people clamored for this record for ages, then VMP respond to that by doing a top job on it, and still some people complain - I guess who either weren't aware of Cadet's recording history, or who think miracles can happen.
We have this record now in sound that vastly exceeds originals. Be happy!
I'm certainly not complaining that VMP reissued the record, I think their curation is pretty admirable and their access is verging on incredible - I'm just stating the fact that it sounds bad. Its a rad record, but and this is the key point, there are many, many people out there (discogs, SHF, etc) who are saying this is a good sounding record. and it is not. full stop.Cadet was a second rate label that did not do great recording. So...it is what it is, and sounds fantastic given the recording.
Funny how people clamored for this record for ages, then VMP respond to that by doing a top job on it, and still some people complain - I guess who either weren't aware of Cadet's recording history, or who think miracles can happen.
We have this record now in sound that vastly exceeds originals. Be happy!
Completely agree. Like I said, Cadet was a second tier label at best - a budget label. Dorothy Ashby found a home there, and let's be honest - she would not have on a bigger label. I don't expect a Cadet recording to be excellent, and anyone who says this recording is a masterpiece of the recording art is just dumb. But...the VMP sounds way better than an original, and a superb job was done taking a sonic turd and making it into something that sounds, well...not bad. For what it is.I'm certainly not complaining that VMP reissued the record, I think their curation is pretty admirable and their access is verging on incredible - I'm just stating the fact that it sounds bad. Its a rad record, but and this is the key point, there are many, many people out there (discogs, SHF, etc) who are saying this is a good sounding record. and it is not. full stop.
there is a vicious cycle of FOMO, mutual admiration societies and allowances for defects that are seemingly used to justify discogs values for what are expensive records and it just kinda bugs me.
also I see your rig and I imagine it is quite revealing -Completely agree. Like I said, Cadet was a second tier label at best - a budget label. Dorothy Ashby found a home there, and let's be honest - she would not have on a bigger label. I don't expect a Cadet recording to be excellent, and anyone who says this recording is a masterpiece of the recording art is just dumb. But...the VMP sounds way better than an original, and a superb job was done taking a sonic turd and making it into something that sounds, well...not bad. For what it is.
I never believe a word on Discogs. Comments thereare either from flippers (pimping a record up) or the same tired group who seem to have issues with every pressing. SHF is proof that inbreeding is dangerous. Lack of genetic diversity through inbreeding leads to mindless group-think.
I wouldnt say my rig is revealing, more forgiving actually - my usual cartridge is pretty mellow, although detailed. Very few records on my setup sound really bad. A lot sound spectacular.also I see your rig and I imagine it is quite revealing -
and what I believe is that many people don't realize that the more revealing your rig is the fewer records that truly sound great. It's why audiophiles drool over the same set of records - some of them are great, some less so...
anywho..this is the hard part for me, because my rig is also very revealing, I try to be about the music (the ashby record is a good example) but I struggle because I know how good records can sound.
its a frustrating hobby, but i'm old.
I also get frustrated with the vinyl hobby but I do love it!!! I’m looking forward to falling more in love with the vinyl format and in general, the hobby, in the future!!!It’s a frustrating hobby, but i'm old.
I won't challenge the issues with recording quality. But just to balance out all the Cadet bashing going on, there's a ton of fantastic actual music on the label if your audiophile setups don't melt upon the needle touching such filthy vinyl :
Terry Callier - What Color Is Love
Marlena Shaw - The Spice Of Life
Eddie Fisher - Eddie Fisher & The Next One Hundred Years
Dorothy Ashby - Rubaiyat
Dorothy Ashby - Afro-Harping
Dorothy Ashby - Dorothy's Harp
Phil Upchurch - Upchurch
Etta James - Tell Mama
Odell Brown Plays Otis Redding
And if we want to extend to Cadet Concept:
Muddy Waters - Electric Mud
Rotary Connection - S/T
Howlin' Wolf - The Howlin' Wolf Album
I'm probably forgetting a few, but that's the best of it. I'd take crummy pressings of any of the above over a lot of the stuff that actually gets audiophile treatment. And there's a bunch of other good stuff on the label. The Dells, Ramsey Lewis, other albums from artists on the list above. Basically anything Charles Stepney was involved in. Richard Evans too. Also a fun fact: before EW&F, Maurice White was the drummer for Ramsey Lewis on his Cadet albums, and also a session drummer for Chess/Cadet.
Is that the MOV pressing? I keep going back and forth on that one. They use digital sources but do a good job, I just find MOV pressings can sound a bit sharp sometimesI've got a recent reissue of Terry Callier's "What Color Is Love" and it also sounds fantastic. Definitely recommend it.
i have the MOV pressing and it sounds decent enough. I think that album would be a great Classics or Essentials but I have no idea what state the masters are in.Is that the MOV pressing? I keep going back and forth on that one. They use digital sources but do a good job, I just find MOV pressings can sound a bit sharp sometimes
Is that the MOV pressing? I keep going back and forth on that one. They use digital sources but do a good job, I just find MOV pressings can sound a bit sharp sometimes
great list...and I agree, the music can be amazing..that Terry callier record is incredible...and also agree that lots of audiophile stuff is put out there so audiophiles can 'trainspot' the fingers striking the keys or the spittle coming out of Miles' trumpet or some other nonsense...I won't challenge the issues with recording quality. But just to balance out all the Cadet bashing going on, there's a ton of fantastic actual music on the label if your audiophile setups don't melt upon the needle touching such filthy vinyl :
Terry Callier - What Color Is Love
Marlena Shaw - The Spice Of Life
Eddie Fisher - Eddie Fisher & The Next One Hundred Years
Dorothy Ashby - Rubaiyat
Dorothy Ashby - Afro-Harping
Dorothy Ashby - Dorothy's Harp
Phil Upchurch - Upchurch
Etta James - Tell Mama
Odell Brown Plays Otis Redding
And if we want to extend to Cadet Concept:
Muddy Waters - Electric Mud
Rotary Connection - S/T
Howlin' Wolf - The Howlin' Wolf Album
I'm probably forgetting a few, but that's the best of it. I'd take crummy pressings of any of the above over a lot of the stuff that actually gets audiophile treatment. And there's a bunch of other good stuff on the label. The Dells, Ramsey Lewis, other albums from artists on the list above. Basically anything Charles Stepney was involved in. Richard Evans too. Also a fun fact: before EW&F, Maurice White was the drummer for Ramsey Lewis on his Cadet albums, and also a session drummer for Chess/Cadet.
! I really want that album to get the AAA, remastered by Ryan Smith and pressed at QRP on 180g vinyl treatment!!!